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Arquitectura orgánica de Senosiain= : Organic architecture by Senosiain. / [author, Javier Senosiain ; editors, Fernando de Haro & Omar Fuentes] txt

Por: Colaborador(es): Arquitectos Mexicanos : México, D.F. , 2008Edición: 1st editionDescripción: 219 p. ill.; col.; 23 cmTipo de contenido:
  • text
Tipo de medio:
  • unmediaded
Tipo de soporte:
  • volume
ISBN:
  • 9789709726909 (English)
  • 9789709726909 (spanish)
Otro título:
  • Organic architecture by Senosiain. txt
Tema(s): Clasificación CDD:
  • 22 720.47
Clasificación LoC:
  • NA759.S46 A4 2008
Contenidos:
El Abanico • The Fan -- Rebanada de Espacio • Slice of Space -- Pirámide Levitando • Floating Pyramid -- Masa y Flujo • Mass and Flow -- Pareja Prismática • Prismatic Pair -- Asentamiento Piramidal • Pyramidal Housing -- Aire y Tierra • Wind and Earth -- Casa Orgánica • Organic House -- La Escuadra • The Set of Triangles -- Oasis Productor • Production Oasis -- Conjunto Orgánico • Organic Ensemble -- Serpiente • Serpent -- Conjunto los Cacahuates • Peanuts Housing Complex -- Tiburón • Shark -- La Ballena Mexicana • The Mexican Whale -- Conjunto Oasis • Oasis Housing Complex -- Casa Flor • Flower House -- Casa Claustro • Monastery House -- Satélite • Satellite -- El Kiss • The Kiss -- Sarape y Sombrero • Sarape and Hat -- El Nido de Quetzalcóatl • Quetzalcoat's Nest -- Nautilus • Nautilus -- Ampliación Oasis Productor • Production Oasis Extention -- El Paraguas • The Umbrella -- El Hongo • The Mushroom -- Proyectos Diversos • Various projects -- Ciudad Verde • Green City --
Resumen: Javier Senosiain (b. Mexico 1948) is considered the key exponent of organic architecture, his creations, either recognized or that cause controversy are experiments with the construction materials and techniques where he creates a sense of integration with the outdoor spaces (complex labyrinth of rooms and interconnecting tunnels). A different approach also lays in the interior designs and how a house must be inhabited and the activities within it. Senosiain's constructed spaces and integrated furniture (living room, bathroom, kitchens, etc.) reflects his bio-organic architectural designs of contrasting colors, artistic forms and innovative materials with a strong Mozarabic, Catalan and Mexican influence. Humberto Ricalde defines this unique work in an introductory text: "Javier Senosiain architecture is always a discovery and undoubtedly a surprise that causes intrigue and certain restlessness; it is full of questions particularly for those of us who were formed in the functional rational school." Resumen: Javier Senosiain¹s architecture is always a discovery and, undoubtedly, a surprise that causes intrigue and certain restlessness; it is full of questions particularly for those of us who were formed on the functional rational school where, it should be said, he was formed with us. The questions are accumulated when opening this book of his work as it happened when reading his book of bioarchitecture. In the integral and modern Mexican architecture society, these unusual gestures are not so frequent and, since the appearance of the above mentioned works, a growing surprise has accompanied the architectonic production of Javier, although with a silent expectation as the intellectual society is used to. The next definite step was taken on 1985, as it is extensively documented in this book, with ³The Organic House², whose search is not only in the sense of the organic form but alsoon experimentation with the construction procedures that make it architectonically possible; on this matter, the photographs of the innovative processes are eloquent with which Javier and his group of real construction pottery makers carried out the organic houses of their maturity.
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Descripciones mejoradas de Syndetics:

Javier Senosiain¹s architecture is always a discovery and, undoubtedly, a surprise that causes intrigue and certain restlessness; it is full of questions particularly for those of us who were formed on the functional rational school where, it should be said, he was formed with us. The questions are accumulated when opening this book of his work as it happened when reading his book of bioarchitecture.
In the integral and modern Mexican architecture society, these unusual gestures are not so frequent and, since the appearance of the above mentioned works, a growing surprise has accompanied the architectonic production of Javier, although with a silent expectation as the intellectual society is used to. The next definite step was taken on 1985, as it is extensively documented in this book, with ³The Organic House², whose search is not only in the sense of the organic form but alsoon experimentation with the construction procedures that make it architectonically possible; on this matter, the photographs of the innovative processes are eloquent with which Javier and his group of real construction pottery makers carried out the organic houses of their maturity.

El Abanico • The Fan --
Rebanada de Espacio • Slice of Space --
Pirámide Levitando • Floating Pyramid --
Masa y Flujo • Mass and Flow --
Pareja Prismática • Prismatic Pair --
Asentamiento Piramidal • Pyramidal Housing --
Aire y Tierra • Wind and Earth --
Casa Orgánica • Organic House --
La Escuadra • The Set of Triangles --
Oasis Productor • Production Oasis --
Conjunto Orgánico • Organic Ensemble --
Serpiente • Serpent --
Conjunto los Cacahuates • Peanuts Housing Complex --
Tiburón • Shark --
La Ballena Mexicana • The Mexican Whale --
Conjunto Oasis • Oasis Housing Complex --
Casa Flor • Flower House --
Casa Claustro • Monastery House --
Satélite • Satellite --
El Kiss • The Kiss --
Sarape y Sombrero • Sarape and Hat --
El Nido de Quetzalcóatl • Quetzalcoat's Nest --
Nautilus • Nautilus --
Ampliación Oasis Productor • Production Oasis Extention --
El Paraguas • The Umbrella --
El Hongo • The Mushroom --
Proyectos Diversos • Various projects --
Ciudad Verde • Green City --

Javier Senosiain (b. Mexico 1948) is considered the key exponent of organic architecture, his creations, either recognized or that cause controversy are experiments with the construction materials and techniques where he creates a sense of integration with the outdoor spaces (complex labyrinth of rooms and interconnecting tunnels). A different approach also lays in the interior designs and how a house must be inhabited and the activities within it. Senosiain's constructed spaces and integrated furniture (living room, bathroom, kitchens, etc.) reflects his bio-organic architectural designs of contrasting colors, artistic forms and innovative materials with a strong Mozarabic, Catalan and Mexican influence. Humberto Ricalde defines this unique work in an introductory text: "Javier Senosiain architecture is always a discovery and undoubtedly a surprise that causes intrigue and certain restlessness; it is full of questions particularly for those of us who were formed in the functional rational school."

Javier Senosiain¹s architecture is always a discovery and, undoubtedly, a surprise that causes intrigue and certain restlessness; it is full of questions particularly for those of us who were formed on the functional rational school where, it should be said, he was formed with us. The questions are accumulated when opening this book of his work as it happened when reading his book of bioarchitecture.
In the integral and modern Mexican architecture society, these unusual gestures are not so frequent and, since the appearance of the above mentioned works, a growing surprise has accompanied the architectonic production of Javier, although with a silent expectation as the intellectual society is used to. The next definite step was taken on 1985, as it is extensively documented in this book, with ³The Organic House², whose search is not only in the sense of the organic form but alsoon experimentation with the construction procedures that make it architectonically possible; on this matter, the photographs of the innovative processes are eloquent with which Javier and his group of real construction pottery makers carried out the organic houses of their maturity.

Parallel text in Spanish and English.

Worldwide Books, Mar/18/2009, 2009-703.

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