Eero Saarinen : buildings from the Balthazar Korab archive. / edited by David G. De Long and C. Ford Peatross. txt
Series New York ; London : W.W. Norton , 2007Edición: 1st editionDescripción: 464 p. ill. ;col. ; 29 cm. 1 DVD-ROM (4 3/4 in.)Tipo de contenido:- text
- unmediaded
- volume
- 9780393732238
- 0393732231
- 720.92 22
- NA737.S28 A4 2008
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro | CARIBET Biblioteca Arquitectura Colección General CARIBET | General NA737.S28 A4 2008 (Navegar estantería(Abre debajo)) | 1 | Disponible | 91000000020867 | |||||||||||||
| Disco | CARIBET Biblioteca Arquitectura Colección General CARIBET | General NA737.S28 A4 2008 CD (Navegar estantería(Abre debajo)) | 1 | Disponible | 91000000020875 |
Descripciones mejoradas de Syndetics:
A timely portrait of the work of an architect who expanded the vocabulary of modern architecture.
Eero Saarinen and Balthazar Korab constitute a unique team in the history of architecture: Saarinen, the mid-twentieth-century architect who challenged the architectural conventions of his time; and Korab, an architect in Saarinen's office whose perceptive photographs reveal the brilliance of Saarinen's work.
This visual sourcebook illustrates nineteen Saarinen commissions in photographs drawn from Korab's archive, providing multiple views of the buildings themselves and some views of their construction and of architectural models that were critical to their design. Images of Saarinen's office and home provide personal ambience, and an introductory essay positions Saarinen's work within the broader context of his time.
Seen in detail, such earlier works as the General Motors Technical Center (1948-56) or the Miller house (1953-57) show departures from orthodox modernism; Saarinen's assured handling of new materials and new building functions impart lasting value to his career, as seen in the Trans World Airlines Terminal (1956-62) and Dulles International Airport (1958-63), which have become iconic images.
Include Bibliography
Introduction / Rediscovering Eero Saarinen / David G. De Long --
Buildings: --
General Motors Technical Center / Warren, Michigan --
Saint Louis Gateway Arch / Saint Louis, Missouri --
Miller House / Ontario, Canada --
Irwin Union Bank & Trust Company / Columbus, Indiana --
MIT: Kresge Auditorium and Chapel / Cambridge, Massachusetts --
Milwaukee Art Museum / Milwaukee, Wisconsin --
University of Michigan: School of Music / Ann Arbor, Michigan --
Miller House / Columbus, Indiana --
Concordia Theological Seminary / Fort Wayne, Indiana --
University of Chicago: Law School / Chicago, Illinois --
United States Chancellery / London --
IBM: Manufacturing and Training Facility / Rochester, Minnesota --
IBM: Thomas J. Watson Research Center / Yorktown Heights, New York --
Yale University: David S. Ingalls Hockey Rink / New Haven, Connecticut --
TWA Terminal, John F. Kennedy Airport / New York, New York --
Deere & Company Headquarters / Moline, Illinois --
Yale University: Morse and Stiles Colleges / New Haven, Connecticut --
Dulles International Airport / Chantilly, Virginia --
North Christian Church / Columbus, Indiana --
Remembering Eero Saarinen / Balthazar Korab --
Eero Saarinen and Balthazar Korab constitute a unique team in the history of architecture: Saarinen, the mid-twentieth-century architect who challenged the architectural conventions of his time; and Korab, an architect in Saarinen's office whose perceptive photographs reveal the brilliance of Saarinen's work.This visual sourcebook illustrates nineteen Saarinen commissions in photographs drawn from Korab's archive, providing multiple views of the buildings themselves and some views of their construction and of architectural models that were critical to their design. Images of Saarinen's office and home provide personal ambience, and an introductory essay positions Saarinen's work within the broader context of his time.Seen in detail, such earlier works as the General Motors Technical Center (1948-56) or the Miller house (1953-57) show departures from orthodox modernism; Saarinen's assured handling of new materials and new building functions impart lasting value to his career, as seen in the Trans World Airlines Terminal (1956-62) and Dulles International Airport (1958-63), which have become iconic images.