Herzog & de Meuron : natural history. / edited by Philip Ursprung ; [curator, Philip Ursprung]. txt
Idioma: Español Italy : Lars Muller Publishers, 2002Descripción: 459 p. ill. (some col.) ; plans ; 25 cmTipo de contenido:- text
- unmediaded
- volume
- 9783037780497
- Natural history
- NA1353.H47 A4 2002
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More than any of their contemporaries, Swiss architects Jacques Herzog and Pierre de Meuron are challenging the boundaries between architecture and art. Natural History explores that challenge, examining how the work of this formidable pair has drawn upon the art of both past and present, and brought architecture into dialogue with the art of our time. Echoing an encyclopedia, this publication reflects the natural history museum structure of the exhibition which it accompanies, organized by the Canadian Centre for Architecture. Models and projects by Herzog & de Meuron, as well as by other artists, are structured around six thematic portfolios that suggest an evolutionary history of the architects' work: Appropriation & Reconstruction, Transformation & Alienation, Stacking & Compression, Imprints & Moulds, Interlocking Spaces, and Beauty & Atmosphere. Each section is introduced with a statement from Herzog, and more than 20 artists, scholars, and architects have contributed essays, including Carrie Asman, Georges Didi-Huberman, Kurt W. Forster, Boris Groys, Ulrike Meyer Stump, Peggy Phelan, Thomas Ruff, Rebecca Schneider, Adolf Max Vogt, and Jeff Wall.
Catalog for the exhibition "Herzog & de Meuron: Archaeology of the Mind", organized by the Canadian Centre for Architecture (CCA), Montreal, and presented at the CCA from 23 October 2002 to 6 April 2003 and three other museums.
"English editor: Edward Tingley; French editors: Marie Robert, Marie-Josee Arcand; German editors: Martino Stierli, Marguerite Joly; translation: French to English: Neville Saulter; German to English: Fiona Elliott and Catherine Schelbert"--Colophon.
Includes bibliographical references (p. 447-451).
Contents:
Preface 8 --
INTRODUCTION:
Exhibiting Herzog & de Meuron Philip Ursprung 13 --
Pieces for Four and More Hands Kurt W. Forster 41 --
Genres Are Established by the Distance between the Camera and the Subject An interview with Jeff Wall by Philip Ursprung 63 --
Just Waste Herzog & de Meuron 74 --
TRANSFORMATION AND ALIENATION:
Portfolio Philip Ursprung and Herzog & de Meuron 78 --
To Paradise through Stone Tales and Notes on Chinese Scholars' Stones Albert Lutz 109 --
On Vortices Petros Koumoutsakos 119 --
Alberto Giacometti in Basel Reinhold Hohl 127 --
The Dominus Winery Christian Moueix 137 --
APPROPRIATION AND MODIFICATION:
Portfolio Philip Ursprung and Herzog & de Meuron 142 --
I Make My Picture on the Surface Visiting Thomas Ruff in Dusseldorf Based on an interview with Thomas Ruff by Philip Ursprung 157 --
Visiting Alfred Richterich in Laufen Based on an interview with Alfred Richterich by Philip Ursprung 166 --
Étienne Louis Boullée Visits the Tate Modern Adolf Max Vogt 173 --
The Alchemical Brothers Alejandro Zaera Polo 179 --
STACKING AND COMPRESSION:
Portfolio Philip Ursprung and Herzog & de Meuron 186 --
Herzog & de Meuron and Gerhard Richter's Atlas Catherine Hurzeler 201 --
Housing Remains Herzog & de Meuron and Performance Rebecca Schneider 217 --
Architecture in Itself Doesn't Interest Me An interview with Rémy Zaugg by Philip Ursprung 228 --
IMPRINTS AND MOULDS:
Portfolio Philip Ursprung and Herzog & de Meuron 238 --
The Drapery of Sidewalks Georges Didi Huberman 269 --
Speculative Architecture On the Aesthetics of Herzog & de Meuron Robert Kudielka 279 --
Building the Life Drive Architecture as Repetition Peggy Phelan 289 --
Models of a Hidden Geometry of Nature Karl Blossfeldt's "Meurer Bronzes" Ulrike Meyer Stump 301 --
INTERLOCKING SPACES:
Portfolio Philip Ursprung and Herzog & de Meuron 310 --
Houses of the Engadine Valley Kurt W. Forster 337 --
On Richard Artschwager Richard Armstrong 349 --
BEAUTY AND ATMOSPHERE:
Portfolio Philip Ursprung and Herzog & de Meuron 354 --
Ornament and Motion Science and Art in Gottfried Semper's Theory of Adornment Carrie Asman 385 --
Atmosphere as the Subject Matter of Architecture Gernot Bohme 398 --
Beauty as Visibility Boris Groys 407 --
Works, 1978 2005 417 --
Appendices 445 --
More than any of their contemporaries, Swiss architects Jacques Herzog and Pierre de Meuron are challenging the boundaries between architecture and art. Natural History explores that challenge, examining how the work of this formidable pair has drawn upon the art of both past and present, and brought architecture into dialogue with the art of our time. Echoing an encyclopedia, this publication reflects the natural history museum structure of the exhibition which it accompanies, organized by the Canadian Centre for Architecture. Models and projects by Herzog & de Meuron, as well as by other artists, are structured around six thematic portfolios that suggest an evolutionary history of the architects' work: Appropriation & Reconstruction, Transformation & Alienation, Stacking & Compression, Imprints & Moulds, Interlocking Spaces, and Beauty & Atmosphere. Each section is introduced with a statement from Herzog, and more than 20 artists, scholars, and architects have contributed essays, including Carrie Asman, Georges Didi-Huberman, Kurt W. Forster, Boris Groys, Ulrike Meyer Stump, Peggy Phelan, Thomas Ruff, Rebecca Schneider, Adolf Max Vogt, and Jeff Wall --
Coti, 01/20/03, 2003-494.