The architecture of the Italian Renaissance : Christoph Luitpold Frommel ; translated from the German by Peter Spring. txt

Por:

Frommel, Christoph Luitpold

Idioma: Español New York : Thames & Hudson, 2007Descripción: 224 p. ill. ; plans ; 30 cmTipo de contenido:

text

Tipo de medio:

unmediaded

Tipo de soporte:

volume

ISBN:

0500342202 (hbk.)

Tema(s):

Architecture, Renaissance -- Italy

Clasificación CDD:

720.94509024 22

Clasificación LoC:

NA1115 F757 2007

Contenidos:

Contents: THE FIFTEENTH CENTURY -- 1 Brunelleschi, Donatello and Michelozzo -- Filippo Brunelleschi (1377-1446) 13 -- Spedale degli Innocenti 14 -- Cappella Barbadori 16 -- Old Sacristy 16 -- San Lorenzo 18 -- Cappella Pazzi 19 -- Santo Spirito 21 -- Santa Maria degli Angeli 22 -- Palazzo di Parte Guelfa 23 -- The ‘tribune morte’ of the cathedral dome 24 -- Lantern of the cathedral dome 24 -- Cappella Cardini in San Francesco in Pescia 25 -- Donatello (1386-1466) 26 -- Michelozzo (1396-1472) 26 -- Palazzo Medici 27 -- Choir of the Santissima Annunziata 29 -- Michelozzo’s architectural detailing 30 -- 2 Alberti and his contemporaries -- Leonbattista Alberti (1404-72) 31 -- Portal of the Palazzo Vitelleschi in Tarquinia 31 -- Palazzo Rucellai 31 -- Palazzo Pitti 33 -- Campanile of Ferrara Cathedral 34 -- San Francesco at Rimini (Tempio Malatestiano) 34 -- The façade of Santa Maria Novella 36 -- Cappella Rucellai in San Pancrazio 38 -- The De re aedificatoria 39 -- San Sebastiano in Mantua 40 -- Badia Fiesolana, Villa Medici in Fiesole and Antonio Manetti Ciaccheri (1405-60) 42 -- Sant’ Andrea in Mantua 44 -- The triumphal arch of the Castel Nuovo in Naples 46 -- Francesco di Giorgio (1438-1502) 70 -- Debut in Siena 70 -- Palazzo Ducale in Urbino 71 -- Urbino Cathedral 73 -- San Bernardino outside Urbino 73 -- Convent of Santa Chiara in Urbino 74 -- Santa Maria del Calcinaio in Cortena 75 -- Palazzo Comunale in Jesi 76 -- 6 Bramante and Lombardy -- Antonio Filarete (c.1400-1522) and the Cappella Colleoni in Bergamo 78 -- Donato Bramante (1444-1514) 78 -- The Prevedari engraving 79 -- Santa Maria presso San Satiro 79 -- Pavia Cathedral 82 -- Santa Maria delle Grazie in Milan and Leonardo’s centralized building projects 83 -- The cloisters of Sant’ Ambrogio in Milan and the triumphal arch of Abbiategrasso 84 -- 7 The Venetian Early Renaissance -- Mauro Codussi (c.1440-1504) 87 -- San Michele in Isola and San Zaccaria 87 -- San Giovanni Crisostomo 88 -- Palazzo Lando and Palazzo Loredan- Vendramin 88 -- Pietro Lombardi (c.1435-1515) and Santa Maria dei Miracoli 90 -- 8 Architecture under Innocent VIII and Alexander VI -- Baccio Pontelli (1449-before 1500) 91 -- Santa Maria in Orciano di Pesaro 91 -- Sant’ Aurea in Ostia and San Pietro in Montorio 91 -- Belvedere of Innocent VIII 93 -- Palazzo della Cancelleria 95 -- Antonio da Sangallo the Elder (c. 1460-1534) and the Rocca of Civita Castellana 97 -- 9 Bramante and his School -- Bramante’s Roman years (1499-1514) 99 -- Palazzo Caprini 100 -- Tempietto 100 -- Cortile del Belvedere and Vatican 102 -- St Peter’s 105 -- Palazzo dei Tribunali and Via Giulia 108 -- San Celso and the church at roccaverano 109 -- ‘Nymphaeum’ at Genazzano 110 -- Bramante’s last project for St Peter’s 111 -- Santa Casa in Loreto 111 -- Giuliano da Sangallo during the pontificates of Julius II and Leo X: 1500-13 112 -- Giuliano’s work for Leo X and the medici (1513-16) 113 -- Raphael (1483-1520) 115 -- Stables of the Farnesina 115 -- Cappella Chigi 115 -- Sant’ Eligio degli Orefici 117 -- Palazzo Jacopo da Brescia 117 -- Façade of San Lorenzo 118 -- Palazzo Alberini 119 -- Palazzo Branconio dell’ Aquila 119 -- Palazzo Pandolfini in Florence 120 -- Raphael’s palazzo on the Via Giulia 120 -- Villa Madama 121 -- St Peter’s 124 -- San Giovanni dei Fiorentini 125 -- Giulio Romano (1499?-1546) 125 -- Palazzo Adimari-Salviati 126 -- Villa Turini-Lante 126 -- Palazzo Stati-Maccarani 127 -- Giulio’s Roman house 129 -- Palazzo Te 129 -- La Rustica 132 -- Giulio’s Mantuan house 132 -- Mantua Cathedral 134 -- Anthonio da Sangallo the Younger (1485-1546) 135 -- Palazzo Ricci and Palazzo Baldassini 135 -- Sant’ Egidio in Cellere 136 -- Palazzo Farnese 136 St Peter’s, Santa Maria di Monserrato and San Giovanni dei Fiorentini (1518-21) 139 -- Desings for palaces and villas: 1516-28 140 St Peter’s under Clement VII and Paul III (1531-46) 141 -- Castro 142 -- Sala Regia and Cappella Paolina 143 -- Palazzo Farnese under Paul III 143 -- Antonio da Sangallo the Elder: 1502-34 144 -- Baldassare Peruzzi (1481-1536) 146 -- The Farnesina and contemporary projects 146 -- The years 1511-27 148 -- Palazzo Massimo alle Colonne 152 -- Girolamo Genga (1476-1551) 154 -- 10 Architecture in Northern Italy -- Michele Sanmicheli (1484-1559) 157 -- Cappella Pellegrini 157 -- Palazzo Canossa 158 -- Palazzo Bevilacqua 159 -- Villa La Soranza near Castelfranco 160 -- Palazzo Lavezola Pompei 160 -- City gates 161 -- Madonna della Campagna 161 -- Palazzo Grimani in Venice 162 -- Jacopo Sansovino (1486-1570) 162 -- Florentine beginnings and Roman years (1516-27) 162 -- Scuola Grande della Misericordia in Venice 163 -- San Francesco della Vigna 164 -- Palazzo Corner and Palazzo Dolfin 164 -- Piazza San Marco and Libreria Marciana 165 -- Villa Garzoni at Pontecasale 168 -- San Martino 169 -- Sebastiano Serlio (1475?-1554?) 169 -- 11 Michelangelo (1475-1564) -- Façade of San Lorenzo 171 -- Medici Chapel 172 -- Biblioteca Laurenziana 173 -- Palazzo Farnese 176 -- St Peter’s 178 -- San Giovanni dei Fiorentini 180 -- Cappella Sforza 181 -- Santa Maria degli Angeli 181 -- Porta Pia 182 -- Capitoline Hill 182 -- 12 Late Renaissance -- Jacomo Barozzi da Vignola (1507-73) 185 -- San Giovanni dei Fiorentini and Villa Giulia 185 -- Sant’ Andrea in Via Flaminia 187 -- Palazzo Firenze-del Monte 187 -- Castello Farnese at Caprarola 187 -- Palazzo Farnese in Piacenza 190 -- The Gesu 191 -- Pirro Ligorio (1513/14-1583) 192 -- Casino of Pius IV 192 -- Bartolommeo Ammannati (1511-91) 193 -- Villa Giulia and Palazzo del Monte-Firenze 193 -- Palazzo Griffoni 194 -- Palazzo Pitti 194 -- Palazzo Firenze and Villa Medici 195 -- Giorgio Vasari (1511-74) 196 -- The Uffizi 196 -- Galeazzo Alessi (1512-72) 197 -- Villa Cambiaso in Genoa 197 -- Santa Maria di Carignano 199 -- Palazzo Marino in Milan 199 -- 13 Andrea Palladio (1508-80) -- Early Villa projects 201 -- Palazzo Thiene 202 -- Palazzo Iseppo Porto 203 -- The Basilica 204 -- Palazzo Chiericati 205 -- Villa Rotonda 205 -- Villa Barbaro in Maser 206 -- Palazzi Valmarana 207 -- Palazzo Barbarano da Porto 207 -- Palazzo Porto in Piazza di Castello 207 -- Loggia del Capitanio 208 -- San Giorgio Maggiore in Venice 208 -- The Redentore 210 -- Tempietto of the Villa Barbaro in Maser 211 -- Teatro Olimpico 213 -- The ‘Quattro Libri’ 213 -- Retrospect 214 -- Bibliography 216 -- Glossary 218 -- Sources of Illustrations 220 -- Index 222 --

Resumen: "Avoiding the straitjacket of fashionable theory, the book is organized traditionally by period and architect. Social context, technical innovation and aesthetic judgement are all given due weight, with particular emphasis on the way in which each architect balanced individual inspiration with the accepted Vitruvian canon. Generously illustrated throughout with photographs, drawings, plans and reconstructions, it brings into relief the extraordinary flowering of architectural genius between the birth of Brunelleschi and the death of Michelangelo, a turning point in Western culture whose riches and pleasures prove themselves yet again to be literally inexhaustible." --

Existencias
Imagen de cubierta	Tipo de ítem	Biblioteca actual	Biblioteca de origen	Colección	Ubicación en estantería	Signatura topográfica	Materiales especificados	Info Vol	URL	Copia número	Estado	Notas	Fecha de vencimiento	Código de barras	Reserva de ítems	Prioridad de la cola de reserva de ejemplar	Reservas para cursos
	Libro Col. General CARIBET	CARIBET Biblioteca Arquitectura Colección General CARIBET				General NA1115 F757 2007 (Navegar estantería(Abre debajo))				1	Disponible			91000000017368

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Descripciones mejoradas de Syndetics:

Once in every generation comes a scholar who is a master of both the documentary evidence and the buildings themselves. Such a man is Christoph Luitpold Frommel who, after winning a world-wide reputation, here distils his learning into a new synthesis that is both up-to-date and securely based on primary sources.

Architecture of the Italian Renaissance is the definitive introduction to one of the great epochs in the history of architecture. Focusing on buildings of the period between 1418 and 1580, and the 35 key architects who designed them, it gives equal weight to social context, technical innovation and aesthetic judgement. Generously illustrated throughout with photographs, drawings, plans and reconstructions, it brings into vivid relief the extraordinary flowering of architectural genius between the birth of Brunelleschi and the death of Michelangelo. It is sure to be the recognized textbook for the forseeable future, but will also give pleasure to the interested layman.

Includes bibliographical references (p. 216-217) and index.

Contents:
THE FIFTEENTH CENTURY --
1 Brunelleschi, Donatello and Michelozzo --
Filippo Brunelleschi (1377-1446) 13 --
Spedale degli Innocenti 14 --
Cappella Barbadori 16 --
Old Sacristy 16 --
San Lorenzo 18 --
Cappella Pazzi 19 --
Santo Spirito 21 --
Santa Maria degli Angeli 22 --
Palazzo di Parte Guelfa 23 --
The ‘tribune morte’ of the cathedral dome 24 --
Lantern of the cathedral dome 24 --
Cappella Cardini in San Francesco in Pescia 25 --
Donatello (1386-1466) 26 --
Michelozzo (1396-1472) 26 --
Palazzo Medici 27 --
Choir of the Santissima Annunziata 29 --
Michelozzo’s architectural detailing 30 --
2 Alberti and his contemporaries --
Leonbattista Alberti (1404-72) 31 --
Portal of the Palazzo Vitelleschi in Tarquinia 31 --
Palazzo Rucellai 31 --
Palazzo Pitti 33 --
Campanile of Ferrara Cathedral 34 --
San Francesco at Rimini (Tempio Malatestiano) 34 --
The façade of Santa Maria Novella 36 --
Cappella Rucellai in San Pancrazio 38 --
The De re aedificatoria 39 --
San Sebastiano in Mantua 40 --
Badia Fiesolana, Villa Medici in Fiesole and Antonio Manetti Ciaccheri (1405-60) 42 --
Sant’ Andrea in Mantua 44 --
The triumphal arch of the Castel Nuovo in Naples 46 --
Francesco di Giorgio (1438-1502) 70 --
Debut in Siena 70 --
Palazzo Ducale in Urbino 71 --
Urbino Cathedral 73 --
San Bernardino outside Urbino 73 --
Convent of Santa Chiara in Urbino 74 --
Santa Maria del Calcinaio in Cortena 75 --
Palazzo Comunale in Jesi 76 --
6 Bramante and Lombardy --
Antonio Filarete (c.1400-1522) and the Cappella Colleoni in Bergamo 78 --
Donato Bramante (1444-1514) 78 --
The Prevedari engraving 79 --
Santa Maria presso San Satiro 79 --
Pavia Cathedral 82 --
Santa Maria delle Grazie in Milan and Leonardo’s centralized building projects 83 --
The cloisters of Sant’ Ambrogio in Milan and the triumphal arch of Abbiategrasso 84 --
7 The Venetian Early Renaissance --
Mauro Codussi (c.1440-1504) 87 --
San Michele in Isola and San Zaccaria 87 --
San Giovanni Crisostomo 88 --
Palazzo Lando and Palazzo Loredan- Vendramin 88 --
Pietro Lombardi (c.1435-1515) and Santa Maria dei Miracoli 90 --
8 Architecture under Innocent VIII and Alexander VI --
Baccio Pontelli (1449-before 1500) 91 --
Santa Maria in Orciano di Pesaro 91 --
Sant’ Aurea in Ostia and San Pietro in Montorio 91 --
Belvedere of Innocent VIII 93 --
Palazzo della Cancelleria 95 --
Antonio da Sangallo the Elder (c. 1460-1534) and the Rocca of Civita Castellana 97 --
9 Bramante and his School --
Bramante’s Roman years (1499-1514) 99 --
Palazzo Caprini 100 --
Tempietto 100 --
Cortile del Belvedere and Vatican 102 --
St Peter’s 105 --
Palazzo dei Tribunali and Via Giulia 108 --
San Celso and the church at roccaverano 109 --
‘Nymphaeum’ at Genazzano 110 --
Bramante’s last project for St Peter’s 111 --
Santa Casa in Loreto 111 --
Giuliano da Sangallo during the pontificates of Julius II and Leo X: 1500-13 112 --
Giuliano’s work for Leo X and the medici (1513-16) 113 --
Raphael (1483-1520) 115 --
Stables of the Farnesina 115 --
Cappella Chigi 115 --
Sant’ Eligio degli Orefici 117 --
Palazzo Jacopo da Brescia 117 --
Façade of San Lorenzo 118 --
Palazzo Alberini 119 --
Palazzo Branconio dell’ Aquila 119 --
Palazzo Pandolfini in Florence 120 --
Raphael’s palazzo on the Via Giulia 120 --
Villa Madama 121 --
St Peter’s 124 --
San Giovanni dei Fiorentini 125 --
Giulio Romano (1499?-1546) 125 --
Palazzo Adimari-Salviati 126 --
Villa Turini-Lante 126 --
Palazzo Stati-Maccarani 127 --
Giulio’s Roman house 129 --
Palazzo Te 129 --
La Rustica 132 --
Giulio’s Mantuan house 132 --
Mantua Cathedral 134 --
Anthonio da Sangallo the Younger (1485-1546) 135 --
Palazzo Ricci and Palazzo Baldassini 135 --
Sant’ Egidio in Cellere 136 --
Palazzo Farnese 136
St Peter’s, Santa Maria di Monserrato and San Giovanni dei Fiorentini (1518-21) 139 --
Desings for palaces and villas: 1516-28 140
St Peter’s under Clement VII and Paul III (1531-46) 141 --
Castro 142 --
Sala Regia and Cappella Paolina 143 --
Palazzo Farnese under Paul III 143 --
Antonio da Sangallo the Elder: 1502-34 144 --
Baldassare Peruzzi (1481-1536) 146 --
The Farnesina and contemporary projects 146 --
The years 1511-27 148 --
Palazzo Massimo alle Colonne 152 --
Girolamo Genga (1476-1551) 154 --
10 Architecture in Northern Italy --
Michele Sanmicheli (1484-1559) 157 --
Cappella Pellegrini 157 --
Palazzo Canossa 158 --
Palazzo Bevilacqua 159 --
Villa La Soranza near Castelfranco 160 --
Palazzo Lavezola Pompei 160 --
City gates 161 --
Madonna della Campagna 161 --
Palazzo Grimani in Venice 162 --
Jacopo Sansovino (1486-1570) 162 --
Florentine beginnings and Roman years (1516-27) 162 --
Scuola Grande della Misericordia in Venice 163 --
San Francesco della Vigna 164 --
Palazzo Corner and Palazzo Dolfin 164 --
Piazza San Marco and Libreria Marciana 165 --
Villa Garzoni at Pontecasale 168 --
San Martino 169 --
Sebastiano Serlio (1475?-1554?) 169 --
11 Michelangelo (1475-1564) --
Façade of San Lorenzo 171 --
Medici Chapel 172 --
Biblioteca Laurenziana 173 --
Palazzo Farnese 176 --
St Peter’s 178 --
San Giovanni dei Fiorentini 180 --
Cappella Sforza 181 --
Santa Maria degli Angeli 181 --
Porta Pia 182 --
Capitoline Hill 182 --
12 Late Renaissance --
Jacomo Barozzi da Vignola (1507-73) 185 --
San Giovanni dei Fiorentini and Villa Giulia 185 --
Sant’ Andrea in Via Flaminia 187 --
Palazzo Firenze-del Monte 187 --
Castello Farnese at Caprarola 187 --
Palazzo Farnese in Piacenza 190 --
The Gesu 191 --
Pirro Ligorio (1513/14-1583) 192 --
Casino of Pius IV 192 --
Bartolommeo Ammannati (1511-91) 193 --
Villa Giulia and Palazzo del Monte-Firenze 193 --
Palazzo Griffoni 194 --
Palazzo Pitti 194 --
Palazzo Firenze and Villa Medici 195 --
Giorgio Vasari (1511-74) 196 --
The Uffizi 196 --
Galeazzo Alessi (1512-72) 197 --
Villa Cambiaso in Genoa 197 --
Santa Maria di Carignano 199 --
Palazzo Marino in Milan 199 --
13 Andrea Palladio (1508-80) --
Early Villa projects 201 --
Palazzo Thiene 202 --
Palazzo Iseppo Porto 203 --
The Basilica 204 --
Palazzo Chiericati 205 --
Villa Rotonda 205 --
Villa Barbaro in Maser 206 --
Palazzi Valmarana 207 --
Palazzo Barbarano da Porto 207 --
Palazzo Porto in Piazza di Castello 207 --
Loggia del Capitanio 208 --
San Giorgio Maggiore in Venice 208 --
The Redentore 210 --
Tempietto of the Villa Barbaro in Maser 211 --
Teatro Olimpico 213 --
The ‘Quattro Libri’ 213 --
Retrospect 214 --
Bibliography 216 --
Glossary 218 --
Sources of Illustrations 220 --
Index 222 --

"Avoiding the straitjacket of fashionable theory, the book is organized traditionally by period and architect. Social context, technical innovation and aesthetic judgement are all given due weight, with particular emphasis on the way in which each architect balanced individual inspiration with the accepted Vitruvian canon. Generously illustrated throughout with photographs, drawings, plans and reconstructions, it brings into relief the extraordinary flowering of architectural genius between the birth of Brunelleschi and the death of Michelangelo, a turning point in Western culture whose riches and pleasures prove themselves yet again to be literally inexhaustible." --

Reseñas proporcionadas por Syndetics

Library Journal Review

This translated academic treatment focuses closely on the progression of the design of major buildings during the 15th and 16th centuries, as Italian artists and master builders were rediscovering Roman architecture. Frommel (former director, Biblioteca Hertziana, Rome), who has taught at various universities, incorporates recent historical research into his discussion of the work of 35 prominent architects, including Filippo Brunelleschi, Leon Battista Alberti, Donato Bramante, Raphaello Sanzio, Michelangelo, and Andrea Palladio. No current work in English seems to cover this ground (Peter Murray's identically titled book is more accessible, but it has not been revised in ten years or more). The glossary is essential for nonscholars; Frommel uses precise architectural terms and some Italian terms to describe form and decoration. The illustrations consist of high-quality black-and-white archival photographs, drawings, and engravings. Recommended for academic libraries.-David R. Conn, Surrey P.L., B.C. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

CHOICE Review

Here is a compact survey of Italian Renaissance architecture, equally divided between the 15th and 16th centuries, by Frommel, one of the foremost living specialists in the field. A long career of looking and thinking about the subject is compressed into a grand sweep, covering both religious and secular buildings in all the important centers of Italy, highlighting the author's personal judgments. Frommel's base of operations is Rome, and the study particularly shines when dealing with Roman material. Organized in terms of architects, it features canonized personalities such as Brunelleschi, Alberti, and Bramante as well as relative unknowns such as Giovanni dei Dolci and Bacci Pontelli, and a vast amount of information is laid out for the reader. Unclear, however, is exactly what reader is being targeted. There are no footnotes, only a short bibliography, and exclusively black-and-white photographs. Many of the schematic pronouncements require a specialist's knowledge to be fully understood. Students will want to use the book in conjunction with a more standard survey; scholars will mine it for the many bonbons of provocative opinion. Summing Up: Recommended. General readers; upper-division undergraduates through faculty and researchers. D. Pincus National Gallery of Art

Notas de autor provistas por Syndetics

Christoph Luitpold Frommel was born in 1933 and has held academic posts in Germany (Bonn University), the USA (Institute of Advanced Study, Princeton, and University of California, Berkeley) and Italy (La Sapienza, Rome). He was Director of the Bibliotheca Herziana, Rome, from 1980 to 2001.

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