The ear and the voice A.A. Tomatis ; translated by Roberta Prada and Pierre Sollier ; freely adapted, with kind permission of the author by Roberta Prada and Francis Keeping.
Idioma: Inglés Lenguaje original: Francés Detalles de publicación: Lanham, Md. Scarecrow Press c2005.Descripción: xv, 142 p. ill. 23 cmISBN:- 0810851377 (pbk. : alk. paper)
- 612.7/8 22
- QP306 .T6613 2005
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
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| Libro | Biblioteca Encarnación Valdés Sala de Música | 612.78 T6559o I (Navegar estantería(Abre debajo)) | Disponible | 80000002486234 |
Descripciones mejoradas de Syndetics:
Tomatis was one of the earliest pioneers in the field now known as psychoacoustics, and his book L'Oreille et la Voix is considered a classic by many in that field.
Although Tomatis initially applied his theories to vocal performance, it soon became clear that the principles he uncovered could also have a profoundly beneficial influence on actors, painters, writers, and those suffering from physical and psychological disabilities. This translation makes Tomatis's discoveries accessible for a broad audience, and is divided into three parts that can be read separately or together. Part I introduces Tomatis's general concepts as they apply to the art of singing. Part II is a basic introduction to the anatomy of the ear and how its functions relate to the brain and the rest of the body. It also provides the reader with a metaphor-free vocabulary for discussing anatomy with doctors and other concerned professionals. Part III gives practical advice on singing, posture, and matters pertaining primarily to musicians. A list of the latest English-language books on the subject has been appended.
The Ear and the Voice is for everyone who wants to understand and experience the benefits of conscious listening.
Please visit the author's companion websites: www.vocalimages.com and www.voxmentor.com
Includes bibliographical references and index.
Notas de autor provistas por Syndetics
Alfred A. Tomatis (1920-2001) practiced as an ear, nose, and throat doctor in Paris, and specialized in the treatment of singers.
Contralto Roberta Prada is president of Vox Mentor, LLC and is an active concert and recital performer.
Baritone Francis Keeping is a performing and graphic artist, who teaches voice in New York.
Pierre Sollier trained with Dr. Tomatis in Paris and is a family counselor in Oaxaca, Mexico.
More information can be found at the author's webpage, www.vocalimages.com