Mobile media making in an age of smartphones [electronic resouerce] [edited by] Marsha Berry, Royal Melbourne Institute of Technology, Australia ; Max Schleser, Massey University, New Zealand.
Editor: Houndmills, Basingstoke, Hampshire New York Palgrave Macmillan 2014Descripción: one online resourceTipo de contenido:- 9781137469816 (electronic)
- 384.55/8 23
- PN1992.94 .M63 2014eb
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
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| Libro electrónico | Biblioteca de Mayagüez Acceso en línea | PN1992.94 .M63 2014eb (Navegar estantería(Abre debajo)) | Disponible | 50000003265906 | ||||||||||||||
| Libro electrónico | Biblioteca Mons. Iñaki Mallona (Arecibo) Acceso en línea | 384.55 (Navegar estantería(Abre debajo)) | Ebook | Disponible | 60000010173232 |
Descripciones mejoradas de Syndetics:
With the rise of smartphones and the proliferation of applications, the ways everyday media users and creative professionals represent, experience, and share the everyday is changing. This collection reflects on emergent creative practices and digital ethnographies of new socialities associated with smartphone cameras in everyday life.
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"With the rise of smartphones and the proliferation of applications ("apps"), the ways everyday media users and creative professionals represent, experience, and share the everyday is changing. With the overlay of location-based services, these experiences and representations are providing new social, creative, and emotional cartographies. This collection discusses the prospects of the proliferation of mobile and digital filmmaking opportunities, from videographic citizen journalism to networked, transmedia collaborative filmmaking and photography, and the embedding of filmmaking and photography in social media practice. The contributors reflect on emergent creative practices as well as digital ethnographies of new visualities and socialities associated with smartphone cameras in everyday life"-- Provided by publisher.
Machine generated contents note: -- 1. Creative Mobile Media: The State of Play; Marsha Berry and Max SchleserPART I: AESTHETICS2. Artist with a Camera-phone: A Decade of Mobile Photography; Dean Keep3. Tram Travels: Smartphone Video Production and the Essay Film; Leo Berkeley4. The Mobile Phone and the Flow of Things; Adam KossoffPART II: SPACE AND PLACE5. Ambient Play: Camera-phone Practices and Mobile Gaming; Larissa Hjorth6. Filtered smartphone moments: Haunting places; Marsha Berry7. Subversive Mobile Storytelling; Brian HousePART III: KNOWLEDGE AND STORIES8. Sauti ya wakulima: Using Mobile Phones to Strengthen the Social Context of Rural Agriculture in Rural Tanzania; Eugenio Tisselli9. Digital Storytelling and Aboriginal Young People: An Exploration of Digital Technology to Support Contemporary Koori Culture; Fran Edmonds10. Smartphone Screenwriting: Creativity, Technology, and Screenplays-on-the-go; Craig BattyPART IV: THE SELF11. Instagram: A Repository of Taste, a Brimming Marketplace, a War of Eyeballs; Crystal Abidin12. Slow Media Production and the Rise of Instagram Video; Patrick Kelly13. I'm Doing This Right Now and It's for You: The Role of Images in Sexual Ambient Intimacy; Edgar Gómez Cruz and Cristina Miguel14. Connecting through Mobile Autobiographies: Self-reflexive Mobile Filmmaking, Self-representation and Selfies; Max Schleser.