The girl who kicked the hornet's nest by Stieg Larsson ; translated from the Swedish by Reg Keeland.
Idioma: Inglés Lenguaje original: sueco Detalles de publicación: New York Alfred A. Knopf 2010.Edición: 1st U.S. edDescripción: 563 p. 25 cmISBN:- 9780307269997 (alk. paper)
- 839.738 L3349L I 22
- PT9876.22.A6933 L8413 2010
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
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| Libro | Biblioteca Encarnación Valdés Colección General bev | 839.738 L3349L I (Navegar estantería(Abre debajo)) | Disponible | 80000002506478 |
Descripciones mejoradas de Syndetics:
Lisbeth Salander--the heart of Larsson's two previous novels--lies in critical condition, a bullet wound to her head, in the intensive care unit of a Swedish city hospital. She's fighting for her life in more ways than one: if and when she recovers, she'll be taken back to Stockholm to stand trial for three murders. With the help of her friend, journalist Mikael Blomkvist, she will not only have to prove her innocence, but also identify and denounce those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. And, on her own, she will plot revenge--against the man who tried to kill her, and the corrupt government institutions that very nearly destroyed her life.
Once upon a time, she was a victim. Now Salander is fighting back.
Originally published in Sweden as Luftslottet som sprängdes by Norstedts, Stockholm, in 2007.
Sequel to: The girl who played with fire.
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Library Journal Review
The final volume of Larsson's best-selling "Millennium" trilogy begins where The Girl Who Played with Fire left off: Lisabeth Salander lies comatose in a Swedish hospital, a bullet in the head, while a few rooms away her father, a Soviet defector, recovers from the severe axe wounds she inflicted. Meanwhile, journalist Mikael Blomqvist sets out to clear Lisbeth of murder charges by exposing a secret group of Swedish intelligence officers who had conspired to protect her father's identity by nearly destroying Lisbeth. Unfortunately, this crackerjack opening is followed by 100 pages of tedious plot rehashing and dry summaries of Swedish history and politics. Because Larsson's fascinating heroine is offstage for much of the early action, the novel lacks its predecessors' compelling narrative drive, although a few surprising scenes will keep readers hanging in there. Their patience will be well rewarded in the final 200 pages, where Larsson ties his multiple plot threads together into a satisfying conclusion. Larsson's other female characters, including Annika, Mikael's lawyer sister who kicks some serious legal butt at the climactic trial, and Berger, Mikael's old lover and business partner who battles sexism at a major newspaper, play bigger roles here and reflect the author's passionate opposition to misogyny and injustice. Verdict Despite its flaws, this is a must read for Larsson fans. New readers should start with The Girl with the Dragon Tattoo. [See Prepub Alert, LJ 1/10; 500,000-copy first printing.]-Wilda Williams, Library Journal (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.Publishers Weekly Review
The exhilarating conclusion to bestseller Larsson's Millennium trilogy (after The Girl Who Played with Fire) finds Lisbeth Salander, the brilliant computer hacker who was shot in the head in the final pages of Fire, alive, though still the prime suspect in three murders in Stockholm. While she convalesces under armed guard, journalist Mikael Blomkvist works to unravel the decades-old coverup surrounding the man who shot Salander: her father, Alexander Zalachenko, a Soviet intelligence defector and longtime secret asset to Sapo, Sweden's security police. Estranged throughout Fire, Blomkvist and Salander communicate primarily online, but their lack of physical interaction in no way diminishes the intensity of their unconventional relationship. Though Larsson (1954-2004) tends toward narrative excess, his was an undeniably powerful voice in crime fiction that will be sorely missed. 500,000 first printing. (May) (c) Copyright PWxyz, LLC. All rights reservedBooklist Review
*Starred Review* When we last saw Lisbeth Salander, she was teetering between life and death. And who wouldn't be after having been shot by her father and buried alive by her brother? Salander was rescued, at the end of The Girl Who Played with Fire (2009), by journalist Mikael Blomkvist. She's now in a Swedish hospital, slowly mending and awaiting trial for three murders she didn't commit. Meanwhile, her father, a former Soviet spy, is down the hall, recovering from the injuries he sustained when Lisbeth stuck an ax in his head. Blomkvist, Salander's loyal friend, sets out to prove her innocence, but to do so he must expose a decades-old conspiracy within the Swedish secret service that has resulted in, among other travesties, a lifetime of abuse heaped upon Salander, whose very life threatens to expose the deadly charade. The late Larsson (this third novel in his Millennium Trilogy is his final book) can be accused of heaping too much plot between two covers in addition to the Salander story, there is an elaborate subplot involving Blomkvist's lover, Erica, and her travails as the first female editor of a major Stockholm newspaper but he is remarkably agile at keeping multiple balls in the air. But it wouldn't really matter if he weren't a skilled craftsman because Salander is such a bravura heroine steel will and piercing intelligence veiling a heartbreaking vulnerability that we'd willingly follow her through any bramble bush of a plot. She spends more than half of this novel in a hospital bed, but orchestrating the action from her Palm computer, she dominates the stage like Lear. There are few characters as formidable as Lisbeth Salander in contemporary fiction of any kind. She will be sorely missed.--Ott, Bill Copyright 2010 BooklistNotas de autor provistas por Syndetics
Prior to his sudden death of a heart attack in November 2004, Stieg Larsson finished three detective novels in his Millenium series.Before his career as a writer, Stieg Larsson was mostly known for his struggle against racism and right-wing extremism. In the middle of the 1980s he helped start the anti-violence project "Stop the Racism". This was followed by the founding of the Expo foundation in 1995. In 1999 he was appointed the chief editor of Expo, a magazine published by the organization.
(Bowker Author Biography)