Museum making : narratives, architectures, exhibitions / edited by Suzanne MacLeod, Laura Hourston Hanks, and Jonathan Hale. txt
Series Museum meaningsOxon : Routledge , 2012Edición: 1st edDescripción: xxiii, 309 p. ill. (some col.), maps 26 cmTipo de contenido:- text
- unmediaded
- volume
- 9780415676038
- 9780415676021
- 9780203124574
- Narratives, architectures, exhibitions
- 727/.6 23
- NA6690 M8685 2012
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro | CARIBET Biblioteca Arquitectura Colección General CARIBET | General NA6690 M8685 2012 (Navegar estantería(Abre debajo)) | 1 | Disponible | 91000000032441 |
Descripciones mejoradas de Syndetics:
Over recent decades, many museums, galleries and historic sites around the world have enjoyed an unprecedented level of large-scale investment in their capital infrastructure, in building refurbishments and new gallery displays. This period has also seen the creation of countless new purpose-built museums and galleries, suggesting a fundamental re-evaluation of the processes of designing and shaping of museums.
Museum Making: Narratives, Architectures, Exhibitions examines this re-making by exploring the inherently spatial character of narrative in the museum and its potential to connect on the deepest levels with human perception and imagination. Through this uniting theme, the chapters explore the power of narratives as structured experiences unfolding in space and time as well as the use of theatre, film and other technologies of storytelling by contemporary museum makers to generate meaningful and, it is argued here, highly effective and affective museum spaces. Contributions by an internationally diverse group of museum and heritage professionals, exhibition designers, architects and artists with academics from a range of disciplines including museum studies, theatre studies, architecture, design and history cut across traditional boundaries including the historical and the contemporary and together explore the various roles and functions of narrative as a mechanism for the creation of engaging and meaningful interpretive environments.
Incledes Index
Includes bibliographical references (p. [298]-304) and index.
Contents:
Introduction: Museum making: the place of narrative: Laura Hourston Hanks, Jonathan Hale and Suzanne MacLeod; Part I: Narrative, space, identity; Introduction; 1. Imaginary museums: what mainstream museums can learn from them: Rachel Morris; 2. Staging exhibitions: atmospheres of imagination: Greer Crawley; 3. Writing spatial stories: textual narratives in the museum: Laura Hourston Hanks. 4. Athens, London or Bilbao? Contested narratives of display in the Parthenon galleries of the British Museum: Christopher R. Marshall5. This magical place: the making of Yorkshire Sculpture Park and the politics of landscape, art and narrative: Suzanne MacLeod; 6. Narrative space: three post-apartheid museums reconsidered: Nic Coetzer; 7. The museum as narrative witness: heritage performance and the production of narrative space: Jenny Kidd; 8. Beyond narrative: designing epiphanies: Lee H. Skolnick; 9. Place, time and memory: Stephen Greenberg; Part II: Narrative, perception, embodiment. Introduction10. Scales of narrativity: Tricia Austin; 11. City as museum, museum as city: mediating the everyday and special narratives of life: Dorian Wiszniewski; 12. Narrative transformations and the architectural artefact: Stephen Alexander Wischer; 13. Architecture for the nation's memory: history, art, and the halls of Norway's national gallery: Mattias Ekman; 14. Arsenic, wells and herring curing: making new meanings in an old fish factory: Sheila Watson, Rachel Kirk and James Steward; 15. Accessing Estonian memories: building narratives through game form: Candice Hiu-Lam Lau. 16. Narrative landscapes: James Furse-Roberts17. Narrative environments and the paradigm of embodiment: Jonathan Hale; Part III: Narrative, media, mediation; Introduction; 18. Narrative space: The Book of Lies: Paola Zellner; 19. Productive exhibitions: looking backwards to go forward: Florian Kossak; 20. Incomplete stories: Annabel Fraser and Hannah Coulson; 21. In the museum's ruins: staging the passage of time: Michaela Giebelhausen; 22. Meaningful encounters with disrupted narratives: artists' interventions as interpretive strategies: Claire Robins and Miranda Baxter. 23. Where do you want the label? The roles and possibilities of exhibition graphics: Jona Piehl and Suzanne MacLeod24. The narrative of technology: understanding the effect of New Media artwork in the museum: Peter Ride; 25. The thick present: architecture, narration and film: Samantha L. Martin-McAuliffe and Nathalie Weadick; 26. A narrative journey: creating storytelling environments with architecture and digital media: Tom Duncan and Noel McCauley; Select bibliography; Index.
Tabla de contenidos provista por Syndetics
- List of illustrations(p. x)
- List of contributors(p. xiii)
- Acknowledgements(p. xviii)
- Introduction: Museum making: the place of narrative(p. xix)
- Part I Narrative, space, identity(p. 1)
- Introduction(p. 1)
- 1 Imaginary museums: what mainstream museums can learn from them(p. 5)
- 2 Staging exhibitions: atmospheres of imagination(p. 12)
- 3 Writing spatial stories: textual narratives in the museum(p. 21)
- 4 Athens, London or Bilbao? Contested narratives of display in the Parthenon galleries of the British Museum(p. 34)
- 5 This magical place: the making of Yorkshire Sculpture Park and the politics of landscape, art and narrative(p. 48)
- 6 Narrative space: three post-apartheid museums reconsidered(p. 63)
- 7 The museum as narrative witness: heritage performance and the production of narrative space(p. 74)
- 8 Beyond narrative: designing epiphanies(p. 83)
- 9 Place, time and memory(p. 95)
- Part II Narrative, perception, embodiment(p. 105)
- Introduction(p. 105)
- 10 Scales of narrativity(p. 107)
- 11 City as museum, museum as city: mediating the everyday and special narratives of life(p. 119)
- 12 Narrative transformations and the architectural artefact(p. 132)
- 13 Architecture for the nation's memory: history, art, and the halls of Norway's national gallery(p. 144)
- 14 Arsenic, wells and herring curing: making new meanings in an old fish factory(p. 157)
- 15 Accessing Estonian memories: building narratives through game form(p. 168)
- 16 Narrative landscapes(p. 179)
- 17 Narrative environments and the paradigm of embodiment(p. 192)
- Part III Narrative, media, mediation(p. 201)
- Introduction(p. 201)
- 18 Narrative space: The Book of Lies(p. 203)
- 19 Productive exhibitions: looking backwards to go forward(p. 213)
- 20 Incomplete stories(p. 223)
- 21 In the museum's rains: staging the passage of time(p. 234)
- 22 Meaningful encounters with disrupted narratives: artists' interventionsas interpretive strategies(p. 247)
- 23 Where do you want the label? The roles and possibilities of exhibition graphics(p. 257)
- 24 The narrative of technology: understanding the effect of New Media artwork in the museum(p. 267)
- 25 The thick present: architecture, narration and film(p. 277)
- 26 A narrative journey: creating storytelling environments with architecture and digital media(p. 288)
- Select bibliography(p. 298)
- Index(p. 305)
Notas de autor provistas por Syndetics
Suzanne MacLeod is Senior Lecture in the School of Museum Studies University of Leicester, UK.Laura Hourston Hanks is Associate Professor in the Department of Architecture and Built Environment, University of Nottingham, UK.
Jonathan Hale is an architect and Reader in Architectural Theory at the University of Nottingham, UK.