Mies van der Rohe : the Krefeld villas. / Kent Kleinman and Leslie Van Duzer. txt
New York : Princeton Architectural Press , 2005Descripción: 143 p. ill.; col.; plans.; 26 cmTipo de contenido:- text
- unmediaded
- volume
- 1568985037
- 9781568985039
- 22 728.8/092
- NA7593.K74 L54 2005
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro | CARIBET Biblioteca Arquitectura Colección General CARIBET | General NA7593.K74 L54 2005 (Navegar estantería(Abre debajo)) | 1 | Disponible | 91000000020024 |
Descripciones mejoradas de Syndetics:
With all of the attention Mies van der Rohe has received over the last few years, it's hard to believe that there could be a pair of "undiscovered" buildings begging for even the slightest considerationand receiving none. Such has been the fate, however, of Mies's Krefeld Villas, a pair of neighboring brickresidences of typically restrained elegance built from 1927 to 1930. Their anonymity is, to some degree, Mies's own doing; in 1959, in his only public comment about the projects, he quipped that he would have preferred to use more glass, but the clients objected. "I had great trouble," he said.
As historians Kent Kleinman and Leslie van Duzer show in this carefully researched, eminently readable study, sometimes it's best not to take the architect at his word. Here they guide us through the two villas, which were converted into a joined museum of contemporary art after World War II. Each chapter begins with a study of an artist who has created a site-specific installation within the villas. By analyzing how Yves Klein, Sol LeWitt, Richard Serra, and Ernst Caramelle chose to engage Mies's architecture, they arrive at a truly original understanding of these two forgotten masterworks.
Include Bibliography
Acknowledgments --
Introduction: Notes on Almost Nothing --
Klein’s Kleine Kammer --
LeWitt and the Art of Introductions --
Serra and the Anti-Environment --
Windows and Other Weaknesses --
Conclusion: Architecture, Acting --
Notes --
Appendix: Drawings --
Credits --
With all of the attention Mies van der Rohe has received over the last few years, it's hard to believe that there could be a pair of "undiscovered" buildings begging for even the slightest consideration and receiving none. Such has been the fate, however, of Mies's Krefeld Villas, a pair of neighboring brick residences of typically restrained elegance built from 1927 to 1930. Their anonymity is, to some degree, Mies's own doing; in 1959, in his only public comment about the projects, he quipped that he would have preferred to use more glass, but the clients objected. "I had great trouble," he said. As historians Kent Kleinman and Leslie van Duzer show in this carefully researched, eminently readable study, sometimes it's best not to take the architect at his word. Here they guide us through the two villas, which were converted into a joined museum of contemporary art after World War II. Each chapter begins with a study of an artist who has created a site-specific installation within the villas. By analyzing how Yves Klein, Sol LeWitt, Richard Serra, and Ernst Caramelle chose to engage Mies's architecture, they arrive at a truly original understanding of these two forgotten masterworks.
Notas de autor provistas por Syndetics
Kent Kleinman and Leslie Van Duzer, authors of Villa Muller: A Work of Adolf Loos (Princeton Architectural Press,1994) and Rudolf Arnheim: Revealing Vision (University of Michigan Press, 1997), teach at the State University of New York in Buffalo and the UKent Kleinman and Leslie Van Duzer, authors of Villa Muller: A Work of Adolf Loos (Princeton Architectural Press,1994) and Rudolf Arnheim: Revealing Vision (University of Michigan Press, 1997), teach at the State University of New York in Buffalo and the U