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How to interpret literature critical theory for literary and cultural studies Robert Dale Parker.

Por: Detalles de publicación: New York Oxford University Press c2011.Edición: 2nd edDescripción: xiv, 354 p. ill. 21 cmISBN:
  • 9780199757503 (alk. paper)
  • 019975750X (alk. paper)
Tema(s): Clasificación CDD:
  • 801.950904 P2381h2 23
Clasificación LoC:
  • PN94 .P37 2011
Contenidos:
New criticism -- Structuralism -- Deconstruction -- Psychoanalysis -- Feminism -- Queer studies -- Marxism -- Historicism and cultural studies -- Postcolonial and race studies -- Reader response.
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Offering a refreshing combination of accessibility and intellectual rigor, How to Interpret Literature: Critical Theory for Literary and Cultural Studies, Second Edition, presents an up-to-date, concise, and wide-ranging historicist survey of contemporary thinking in critical theory. The only book of its kind that thoroughly merges literary studies with cultural studies, this text provides a critical look at the major movements in literary studies since the 1930s, including those often omitted from other texts. It is also the only up-to-date survey of literary theory that devotes extensive treatment to Queer Theory and Postcolonial and Race Studies. How to Interpret Literature, Second Edition, is ideal as either a stand-alone text or in conjunction with an anthology of primary readings such as Robert Dale Parker's Critical Theory: A Reader for Literary and Cultural Studies.

Includes bibliographical references and index.

New criticism -- Structuralism -- Deconstruction -- Psychoanalysis -- Feminism -- Queer studies -- Marxism -- Historicism and cultural studies -- Postcolonial and race studies -- Reader response.

Tabla de contenidos provista por Syndetics

  • Preface(p. vii)
  • Acknowledgments(p. xiii)
  • Chapter 1 Introduction(p. 1)
  • Chapter 2 New Criticism(p. 11)
  • How to Interpret: Key Concepts for New Critical Interpretation(p. 18)
  • Historicizing the New Criticism: Rethinking Literary Unity(p. 23)
  • The Intentional Fallacy and the Affective Fallacy(p. 30)
  • How to Interpret: A New Critical Example(p. 38)
  • Further Reading(p. 42)
  • Chapter 3 Structuralism(p. 44)
  • Key Concepts in Structuralism(p. 45)
  • How to Interpret: Structuralism in Cultural and Literary Studies(p. 52)
  • The Death of the Author(p. 57)
  • How to Interpret: The Detective Novel(p. 58)
  • Structuralism, Formalism, and Literary History(p. 63)
  • The Structuralist Study of Narrative: Narratology(p. 66)
  • Narrative Syntax, Metaphor, and Metonymy(p. 78)
  • Further Reading(p. 84)
  • Chapter 4 Deconstruction(p. 86)
  • Key Concepts in Deconstruction(p. 87)
  • How to Interpret: A Deconstructionist Example(p. 93)
  • Writing, Speech, and Differance(p. 95)
  • Deconstruction beyond Derrida(p. 99)
  • Deconstruction, Essentialism, and Identity(p. 102)
  • How to Interpret: More Deconstructive Examples(p. 108)
  • Further Reading(p. 110)
  • Chapter 5 Psychoanalysis(p. 112)
  • The Psychoanalytic Understanding of the Mind(p. 115)
  • Sigmund Freud(p. 118)
  • How to Interpret: Models of Psychoanalytic Interpretation(p. 123)
  • From the Interpretation of Dreams to the Interpretation of Literature(p. 128)
  • How to Interpret: Psychoanalytic Examples(p. 131)
  • Jacques Lacan(p. 138)
  • Further Reading(p. 147)
  • Chapter 6 Feminism(p. 148)
  • Early Feminist Criticism(p. 151)
  • Sex and Gender(p. 157)
  • Feminisms(p. 159)
  • How to Interpret: Feminist Examples(p. 163)
  • Feminism and Visual Pleasure(p. 166)
  • Further Reading(p. 176)
  • Chapter 7 Queer Studies(p. 179)
  • Key Concepts in Queer Studies(p. 180)
  • How to Interpret: A Queer Studies Example(p. 186)
  • Queer Studies and History(p. 189)
  • Outing: Writers, Characters, and the Literary Closet(p. 194)
  • Homosociality and Heterosexual Panic(p. 199)
  • How to Interpret: Another Queer Studies Example(p. 205)
  • Further Reading(p. 208)
  • Chapter 8 Marxism(p. 211)
  • Key Concepts in Marxism(p. 212)
  • Contemporary Marxism, Ideology, and Agency(p. 221)
  • How to Interpret: Marxist Examples(p. 235)
  • Further Reading(p. 242)
  • Chapter 9 Historicism and Cultural Studies(p. 244)
  • New Historicism(p. 244)
  • How to Interpret: Historicist Examples(p. 250)
  • Michel Foucault(p. 255)
  • Cultural Studies(p. 260)
  • How to Interpret: A Cultural Studies Example(p. 262)
  • Cultural Studies, Historicism, and Literature(p. 265)
  • Further Reading(p. 267)
  • Chapter 10 Postcolonial and Race Studies(p. 270)
  • Postcolonialism(p. 271)
  • From Orientalism to Deconstruction: Edward Said, Homi Bhabha, and Gayatri Chakravorty Spivak(p. 278)
  • How to Interpret: A Postcolonial Studies Example(p. 293)
  • Race Studies: Postcolonial Theory and the Construction of Race(p. 295)
  • How to Interpret: Postcolonial and Race Studies Examples(p. 307)
  • Further Reading(p. 311)
  • Chapter 11 Reader Response(p. 314)
  • Ideal, Implied, and Actual Readers(p. 317)
  • Structuralist Models of Reading and Communication(p. 319)
  • Aesthetic Judgment, Interpretive Communities, and Resisting Readers(p. 324)
  • Reception Theory and Reception History(p. 328)
  • Readers and the New Technologies(p. 330)
  • Further Reading(p. 332)
  • Afterword(p. 335)
  • Works Cited(p. 337)
  • Photographic Credits(p. 341)
  • Index(p. 343)

Notas de autor provistas por Syndetics

Robert Dale Parker is James M. Benson Professor of English at the University of Illinois at Urbana-Champaign.
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