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Sixteen-year-old Steve Harmon is on trial for murder. A Harlem drugstore owner has been shot and killed during a robbery, and word is that Steve served as the lookout. He's been called a monster, and worse. To cope with the horrific events that entangle him, Steve, an amateur filmmaker, decides to transcribe his trial into a movie script. But despite his efforts, reality is blurred until he can no longer tell who he is or what is the truth.

This new edition now includes a reading group guide, including both a guide for discussion and a Q and A with Walter Dean Myers.

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Monster MSR Chapter One The best time to cry is at night, when the lights are out and someone is being beaten up and screaming for help. That way even if you sniffle a little they won't hear you. If anybody knows that you are crying, they'll start talking about it and soon it'll be your turn to get beat up when the lights go out. There is a mirror over the steel sink in my cell. It's six inches high, and scratched with the names of some guys who were here before me. When I look into the small rectangle, I see a face looking back at me but I don't recognize it. It doesn't look like me. I couldn't have changed that much in a few months. I wonder if I will look like myself when the trial is over. This morning at breakfast a guy got hit in the face with a tray. Somebody said some little thing and somebody else got mad. There was blood all over the place. When the guards came over, they made us line up against the wall. The guy who was hit they made sit at the table while they waited for another guard to bring them rubber gloves. When the gloves came, the guards put them on, handcuffed the guy, and then took him to the dispensary. He was still bleeding pretty bad. They say you get used to being in jail, but I don't see how. Every morning I wake up and I am surprised to be here. If your life outside was real, then everything in here is just the opposite. We sleep with strangers, wake up with strangers, and go to the bathroom in front of strangers. They're strangers but they still find reasons to hurt each other. Sometimes I feel like I have walked into the middle of a movie. It is a strange movie with no plot and no beginning. The movie is in black and white, and grainy. Sometimes the camera moves in so close that you can't tell what is going on and you just listen to the sounds and guess. I have seen movies of prisons but never one like this. This is not a movie about bars and locked doors. It is about being alone when you are not really alone and about being scared all the time. I think to get used to this I will have to give up what I think is real and take up something else. I wish I could make sense of it. Maybe I could make my own movie. I could write it out and play it in my head. I could block out the scenes like we did in school. The film will be the story of my life. No, not my life, but of this experience. I'll write it down in the notebook they let me keep. I'll call it what the lady who is the prosecutor called me. Monday, July 6th MONSTER! FADE IN: INTERIOR: Early morning in CELL BLOCK D, MANHATTAN DETENTION CENTER. Camera goes slowly down grim, gray corridor. There are sounds of inmates yelling from cell to cell; much of it is obscene. Most of the voices are clearly Black or Hispanic. Camera stops and slowly turns toward a cell. INTERIOR: CELL. Sixteen-year-old STEVE HARMON is sitting on the edge of a metal cot, head in hands. He is thin, brown skinned. On the cot next to him are the suit and tie he is to wear to court for the start of his trial. CUT TO: ERNIE, another prisoner, sitting on john, pants down. CUT TO: SUNSET, another prisoner, pulling on T-shirt. CUT TO: STEVE pulling blanket over his head as screen goes dark. VOICE-OVER (VO) Ain't no use putting the blanket over your head, man. You can't cut this out; this is reality. This is the real deal. VO continues with anonymous PRISONER explaining how the Detention Center is the real thing. As he does, words appear on the screen, just like the opening credits of the movie Star Wars, rolling from the bottom of the screen and shrinking until they are a blur on the top of the screen before rolling off into space. MONSTER! The Story of My Miserable Life Starring Steve Harmon Produced by Steve Harmon Directed by Steve Harmon (Credits continue to roll.) VO Yo, Harmon, you gonna eat something? Come on and get your breakfast, man. I'll take your eggs if you don't want them. You want them? STEVE (subdued) I'm not hungry. SUNSET His trial starts today. He up for the big one. I know how that feels. CUT TO: INTERIOR: CORRECTIONS DEPT. VAN. Through the bars at the rear of the van, we see people going about the business of their lives in downtown New York. There are men collecting garbage, a female traffic officer motioning for a taxi to make a turn, students on the way to school. Few people notice the van as it makes its way from the DETENTION CENTER to the COURTHOUSE. CUT TO: PRISONERS, handcuffed, coming from back of van. STEVE is carrying a notebook. He is dressed in the suit and tie we saw on the cot. He is seen only briefly as he is herded through the heavy doors of the courthouse. FADE OUT as last prisoner from the van enters rear of courthouse. FADE IN: INTERIOR COURTHOUSE. We are in a small room used for prisoner-lawyer interviews. A guard sits at a desk behind STEVE. KATHY O'BRIEN, STEVE's lawyer, is petite, red-haired, and freckled. She is all business as she talks to STEVE. O'BRIEN Let me make sure you understand what's going on. Both you and this King character are on trial for felony murder. Felony murder is as serious as it gets. Sandra Petrocelli is the prosecutor, and she's good. They're pushing for the death penalty, which is really bad. The jury might think they're doing you a big favor by giving you life in prison. So you'd better take this trial very, very seriously.When you're in court, you sit there and you pay attention. You let the jury know that you think the case is as serious as they do. You don't turn and wave to any of your friends. It's all right to acknowledge your mother.I have to go and talk to the judge. The trial will begin in a few minutes. Is there anything you want to ask me before it starts? STEVE You think we're going to win? O'BRIEN (seriously) It probably depends on what you mean by "win." CUT TO: INTERIOR: HOLDING ROOM. We see STEVE sitting at one end of bench. Against the opposite wall, dressed in a sloppy-looking suit, is 23-year-old JAMES KING, the other man on trial. KING looks older than 23. He looks over at STEVE with a hard look and we see STEVE look away. Two GUARDS sit at a table away from the prisoners, who are handcuffed. The camera finds the GUARDS in a MEDIUM SHOT (MS). They have their breakfast in aluminum take-out trays that contain eggs, sausages, and potatoes. A Black female STENOGRAPHER pours coffee for herself and the GUARDS. STENOGRAPHER I hope this case lasts two weeks. I can sure use the money. GUARD 1 Six days'maybe seven. It's a motion case. They go through the motions; then they lock them up. (Turns and looks off camera toward STEVE.) Ain't that right, bright eyes? CUT TO: STEVE, who is seated on a low bench. He is handcuffed to a U-bolt put in the bench for that purpose. STEVE looks away from the GUARD. CUT TO: DOOR. It opens, and COURT CLERK looks in. COURT CLERK Two minutes! CUT TO: GUARDS, who hurriedly finish breakfast. STENOGRAPHER takes machine into COURTROOM. They unshackle STEVE and take him toward door. CUT TO: STEVE is made to sit down at one table. At another table we see KING and two attorneys. STEVE sits alone. A guard stands behind him. There are one or two spectators in the court. Then four more enter. CLOSE-UP (CU) of STEVE HARMON. The fear is evident on his face. MS: People are getting ready for the trial to begin. KATHY O'BRIEN sits next to STEVE. O'BRIEN How are you doing? STEVE I'm scared. O'BRIEN Good; you should be. Anyway, just remember what we've been talking about. The judge is going to rule on a motion that King's lawyer made to suppress Cruz's testimony, and a few other things. Steve, let me tell you what my job is here. My job is to make sure the law works for you as well as against you, and to make you a human being in the eyes of the jury. Your job is to help me. Any questions you have, write them down and I'll try to answer them. What are you doing there? STEVE I'm writing this whole thing down as a movie. O'BRIEN Whatever. Make sure you pay attention. Close attention. Monster MSR . Copyright © by Walter Myers . Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from Monster by Walter Dean Myers All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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School Library Journal Review

Gr 7-12-Walter Dean Myers' novel (HarperCollins, 1999) is brought to life by a full cast of actors in this excellent audio interpretation. The author opens this audiobook by discussing many of his interviews with young prison inmates and his desire to discover what drives them to a life of crime, what makes them become monsters in society. From the outset, listeners are caught up in Steve Harmon's life as he documents the events for the film script he is writing for his high school video club. Was Steve actually the lookout in a robbery gone awry in which a man was murdered, or was he simply at the wrong place at the wrong time? The suspense and tension remain high until the end when we are told whether the jury will find Steve guilty or innocent of the crime for which he is on trial. This auditory delight is presented in the clear, well-enunciated and articulated voices of a full cast of actors. The narrator, with his deep melodious voice, reads Steve's film directions and provides the quick scene shifts, guiding listeners through the story. His voice combined with the voices of the other actors, the strong plot, and the unusual story format grabs readers and holds their interest throughout. This interpretation could entice reluctant readers to become Myers' fans. Monster is a must purchase for all middle and high school libraries. English teachers should be encouraged to use this audiobook as a possible writing prompt or as an introduction to readers' theater.-Lynda N. Short, Paul Laurence Dunbar High School, Lexington, KY (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Booklist Review

Gr. 9-12. Myers combines an innovative format, complex moral issues, and an intriguingly sympathetic but flawed protagonist in this cautionary tale of a 16-year-old on trial for felony murder. Steve Harmon is accused of acting as lookout for a robbery that left a victim dead; if convicted, Steve could serve 25 years to life. Although it is clear that Steve did participate in the robbery, his level of involvement is questionable, leaving protagonist and reader to grapple with the question of his guilt. An amateur filmmaker, Steve tells his story in a combination of film script and journal. The "handwritten" font of the journal entries effectively uses boldface and different sizes of type to emphasize particular passages. The film script contains minimal jargon, explaining camera angles (CU, POV, etc.) when each term first appears. Myers' son Christopher provides the black-and-white photos, often cropped and digitally altered, that complement the text. Script and journal together create a fascinating portrait of a terrified young man wrestling with his conscience. The tense drama of the courtroom scenes will enthrall readers, but it is the thorny moral questions raised in Steve's journal that will endure in readers' memories. Although descriptions of the robbery and prison life are realistic and not overly graphic, the subject matter is more appropriate for high-school-age than younger readers. (Reviewed May 1, 1999)0060280778Debbie Carton

Notas de autor provistas por Syndetics

Walter Dean Myers was born on August 12, 1937 in Martinsberg, West Virginia. When he was three years old, his mother died and his father sent him to live with Herbert and Florence Dean in Harlem, New York. He began writing stories while in his teens. He dropped out of high school and enlisted in the Army at the age of 17. After completing his army service, he took a construction job and continued to write.

He entered and won a 1969 contest sponsored by the Council on Interracial Books for Children, which led to the publication of his first book, Where Does the Day Go? During his lifetime, he wrote more than 100 fiction and nonfiction books for children and young adults. His works include Fallen Angels, Bad Boy, Darius and Twig, Scorpions, Lockdown, Sunrise Over Fallujah, Invasion, Juba!, and On a Clear Day. He also collaborated with his son Christopher, an artist, on a number of picture books for young readers including We Are America: A Tribute from the Heart and Harlem, which received a Caldecott Honor Award, as well as the teen novel Autobiography of My Dead Brother.

He was the winner of the first-ever Michael L. Printz Award for Monster, the first recipient of the Coretta Scott King-Virginia Hamilton Award for Lifetime Achievement, and a recipient of the Margaret A. Edwards Award for lifetime achievement in writing for young adults. He also won the Coretta Scott King Award for African American authors five times. He died on July 1, 2014, following a brief illness, at the age of 76.

(Bowker Author Biography)