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Groundwork between architecture and landscape

Por: Colaborador(es): Idioma: Español Detalles de publicación: New York Monacelli Press 2011.Edición: First EditionDescripción: 208p. ill 29cmISBN:
  • 9781580933131
Tema(s): Clasificación LoC:
  • SB472.B345 2011
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Libro CARIBET Biblioteca Arquitectura Colección General CARIBET SB472.B345 2011 (Navegar estantería(Abre debajo)) Disponible 91000000024190
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Descripciones mejoradas de Syndetics:

The current environmental crisis calls for a unified practice of landscape and architecture that would allow buildings and landscapes to perform symbiotically to heal the environment. Over the past ten years, a diverse group of architects, landscape architects, and artists have undertaken groundbreaking projects that propose an integration of landscape and architecture, dissolving traditional distinctions between building and environment. Groundwork: Between Landscape and Architecture examines twenty-five projects, on an international scale, that consider landscape and architecture as true reciprocal entities. Groundwork divides the projects into three design directions: Topography, Ecology, and Biocomputation. Topographic designers create projects that manipulate the ground to merge building and landscape as in Cairo Expo City in Egypt (Zaha Hadid Architects), Island City Central Park Grin Grin in Fukuoka, Japan (Toyo Ito & Associates) and the City of Culture of Galicia in Santiago de Compostela, Spain (Eisenman Architects). Ecologic designers develop environments that address issues such as energy climate and remediation, such as I'm Lost In Paris in France (R&Sie(n)), Turistroute in Eggum, Norway (Snøhetta) and Parque Atlántico in Santander, Cantabria, Spain (Batlle i Roig Arquitectes). Biocomputation designers use digital technologies to align biology and design in projects such as the Grotto Concept (Aranda/Lasch), North Side Copse House in West Sussex, England (EcoLogicStudio) and Local Code: Real Estates (Nicolas de Monchaux.) What these projects all have in common is a desire to pay attention and homage to the liminal space where indoors and outdoors meet. The critical connection between natural and synthetic, exterior and interior space, paves the way toward a more inclusive--and indeed more alive--conceptualization of the physical world.

Includes Index

Notas de autor provistas por Syndetics

Diana Balmori was born in Gijón, Spain on June 4, 1932. She studied architecture at the National University of Tucumán in Argentina, but failed to receive a degree when the government expelled her entire class because of a student protest. She emigrated to the United States in 1952 with her husband. She received a doctorate in urban history at U.C.L.A. in 1973.

In 1980, she joined her husband's firm, César Pelli and Associates, where she created a department of landscape architecture and worked with him on several projects including the Winter Garden Atrium in the World Financial Center in Manhattan. She was a landscape architect whose ecologically sensitive designs integrated buildings and the natural environment. In 1990, she founded Balmori Associates. The firm worked on numerous projects including transforming the old industrial port of Bilbao, Spain, into a park system; the Gwynns Falls Trail in Baltimore; a trail system in Cedar Lake Park in Minneapolis; and South Korea's new administrative capital, Sejong City.

Her first book, Beatrix Farrand's American Landscapes, written with Diane Kostial McGuire and Eleanor McPeck, was published in 1985. Her other books include Redesigning the American Lawn: A Search for Environmental Harmony written with F. Herbert Bormann and Gordon T. Geballe, Groundwork: Between Landscape and Architecture written with Joel Sanders, and A Landscape Manifesto. She died from lung cancer on November 14, 2016 at the age of 84.

(Bowker Author Biography)

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