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Fractal architecture : organic design philosophy in theory and practice / James Harris. txt

Por: Albuquerque : University of New Mexico Press , 2012Descripción: 410p. ill. 27cmTipo de contenido:
  • text
Tipo de medio:
  • unmediaded
Tipo de soporte:
  • volume
ISBN:
  • 9780826352019
  • 9780826352026
Otro título:
  • Organic design philosophy in theory and practice
Tema(s): Clasificación CDD:
  • 704.9/49514742 23
Clasificación LoC:
  • NA2760 H37 2012
Contenidos:
Introduction -- Man, nature, and architecture. The journey from mathematical monsters to the key to nature's structure -- The human desire for nature -- Nature's order and its architectural embodiment -- Skyscraper form and its fractal derivative -- Nature and human cognition. Gestalt and the wholeness of fractal structure -- Perception and cognition of natural form -- The universal quality of fractal expression -- The abstract trajectory to the fractal modernist form -- Architecture from nature. Nature's generative character -- Elements of fractal form -- The fractal confluence of science and art -- The spectrum of architecture's relationship to nature.
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Imagen de cubierta Tipo de ítem Biblioteca actual Biblioteca de origen Colección Ubicación en estantería Signatura topográfica Materiales especificados Info Vol URL Copia número Estado Notas Fecha de vencimiento Código de barras Reserva de ítems Prioridad de la cola de reserva de ejemplar Reservas para cursos
Libro CARIBET Biblioteca Arquitectura Colección General CARIBET General NA2760 H37 2012 (Navegar estantería(Abre debajo)) 1 Disponible 91000000032292
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Descripciones mejoradas de Syndetics:

Throughout history, nature has served as an inspiration for architecture and designers have tried to incorporate the harmonies and patterns of nature into architectural form. Alberti, Charles Renee Macintosh, Frank Lloyd Wright, and Le Courbusier are just a few of the well- known figures who have taken this approach and written on this theme. With the development of fractal geometry--the study of intricate and interesting self- similar mathematical patterns--in the last part of the twentieth century, the quest to replicate nature's creative code took a stunning new turn. Using computers, it is now possible to model and create the organic, self-similar forms of nature in a way never previously realized.

In Fractal Architecture , architect James Harris presents a definitive, lavishly illustrated guide that explains both the "how" and "why" of incorporating fractal geometry into architectural design.

Includes bibliographical references and index.

Introduction -- Man, nature, and architecture. The journey from mathematical monsters to the key to nature's structure -- The human desire for nature -- Nature's order and its architectural embodiment -- Skyscraper form and its fractal derivative -- Nature and human cognition. Gestalt and the wholeness of fractal structure -- Perception and cognition of natural form -- The universal quality of fractal expression -- The abstract trajectory to the fractal modernist form -- Architecture from nature. Nature's generative character -- Elements of fractal form -- The fractal confluence of science and art -- The spectrum of architecture's relationship to nature.

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CHOICE Review

Architect Harris explores the role of fractal geometry in architecture in this beautiful book. Architects throughout history have looked to nature and natural structures for inspiration. Harris sees fractal geometry, called the "geometry of nature" by mathematician Benoit Mandelbrot, as having direct appeal to the human instinct for appreciating natural forms. This means that people will also find buildings designed using fractals pleasing and captivating. The author locates implicit fractal structure in existing buildings and shows how architects can use fractal design explicitly in designing new buildings. An outstanding feature of the book is the large collection of computer-generated graphics, based on fractal algorithms, which show sequential stages of the development of complex buildings from simpler shapes. The author's approach is interdisciplinary, drawing on psychology, philosophy, art history, biology, physics, and mathematics. This book is appropriate for collections in theory of architecture, art history, and mathematics and art. Summing Up: Recommended. Lower- and upper-division undergraduates and general readers. C. A. Gorini Maharishi University of Management

Notas de autor provistas por Syndetics

James Harris, AIA, is an architect and currently senior vice president at the Related Companies in New York City.
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