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Corrections and collections : architectures for art and crime / Joe Day. txt

Por: Editor: New York : Routledge , 2013Edición: First published 2013Descripción: vii, 320 pages ill. 22 cmTipo de contenido:
  • text
Tipo de medio:
  • unmediaded
Tipo de soporte:
  • volume
ISBN:
  • 9780415534819 (hardback)
  • 9780415534826 (pb)
Tema(s): Clasificación CDD:
  • 725/.60973 23
Clasificación LoC:
  • NA6696.U6 D39 2013
Resumen: Minimal 1. Reduce: Exhibiting Discipline: The Aesthetics of Deprivation and Duration 2. Repeat: Compounded Interest? Serial, Multiple, and Redundant Institutions Post-Minimal 3. Rotate: The Panopticon and Guggenheim: Axioms of Visual Regimentation 4. Proliferate: Avatars of a Polarized Future: Thomas Krens and Don Novey Millennial 5. Neutralize: METs, MoMAs, and MCCs: The New Metropolitan Peacemakers 6. Privatize: Pay-to-Play: Personal Museums and For-Profit Prisons Post-Millennial 7. Collide: PRI/MUS: Prisons-turned-Museums and the Museum-as-Crime-Scene 8. Disperse: Holding Patterns: Transnational Art and Extra-territorial Detention 9. Afterlives : Conclusion Notes Image Credits Acknowledgments Index
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Libro CARIBET Biblioteca Arquitectura Colección General CARIBET General NA6696.U6 D39 2013 (Navegar estantería(Abre debajo)) 1 Disponible 91000000041715
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Descripciones mejoradas de Syndetics:

America holds more than two million inmates in its prisons and jails, and hosts more than two million daily visits to museums, figures which represent a ten-fold increase in the last twenty-five years. Corrections and Collections explores and connects these two massive expansions in our built environment.

Author Joe Day shows how institutions of discipline and exhibition have replaced malls and office towers as the anchor tenants of U.S. cities. Prisons and museums, though diametrically opposed in terms of public engagement, class representation, and civic pride, are complementary structures, employing related spatial and visual tactics to secure and array problematic citizens or priceless treasures. Our recent demand for museums and prisons has encouraged architects to be innovative with their design, and experimental with their scale and distribution through our cities. Contemporary museums are the petri dishes of advanced architectural speculation; prisons remain the staging grounds for every new technology of constraint and oversight.

Now that criminal and creative transgression are America's defining civic priorities, Corrections and Collections will recalibrate your assumptions about art, architecture, and urban design.

Includes index.

Minimal
1. Reduce: Exhibiting Discipline: The Aesthetics of Deprivation and Duration
2. Repeat: Compounded Interest? Serial, Multiple, and Redundant Institutions

Post-Minimal
3. Rotate: The Panopticon and Guggenheim: Axioms of Visual Regimentation
4. Proliferate: Avatars of a Polarized Future: Thomas Krens and Don Novey

Millennial
5. Neutralize: METs, MoMAs, and MCCs: The New Metropolitan Peacemakers
6. Privatize: Pay-to-Play: Personal Museums and For-Profit Prisons

Post-Millennial
7. Collide: PRI/MUS: Prisons-turned-Museums and the Museum-as-Crime-Scene
8. Disperse: Holding Patterns: Transnational Art and Extra-territorial Detention

9. Afterlives : Conclusion

Notes Image

Credits

Acknowledgments

Index

Notas de autor provistas por Syndetics

Joe Day is the design principal of Deegan-Day Design and is a visiting faculty member for architectural design, history, and theory at the Southern California Institute of Architecture (SCI-Arc) in Los Angeles, USA.
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