Frank Stella : painting into architecture. / essay by Paul Goldberger. txt

Por:

Stella, Frank

Colaborador(es):

Idioma: Español New York : Yale University Prees , 2007Descripción: 40 p. ill. (some col.) ; 26 cmTipo de contenido:

text

Tipo de medio:

unmediaded

Tipo de soporte:

volume

ISBN:

9780300131482

Otro título:

Painting into architecture

Tema(s):

Clasificación CDD:

709.2 22

Clasificación LoC:

N6537.S72 A4 2007

Contenidos:

Contents: 7 Foreword by Philippe de Montebello -- 9 Acknowledgments -- 10 Frank Stella Architecture by Paul Goldberger -- 33 Checklist --

Figure 1. Frank Stella, Haines City, 1963. Acrylic on canvas, 99x 99 in. The Metropolitan Museum of Art, Gift of Stanley Cranston, 1988. Photograph The Metropolitan Museum Art, 1989 p.11 -- Figure 2. Frank Stella, Damascus Gate (Stretch Variation II), 1970. Polymer and fluorescent paint on shaped canvas 120 x 600 x 4 in. p.12 -- Figure 3. Henry Hobson Richardson, Converse Memorial Library, Malden, Massachusetts, 1885. Gelatin print on fiber based paper, photographer unknown. First published in The American Architect and Building News, November 6, 1886 p. 15 -- Figure 4. Frank Stella, Bridge Project Across the Shein River, Paris, 1988. Painted carbon steel and aluminum p.16 -- Figure 5. Philip Johnson, Da Monsta, Visitor’s Pavilion / Gatehouse for the Glass House, Johnson’s property in New Canaan, Connecticut, completed in 1995. The National Trust for Historic Preservation, New Canaan, Connecticut. Photograph Paul Warchol p.20 -- Figure 6. Frank Stella in Brazilian beach hat. Photograph by Andrew Dunn, A. Dunn Prouduction, Co., New York p.21 -- Figure 7. Frank Gehry. The Richard B. Fisher Center for the Performing Arts, Bard College, Annandale on Hudson, New York, 2003 p.21 -- Figure 8. Frank Stella, The Broken Jug, under construction in Cherbourg, France 2007. Photography by Martin Francis p.22 -- Figure 9. Erich Mendelsohn. Einstein Tower, Potsdam, Germany, 1919-21 p.24 -- Figure 10. Above left: Bruce Alonzo Goff (1904-1982) Design and presentation drawing for the Gene and Nancy Bavinger House, Norman, Oklahoma, 1950-55. Graphite pencil on tracing paper. The Art Institute of Chicago, Gift of Shin’enKan Inc., 1990.811.28 p.25 -- Figure 11. Above right : Richard Meier, Museum of Contemporary Art, Barcelona, Spain completed in 1996 p.25 -- Catalogue 1. Sunapee II, 1966 p.11 -- Catalogue 7. Jarmolince III, 1973 p. 12 -- Catalogue 8. The Dart p.13 -- Catalogue 15. Severinda, 1995 p. 15 -- Catalogue 9. Groninger Museum (model) 1989 p. 17 -- Catalogue 10. Groninger Museum (model), 1990 p.17 -- Catalogue 11. First Model Kunsthalle Dresden, 1991 p.18 -- Catalogue 17. Constantini Museum (model), 1999 p.19 -- Catalogue 14. Gate House (model), 1994 p.20 -- Catalogue 12. Chapel of the Holy Ghost (model), 1992 p.23 -- Catalogue 13.Chinese Pavilion (model), 1993 p.26 -- Catalogue 20. Chinese Pavilion (model) 2005 p.27 -- Catalogue 21. Chinese Pavilion (in progress), 2007 p.28 -- Catalogue 18. The Ship with Walkway (model) 2004 p.29 -- Catalogue 19. The Ship (model) 2005 p.29 -- Catalogue 233. The Ship (section) )in progress) 2007 p.30 -- Catalogue 25. Remembering Henry (model) 2007 p.31 --

Check list: 1. Sunapee II 1966 p.33 -- 2. Jarmolince 1970 p.33 -- 3. Jarmolince 1971 p.33 -- 4. Jarmolince 1971-74 p.33 -- 5. Jarmolince 1971-74 p.34 -- 6. Jarmolince 1971-74 p.34 -- 7. Jarmolince III 1973 p.34 -- 8. The Dart (D-15) 1X p.34 -- 9. Groninger Museum (model) 1989 p.35 -- 10. Groninger Museum (model) 1990 p.35 -- 11. First Model Kunstalle Dresden p.35 -- 12. Chapel of the Holy Ghost (model) p.36 -- 13. Chinese Pavilion (model) 1993 p.36 -- 14. Gate House (model) 1994 p.36 -- 15. Severinda 1995 p.36 -- 16. The Broken Jug (model) p.37 -- 17. Costantini Museum (model) 1999 p.37 -- 18. The Ship with Walkway (model) 2004 p.37 -- 19. The Ship (model) 2005 p.37 -- 20. Chinese Pavilion (model) 2005 p.38 -- 21. Chinese Pavilion (in progress) 2007 p.38 -- 22. The Broken Jug (left handed version) 2007 p.38 -- 23. The Ship (section) (in progress) 2007 p.39 -- 24. Guest House (model) 2007 p.39 -- 25. Remembering Henry (model) 2007 p.39 --

Existencias
Imagen de cubierta	Tipo de ítem	Biblioteca actual	Biblioteca de origen	Colección	Ubicación en estantería	Signatura topográfica	Materiales especificados	Info Vol	URL	Copia número	Estado	Notas	Fecha de vencimiento	Código de barras	Reserva de ítems	Prioridad de la cola de reserva de ejemplar	Reservas para cursos
	Libro	CARIBET Biblioteca Arquitectura Colección General CARIBET				General N6537.S72 A4 2007 (Navegar estantería(Abre debajo))				1	Disponible			91000000018010

Total de reservas: 0

Descripciones mejoradas de Syndetics:

Since the early 1990s, the American artist Frank Stella (b. 1936) has designed various architectural structures, including a band shell, pavilions, and museums. This book demonstrates how Stella's formal concerns have evolved from paintings to wall reliefs to freestanding sculptures that extend into architecture. Included are illustrations of the 25 works in the accompanying exhibition that range from small models to a portion of a building at full scale. Photographs of works by architects who have influenced Stella are also featured.

Contents:
7 Foreword by Philippe de Montebello --
9 Acknowledgments --
10 Frank Stella Architecture by Paul Goldberger --
33 Checklist --

Figure 1. Frank Stella, Haines City, 1963. Acrylic on canvas, 99x 99 in. The Metropolitan Museum of Art, Gift of Stanley Cranston, 1988. Photograph The Metropolitan Museum Art, 1989 p.11 --
Figure 2. Frank Stella, Damascus Gate (Stretch Variation II), 1970. Polymer and fluorescent paint on shaped canvas 120 x 600 x 4 in. p.12 --
Figure 3. Henry Hobson Richardson, Converse Memorial Library, Malden, Massachusetts, 1885. Gelatin print on fiber based paper, photographer unknown. First published in The American Architect and Building News, November 6, 1886 p. 15 --
Figure 4. Frank Stella, Bridge Project Across the Shein River, Paris, 1988. Painted carbon steel and aluminum p.16 --
Figure 5. Philip Johnson, Da Monsta, Visitor’s Pavilion / Gatehouse for the Glass House, Johnson’s property in New Canaan, Connecticut, completed in 1995. The National Trust for Historic Preservation, New Canaan, Connecticut. Photograph Paul Warchol p.20 --
Figure 6. Frank Stella in Brazilian beach hat. Photograph by Andrew Dunn, A. Dunn Prouduction, Co., New York p.21 --
Figure 7. Frank Gehry. The Richard B. Fisher Center for the Performing Arts, Bard College, Annandale on Hudson, New York, 2003 p.21 --
Figure 8. Frank Stella, The Broken Jug, under construction in Cherbourg, France 2007. Photography by Martin Francis p.22 --
Figure 9. Erich Mendelsohn. Einstein Tower, Potsdam, Germany, 1919-21 p.24 --
Figure 10. Above left: Bruce Alonzo Goff (1904-1982) Design and presentation drawing for the Gene and Nancy Bavinger House, Norman, Oklahoma, 1950-55. Graphite pencil on tracing paper. The Art Institute of Chicago, Gift of Shin’enKan Inc., 1990.811.28 p.25 --
Figure 11. Above right : Richard Meier, Museum of Contemporary Art, Barcelona, Spain completed in 1996 p.25 --
Catalogue 1. Sunapee II, 1966 p.11 --
Catalogue 7. Jarmolince III, 1973 p. 12 --
Catalogue 8. The Dart p.13 --
Catalogue 15. Severinda, 1995 p. 15 --
Catalogue 9. Groninger Museum (model) 1989 p. 17 --
Catalogue 10. Groninger Museum (model), 1990 p.17 --
Catalogue 11. First Model Kunsthalle Dresden, 1991 p.18 --
Catalogue 17. Constantini Museum (model), 1999 p.19 --
Catalogue 14. Gate House (model), 1994 p.20 --
Catalogue 12. Chapel of the Holy Ghost (model), 1992 p.23 --
Catalogue 13.Chinese Pavilion (model), 1993 p.26 --
Catalogue 20. Chinese Pavilion (model) 2005 p.27 --
Catalogue 21. Chinese Pavilion (in progress), 2007 p.28 --
Catalogue 18. The Ship with Walkway (model) 2004 p.29 --
Catalogue 19. The Ship (model) 2005 p.29 --
Catalogue 233. The Ship (section) )in progress) 2007 p.30 --
Catalogue 25. Remembering Henry (model) 2007 p.31 --

Check list:
1. Sunapee II 1966 p.33 --
2. Jarmolince 1970 p.33 --
3. Jarmolince 1971 p.33 --
4. Jarmolince 1971-74 p.33 --
5. Jarmolince 1971-74 p.34 --
6. Jarmolince 1971-74 p.34 --
7. Jarmolince III 1973 p.34 --
8. The Dart (D-15) 1X p.34 --
9. Groninger Museum (model) 1989 p.35 --
10. Groninger Museum (model) 1990 p.35 --
11. First Model Kunstalle Dresden p.35 --
12. Chapel of the Holy Ghost (model) p.36 --
13. Chinese Pavilion (model) 1993 p.36 --
14. Gate House (model) 1994 p.36 --
15. Severinda 1995 p.36 --
16. The Broken Jug (model) p.37 --
17. Costantini Museum (model) 1999 p.37 --
18. The Ship with Walkway (model) 2004 p.37 --
19. The Ship (model) 2005 p.37 --
20. Chinese Pavilion (model) 2005 p.38 --
21. Chinese Pavilion (in progress) 2007 p.38 --
22. The Broken Jug (left handed version) 2007 p.38 --
23. The Ship (section) (in progress) 2007 p.39 --
24. Guest House (model) 2007 p.39 --
25. Remembering Henry (model) 2007 p.39 --

Reseñas proporcionadas por Syndetics

Library Journal Review

Good things still come in small packages, much to the pleasant surprise of librarians habituated to the stream of enormous exhibition catalogs at steadily increasing prices. This informative and focused offering, published in conjunction with Stella's (b. 1936) first one-person show at the Metropolitan Museum of Art in New York, highlights 25 of his architectural objects in wood, plastic, fiberglass, metal, and nylon that explore the sculptural possibilities of modern engineering. Goldberger (architecture critic, The New Yorker) supplies a cogent essay on Stella's abiding and inventive interest in breaking outside of the two-dimensional plane as well as his acknowledged inspirational debts and collaborations with Henry Hobson Richardson, Peter Rice (Ove Arup & Partners, London), Philip Johnson, and Frank Gehry. The attractive 11 x 11 format does justice to the 55 mostly color reproductions and won't take up much shelf space. Highly recommended.-Russell T. Clement, Northwestern Univ. Lib., Evanston, IL (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Notas de autor provistas por Syndetics

Pulitzer Prize-winning critic Paul Goldberger is the architectural critic and a staff writer at The New Yorker.

(Bowker Author Biography)

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