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Analytical studies in world music edited by Michael Tenzer.

Colaborador(es): Detalles de publicación: Oxford New York Oxford University Press 2006.Descripción: xv, 434 pages ill., music 24 cm. 1 CD-ROM (4 3/4 in.)ISBN:
  • 0195177886 (alk. paper)
Tema(s): Clasificación CDD:
  • 780.9 A5329 22
Clasificación LoC:
  • MT90 .A56 2006
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Descripciones mejoradas de Syndetics:

Combining the approaches of ethnomusicology and music theory, Analytical Studies in World Music offers fresh perspectives for thinking about how musical sounds are shaped, arranged, and composed by their diverse makers worldwide. Eleven inspired, insightful, and in-depth explanations of Iranian sung poetry, Javanese and Balinese gamelan music, Afro-Cuban drumming, flamenco, modern American chamber music, and a wealth of other genres create a border-erasing compendium of ingenious music analyses. Through description of contexts of performance and creation, and especially compositional and formal construction, each chapter proposes stimulating ways to hear, conceive, and imagine these repertoires. Selections on the companion CD are carefully matched with extensive transcriptions and illuminating diagrams in every chapter. Opening rich cross-cultural perspectives on music, this volume addresses the practical needs of students and scholars in the contemporary world of fusions, contact, borrowing, and curiosity about music everywhere.

Includes bibliographical references and index.

Tabla de contenidos provista por Syndetics

  • List of Figures
  • Contributors
  • Introduction
  • Analysis, Categorization, and Theory of Musics of the World
  • Part I Sectional Periodicities: Poetry, Song, Ritual
  • 1 Nava'i, A Musical Genre of Northeastern Iran
  • 2 How to Spin a Good Horo: Melody, Mode, and Musicianship in the Composition of Bulgarian Dance Tunes
  • 3 Flamenco in Focus: An Analysis of a Performance of Soleares
  • 4 An Afro-Cuban Bata Piece for Obatala, King of the White Cloth
  • Part II Isoperiodicity: from Strict to Discursive, with Variations
  • 5 Aka Polyphony: Music, Theory, Back and Forth
  • 6 Oleg Tumulilingan: Layers of Time and Melody in Balinese Music
  • 7 Flexing the Frame in Javanese Gamelan Music: Playfulness in a Performance of Ladrang Pangkur
  • Part III Linear Composition in Periodic Contexts
  • 8 "Yang's Eight Pieces": Composing a Musical Set-Piece in a Chinese Local Opera Tradition
  • 9 Architectonic Composition in South Indian Classical Music: The "Navaragamalika Varnam"
  • 10 Mozart: Piano Concerto No. 17 in G Major, K. 453, Movement I
  • 11 Autonomy and Dialogue in Elliott Carter's Enchanted Preludes
  • Contents of the Compact Disk
  • Index

Notas de autor provistas por Syndetics

MichaelTenzerProfessor of MusicUniversity of British Columbia.
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