Include Bibliography

Maps by Imaginary Forces --
The Universe --
Client-Collaborator Mesh --
Colleagues-Exhibitions-Writers Mesh --
Alumni-Academy Mesh --
Introduction Mark Rappolt --
Cribs --
Freshness Sylvia Lavin --
Structure --
Massing --
A Culture of Surface Chris Bangle --
Apertures --
Inside Out / Outside In Sonia Eram --
Color --
Extreme, or Pollen from Outer Space Ross Lovegrove --
Geometry --
Digital Geometry Peter Schroder --
Families --
Structuralist Research Program in Developmental Biology Brian C. Goodwin --
A Family Affair Jeffrey Kipnis --
Medium --
Lynnopolis, or Notes from the Digital Diaspora Rene Daalder --
Ari Marcopoulos: Photographs, 09/06-03/08 --
Robots --
Fictions --
The Growthing Bruce Sterling --
The Thousand Dreams of Stellavista J. G. Ballard --
A New Style of Life Greg Lynn --
List of Everything --
Stranded Sears Towers --
Cabrini Green Urban Design Competition --
Cardiff Bay Opera House Competition --
Yokohama International Port Terminal Competition --
Port Authority Triple Bridge Gateway Competition --
Korean Presbyterian Church of New York --
Artists Space --
Citron House --
electra ’96 --
H2 House: OMV Aktienge-sellschaft Visitor’s Pavilion --
Encore . . . Bruxelles Exhibition --
Cincinnati Country Day School --
Embryological House --
Tingler --
New York Times Magazine Capsule Design Competition --
Flowering Lotus Tibetan Rug --
Vision Plan for Rutgers University --
7th Venice Architecture Biennale: American Pavilion–Lynn/Rashid Architectural Laboratories with Columbia University and UCLA, Austrian Pavilion, and Italian Pavilion --
PGLIFE.COM --
The Predator --
Eyebeam Museum of Art and Technology Competition --
Suite Fantastique: A Design Arts Extravaganza --
Visionaire No. 34 Paris --
Imaginary Forces Offices --
Uniserve Corporate Headquarters --
DADA Grows Competition --
Transformation of the Kleiburg Block --
St. Gallen Kunstmuseum Competition --
Max Protetch Skylights --
Lord’s on Sunset --
Heart Breaker Chess Set --
Sci-Fi Channel Identity Design --
Inmo Gallery Exhibition --
Expanding the Gap --
BMW Leipzig Central Building Design Competition --
World Trade Center Site Design Competition --
Beach Bleb: Light Chrysalis --
General Dynamics Poster Project --
Voluptuous Bench Prototype --
Ark of the World Museum and Visitors’ Center --
Alessi Coffee and Tea Towers --
European Central Bank Phase I Competition --
Intricate Surface --
Multi-funktions-automaten --
Design Competition for a Signage and Information System for the Forecourt of the Museums-Quartier --
Numinous Flowers --
Sociopolis Housing Block --
Sternet --
City Lights Competition --
Cranbrook Pavilion, Cranbrook Academy of Art --
Vitra Ravioli™ Chair, Ottoman, and Side Table --
Bloom House --
MSHome User Interface --
NOAH (New Outer Atmospheric Home) sets for the film Divide --
Slavin House --
Flatware --
Alessi Supple Mocha Cups --
Atlantis Sentosa --
Harmony Atrium Competition, Lincoln Center for the Performing Arts --
Bubbles in the Wine New York, Fifty Years of Art, Architecture, Movies, Performances, Photography and Video --
8,000 Housing Units --
5900 Wilshire Boulevard Restaurant and Trellis Pavilion --
Biennale Park Pavilion No. 3, Saadiyat Island --
Robo-Living MyHome–Seven Experiments for Contemporary Living --
Blobwall --
ISTA Lecture Hall Competition --
BA8: BMW Design Headquarters Competition --
Plate Prototypes --
New City --

Edited by Mark Rappolt with contributions by: J. G. Ballard, Chris Bangle, Rene Daalder, Sonia Eram, Imaginary Forces, Brian C. Goodwin, Jeffrey Kipnis, Sylvia Lavin, Ross Lovegrove, Ari Marcopoulos, Peter Schroder, and Bruce Sterling.One of the most provocative and exciting architects today, Greg Lynn has defined how designers and architects use computers as a medium, operating in an expanded field that fuses cutting-edge technology, contemporary art, and science fiction aesthetics with architectural form. At the epicenter of a debate about the role of digital design in architecture and design, his projects skillfully blend high technology and detailed craftsmanship, driven by modeling software from the film and aerospace industries. Included are contributions from theorists, architects, and artists, and futurists such as J. G. Ballard and Bruce Sterling. Greg Lynn Form offers a window into Lynn's methods and techniques, theoretical positions, and career trajectory. Rather than a retrospective of Lynn's career, it is thought-provoking and forward-looking.