Bernard Tschumi : edited by Giovanni Damiani. txt
Idioma: Español New York : Rizzoli International Publication,Inc. , 2003Edición: First publishedDescripción: 176 p. ill. (some col.) ; plans ; 21 cmTipo de contenido:- text
- unmediaded
- volume
- 9780789308917
- Tschumi [Título de cubierta]
- NA1353.T78 B47 2003
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro Col. General CARIBET | CARIBET Biblioteca Arquitectura Colección General CARIBET | General NA1353.T78 B47 2003 (Navegar estantería(Abre debajo)) | 1 | Disponible | 91000000009183 |
Descripciones mejoradas de Syndetics:
Bernard Tschumi is often touted as one of the world's best modern architects. The architect achieved early fame by winning the competition to design the Parc de la Villette, a 125-acre, $300-million public park on the northeast edge of Paris that featured bright red deconstructivist pavilions. Tschumi is widely credited with leading Columbia's Graduate School of Architecture, Planning, and Preservation into the digital revolution and in the process positioning the school at the forefront of the architectural vanguard. During his fifteen-year tenure, Tschumi continued to build and the results are amply illustrated in this new monograph, the first to document Tschumi's full career. Projects included: Le Fresnoy National Studio for Contemporary Arts in Tourcoing, France (1998); Columbia University's Lerner Hall Student Center (1999); Marne La Vallee School of Architecture, Paris (1999); the Interface Flon, a bus, train, and subway station and pedestrian bridge in Lausanne, Switzerland (2000); a Concert Hall and Exhibition Complex in Rouen (2001); the new Florida International School of Architecture in Miami; the Museum for African Art in New York; and the New Acropolis Museum in Athens.
"Essays by K. Michael Hays and Giovanni Damiani; interview by Marco De Michelis"--Cover, p. [2].
Includes bibliographical references (p. 173).
Contents:
The autonomy Effect K. Michael Hays 7 --
Intertextuality Interview with Marco De Michelis 19 --
Works 27 --
Advertisements for Architecture 1970-77 28 --
Screenplays 1978 32 --
Manhattan Transcripts 1976-81 34 --
Joyce’s Garden 1976-77 40 --
Parc de La Villette, Paris, France, 1982-97 42 --
New National Theatre and Opera House, Tokyo, Japan, 1986 56 --
Center for Art and Media (ZKM), Karlsruhe, Germany, 1989 58 --
National Library of France, Paris, France, 1989 60 --
K-Polis Department Store, Zurich, Switzerland, 1995 62 --
Kansai International Airport, Kansai, Japan, 1988 64 --
Interface Flon Railway and bus Station, Lausanne, Switzerland, 1988-2001 68 --
17th Street Loft, New York, 1987 74 --
The Hague Villa, The Hague, The Netherlands 1992 76 --
Glass Video gallery, Groningen, The Netherlands, 1990 78 --
Urban Glass House of the 21st Century, New York, 1999 82 --
Le Fresnoy National Studio for the Contemporary Arts, Tourcoing, France, 1991-97 84 --
Alfred Lerner Hall Student Center, Columbia University, New York, 1994-1999 96 --
Expansion of The Museum of Modern Art, New York, 1997 108 --
School of Architecture, Marne-la-Vallee, France, 1994-99 112 --
FIU School of Architecture, Miami, Florida, 1999-2003 118 --
Business Park, Chartres, France, 1991 122 --
Concert Hall and Exhibition Center, Rouen, France. 1998-2001 124 --
Carnegie Science Center, Pittsburgh, Pennsylvania, 2000 134 --
University of Cincinnati Athletic Center, Cincinnati, Ohio, 2001 136 --
Vacheron Constantin Watch Factory and Headquarters, Geneva, Switzerland, 2001 138 --
Electronic Media Performing Arts Center, RPI, Troy, New York, 2000 140 --
Museum for African Art, New York, 2000 142 --
New Acropolis Museum, Athens, Greece, 2001 146 --
Museu de Arte Contemporanea, Sao Paulo, Brazil, 2001 148 --
Postscript --
Continuity Giovanni Damiani 155 --
Appendix --
Biography 173 --
Books by or on Bernard Tschumi 173 --
Selected Exhibitions 173 --
Project Credits 174 --
Acknowledgements 176 --