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Modern women women artists at the Museum of Modern Art edited by Cornelia H. Butler and Alexandra Schwartz ; with essays by Esther Adler ... [et al.].

Colaborador(es): Detalles de publicación: New York Museum of Modern Art Distributed in the United States and Canada by D.A.P./Distributed Art Publishers c2010.Descripción: 528 p. ill. (some col.) 28 cmISBN:
  • 9780870707711
  • 087070771X
Tema(s): Clasificación CDD:
  • 709.040082 22
  • 704.042 22
Clasificación LoC:
  • N8354 .M63 2010
Contenidos:
Foreword Glenn D. Lowry -- The feminist present women artists at MoMA Cornelia Butler -- The missing future MoMA and modern women Griselda Pollock -- "Float the boat!" finding a place for feminism in the museum Aruna D'Souza -- Early modern. Julia Margaret Cameron Susan Kismaric Käthe Kollwitz Sarah Suzuki Lillian Gish Jenny He Sonia Delaunay-Terk Jodi Hauptman Asta Nielsen Jytte Jensen Georgia O'Keeffe Anne Umland Sybil Andrews Judith B. Hecker Frida Kahlo Anne Umland Women on paper Carol Armstrong Crossing the line Frances Benjamin Johnston and Gertrude Käsebier as professionals and artists Sarah Hermanson Meister Women artists and the Russian avant-garde book, 1912-1934 Starr Figura A collective and its individuals the Bauhaus and its women Ta'i Smith Domestic reform and European modern architecture Charlotte Perriand, Grete Lihotzky, and Elizabeth Denby Mary McLeod Women and photography between feminism's "waves" Sally Stein -- With, or without you the ghosts of modern architecture Beatriz Colomina -- Midcentury. Ida Lupino Anne Morra Elizabeth Catlett Emily Talbot Agnes Martin Romy Silver Lee Bontecou Lilian Tone Anne Truitt Samantha Friedman Bridget Riley Jennifer Field Eva Hesse Ann Temkin Diane Arbus Susan Kismaric Denise Scott Brown, Lella Vignelli Pat Kirkham and Yenna Chan Agnès Varda Laurence Kardish Louise Bourgeois Deborah Wye Women, MoMA, and midcentury design Juliet Kinchin Maya Deren's legacy Sally Berger Abstraction, organism, apparatus notes on the penetrable structure in the work of Lygia Clark, Gego, and Mira Schendel Luis Pérez-Oramas Performativity in the work of female Japanese artists in the 1950s-1960s and the 1990s Yuko Hasegawa From video to intermedia a personal history Barbara London -- Contemporary. Adrian Piper Esther Adler Lynda Benglis Nora Lawrence Hanne Darboven Christophe Cherix Nan Goldin Eva Respini Ana Mendieta Ester Adler Zaha Hadid Andres Lepik Cady Noland Christian Rattemeyer Irma Boom Paola Antonelli Lin Tianmiao Sarah Suzuki Janet Cardiff and George Bures Miller Paulina Pobocha Mind, body, sculpture Alice Aycock, Mary Miss, Jackie Winsor in the 1970s Alexandra Schwartz Fundamental to the image feminism and art in the 1980s Johanna Burton Riot on the page thirty years of zines by women Gretchen L. Wagner From face to mask collage, montage, and assemblage in contemporary portraiture Roxana Marcoci In the wake of the Negress Huey Copeland How to install art as a feminist Helen Molesworth.
This text examines the collection of feminist art in the Museum of Modern Art. It features essays presenting a range of generational and cultural perspectives.
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Descripciones mejoradas de Syndetics:

Individuals:Women Artists in the Collection of The Museum of Modern Art represents the first effort by a major North American museum to examine its collection in light of feminist scholarship of the past three decades. Featuring illustrated essays by nearly fifty writers, including both MoMA curators and outside scholars, among them many of the strongest voices in current research on art and gender, this groundbreaking publication presents a range of generational and cultural perspectives. Individuals focuses on a diverse range of artists active from the late nineteenth century to the present whose works span the spectrum of mediums and genres in the Museum's collection. Organized chronologically into three sections - Early Modernism, Mid-Century and Contemporary - the book comprises both long and short essays emphasizing new research on women artists within these historical time periods. Richly illustrated with objects from the collection, Individuals foregrounds a conversation between past considerations of MoMA's collection and current feminist narratives of art history, putting these varied modes of exploration in productive dialogue.

Includes bibliographical references and index.

Foreword Glenn D. Lowry -- The feminist present women artists at MoMA Cornelia Butler -- The missing future MoMA and modern women Griselda Pollock -- "Float the boat!" finding a place for feminism in the museum Aruna D'Souza -- Early modern. Julia Margaret Cameron Susan Kismaric Käthe Kollwitz Sarah Suzuki Lillian Gish Jenny He Sonia Delaunay-Terk Jodi Hauptman Asta Nielsen Jytte Jensen Georgia O'Keeffe Anne Umland Sybil Andrews Judith B. Hecker Frida Kahlo Anne Umland Women on paper Carol Armstrong Crossing the line Frances Benjamin Johnston and Gertrude Käsebier as professionals and artists Sarah Hermanson Meister Women artists and the Russian avant-garde book, 1912-1934 Starr Figura A collective and its individuals the Bauhaus and its women Ta'i Smith Domestic reform and European modern architecture Charlotte Perriand, Grete Lihotzky, and Elizabeth Denby Mary McLeod Women and photography between feminism's "waves" Sally Stein -- With, or without you the ghosts of modern architecture Beatriz Colomina -- Midcentury. Ida Lupino Anne Morra Elizabeth Catlett Emily Talbot Agnes Martin Romy Silver Lee Bontecou Lilian Tone Anne Truitt Samantha Friedman Bridget Riley Jennifer Field Eva Hesse Ann Temkin Diane Arbus Susan Kismaric Denise Scott Brown, Lella Vignelli Pat Kirkham and Yenna Chan Agnès Varda Laurence Kardish Louise Bourgeois Deborah Wye Women, MoMA, and midcentury design Juliet Kinchin Maya Deren's legacy Sally Berger Abstraction, organism, apparatus notes on the penetrable structure in the work of Lygia Clark, Gego, and Mira Schendel Luis Pérez-Oramas Performativity in the work of female Japanese artists in the 1950s-1960s and the 1990s Yuko Hasegawa From video to intermedia a personal history Barbara London -- Contemporary. Adrian Piper Esther Adler Lynda Benglis Nora Lawrence Hanne Darboven Christophe Cherix Nan Goldin Eva Respini Ana Mendieta Ester Adler Zaha Hadid Andres Lepik Cady Noland Christian Rattemeyer Irma Boom Paola Antonelli Lin Tianmiao Sarah Suzuki Janet Cardiff and George Bures Miller Paulina Pobocha Mind, body, sculpture Alice Aycock, Mary Miss, Jackie Winsor in the 1970s Alexandra Schwartz Fundamental to the image feminism and art in the 1980s Johanna Burton Riot on the page thirty years of zines by women Gretchen L. Wagner From face to mask collage, montage, and assemblage in contemporary portraiture Roxana Marcoci In the wake of the Negress Huey Copeland How to install art as a feminist Helen Molesworth.

This text examines the collection of feminist art in the Museum of Modern Art. It features essays presenting a range of generational and cultural perspectives.

Reseñas proporcionadas por Syndetics

Library Journal Review

As one picks up this hefty volume, the cover image of an enigmatic woman captures the viewer's interest with a mesmerizing gaze. This is Maya Deren (from her 1943 experimental film), one of the hundreds of women discussed inside. Five years of research have brought forth a richly illustrated book with 48 scholarly essays about women artists (both famous and lesser known) within the Museum of Modern Art's collections. Readers not familiar with the broad range of media that the museum collects will be astonished at the variety of international artistic expressions. Arranged chronologically, the first innovator into modernism we meet is the 19th-century photographer Julia Margaret Cameron. The museum also frankly discusses its history, when feminists demonstrated against it because of its lack of equitable representation. An informative section at the end contains short biographies of influential women behind the scenes at the museum: the three founders, as well as other donors, curators, and administrators. VERDICT This is an important study on two levels: how an institution openly addresses gender issues, and how instrumental women have been in advancing the arts to where they are today.-Anne Marie Lane, Univ. of Wyoming, Laramie (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

CHOICE Review

Richly illustrated in color with expansive captions, this collection of essays is the second major undertaking of the Modern Women's Fund, established at MoMA in 2005 to help promote scholarship on women in the arts. Modern Women is an expert endeavor on the part of 50 scholars that engages the museum's collection and, moreover, bears witness to artistic, research, and curatorial praxis by broadening discourse through reflection and analysis of women as artists, curators, and patrons. Three introductory essays lay the foundation for the remainder of the book, chronologically grouped under three headings ("Early Modern," "Midcentury," and "Contemporary"). Each section delves deeply into analysis of individual artists and extensive topics such as Bauhaus architecture, collaborations, and artistic legacies. Thirty-eight pithy glossary entries (mostly biographical) supplement the text. Embedded bibliographic citations richly add to the discussion and point readers to relevant primary and secondary sources. This investigation of more than 300 women from the late 19th century to the present brings into focus the range of activity from the founding of MoMA to the postfeminist concerns of contemporary artists, scholars, and curators. Summing Up: Recommended. Upper-division undergraduates through professionals. J. Decker Georgetown College
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