Brunelleschi, Lacan, Le Corbusier architecture, space and the construction of subjectivity Lorens Holm. txt
New York Routledge 2010Descripción: xiv, 273 p. ill., maps, plans 26 cmTipo de contenido:- text
- unmediaded
- volume
- 9780415419680 (hbk : alk. paper)
- 0415419689 (hbk : alk. paper)
- 9780415419697 (pbk : alk. paper)
- 0415419697 (pbk : alk. paper)
- 720.1 22
- BF469 H64 2010
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro | CARIBET Biblioteca Arquitectura Colección General CARIBET | General BF469 H64 2010 (Navegar estantería(Abre debajo)) | 1 | Disponible | 91000000033902 |
Descripciones mejoradas de Syndetics:
This well-argued, analytic text provides a greater understanding of spatial issues in the field of architecture. Re-interpreting the fifteenth century demonstration of perspective, Lorens Holm puts it in relation to today's theories of subjectivity and elaborates for the first time the theoretical link between architecture and psychoanalysis.
Divided into three sections, Brunelleschi, Lacan, Le Corbusier argues that perspective remains the primary and most satisfying way of representing form, because it is the paradigmatic form of spatial consciousness. Well-illustrated with over 100 images, this compelling book is a valuable study of this key aspect of architectural study and practice, making it an essential read for architects in their first year or their fiftieth.
Include index.
Includes bibliographical references (p. 250-265)
Tabla de contenidos provista por Syndetics
- Acknowledgements(p. viii)
- Preface: façade ... foundation(p. x)
- Introduction: vision and its doubles(p. 1)
- Part I Projection and introjection(p. 19)
- 1 The New Yorkers(p. 21)
- 2 Brunelleschi and Le Corbusier: photograph and snapshot(p. 37)
- 3 Brunelleschi and Le Corbusier: image and field(p. 50)
- Part II Perspective, the mirror stage of space(p. 75)
- 4 The origins of perspective: reading Manetti(p. 77)
- 5 The origins of perspective: Brunelleschi's mirror(p. 103)
- 6 Intercession: a repetition on the gaze and voice of Brunelleschi(p. 131)
- Part III Space and its object(p. 147)
- 7 Desire, position, opacity and death in the visual field(p. 149)
- 8 Space and the drives: the Parthenon and Le Corbusier(p. 175)
- Conclusion: the death of space(p. 204)
- Notes(p. 212)
- Image credits(p. 248)
- Bibliography(p. 250)
- Index(p. 266)
Notas de autor provistas por Syndetics
Lorens Holm is Reader in Architecture and Director of the Geddes Institute for Urban Research at the University of Dundee. He has taught architecture at the Architectural Association, University College London, and at Washington University in St. Louis. Prior publications on Lacan and architecture have appeared in the journals Perspecta (2010), Haecceity (2008 & 2007), Critical Quarterly (2000 & 2007), and Assemblage (1993).