Haiku and modernist poetics Yoshinobu Hakutani.
Detalles de publicación: New York Palgrave Macmillan 2009.Edición: 1st edDescripción: 195 p. 22 cmISBN:- 9780230616554 (alk. paper)
- 0230616550 (alk. paper)
- 809.141 H156h 22
- PL729 .H2964 2009
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
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| Libro | Biblioteca Encarnación Valdés Colección General bev | 809.141 H156h (Navegar estantería(Abre debajo)) | Disponible | 80000002425125 |
Descripciones mejoradas de Syndetics:
This book examines the genesis and development of haiku in Japan and traces its impact on modernist poetics. This study shows that the most pervasive East-West artistic, cultural, and literary exchange that has taken place in modern and postmodern times was in the reading and writing of haiku in the West. Hakutani roots Y.B Yeats symbolism in cross cultural visions; reveals Ezra Pound s imagism to have originated in haiku; and discusses some of the finest haiku written by Jack Kerouac, Richard Wright, Sonia Sanchez, and James Emanuel.
Includes bibliographical references and indexes.
The genesis and development of haiku in Japan -- Basho and haiku poetics -- Yone Noguchi and Japanese poetics -- W.B. Yeats' poetics in the noh play -- Ezra Pound, imagism, and Japanese poetics -- Jack Kerouac's haiku and beat poetics -- Richard Wright's haiku, Zen, and the African "primal outlook upon life" -- Cross-cultural poetics : Sonia Sanchez's Like the singing coming off the drums -- James Emanuel's jazz haiku.