Why you hear what you hear an experiential approach to sound, music, and psychoacoustics Eric J. Heller.
Detalles de publicación: Princeton Princeton University Press c2013.Descripción: xxviii, 590 p. col. ill. 26 cmISBN:- 9780691148595 (hardback : alk. paper)
- 0691148597 (hardback : alk. paper)
- 612.85 H4772w 23
- QP461 .H395 2013
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro | Biblioteca Encarnación Valdés Colección General bev | 612.85 H4772w (Navegar estantería(Abre debajo)) | Disponible | 80000002498387 | ||||||||||||||
| Referencia | Biblioteca Encarnación Valdés Sala de Referencia bev | 612.85 H4772w (Navegar estantería(Abre debajo)) | Disponible | 80000002497991 |
Descripciones mejoradas de Syndetics:
A groundbreaking textbook that explores the phenomena and physics of music and sound
Why You Hear What You Hear is the first book on the physics of sound for the nonspecialist to empower readers with a hands-on, ears-open approach that includes production, analysis, and perception of sound. The book makes possible a deep intuitive understanding of many aspects of sound, as opposed to the usual approach of mere description. This goal is aided by hundreds of original illustrations and examples, many of which the reader can reproduce and adjust using the same tools used by the author (e.g., very accessible applets for PC and Mac, and interactive web-based examples, simulations, and analysis tools that can be found on the book's website: whyyouhearwhatyouhear.com). Readers are positioned to build intuition by participating in discovery.
This truly progressive introduction to sound engages and informs amateur and professional musicians, performers, teachers, sound engineers, students of many stripes, and indeed anyone interested in the auditory world. The book does not hesitate to follow entertaining and sometimes controversial side trips into the history and world of acoustics, reinforcing key concepts. You will discover how musical instruments really work, how pitch is perceived, and how sound can be amplified with no external power source.
Sound is key to our lives, and is the most accessible portal to the vibratory universe. This book takes you there.
Includes bibliographical references (p. 579-581) and index.