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Jean Prouvé: objects and furniture design introduction by Mathias Remmele ; edited by Sandra Dachs, Patricia de Muga, and Laura Garcia Hintze ; [translations, Barbara Hauss (introduction), Sue Brownbridge].

Colaborador(es): Idioma: Inglés Series Objects and furniture design by architectsDetalles de publicación: Barcelona ediciones Polígrafa New York, N.Y. D.A.P./Distributed Art Publishers [distributor] c2007.Descripción: 127 p. ill. (some col.) 21 cmISBN:
  • 9788434311442
Tema(s): Clasificación CDD:
  • 749.092 22
Clasificación LoC:
  • NK2550.P76 A4 2007
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Libro CARIBET Biblioteca Arquitectura Colección General CARIBET NK2550.P76 A4 2007 (Navegar estantería(Abre debajo)) Disponible 91000000033779
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Descripciones mejoradas de Syndetics:

Jean Prouve opened his own smithy in Nancy 1923, and shortly thereafter produced his first furniture made from thin sheet steel. Right away, Prouve's sparse, geometric aesthetic appealed to avant garde architects such Robert Mallet-Stevens and Le Corbusier, who commissioned ironwork from him, and in 1929, invited Prouve to join the new Union des Artistes Modernes, a group of artists and designers championing the Modern Movement. Besides creating furniture, he also explored designs for pre-fabricated housing, constructing dwellings for the homeless. But by the 1960s, his austere style seemed passe and he fell foul of fashion's whims; as a self-taught designer he was also routinely excluded by the architectural establishment. His reputation may have further suffered from his own appetite for collaboration, which could make his exact role in architectural projects difficult to identify. Happily , this state of affairs changed in the 1990s when Prouve emerged again, as his sensibility chimed again with the activities of contemporary like Jasper Morrison and Konstantin Grcic. ILLUSTRATIONS 180 images

Includes bibliographical references (p. 127).

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