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La tauromaquia and The bulls of Bordeaux. With a new introd. by Philip Hofer.

Por: Detalles de publicación: New York Dover Publications [1969]Descripción: 8 p., 48 plates. illus. 28 x 35 cmISBN:
  • 0486223426
Tema(s): Clasificación CDD:
  • 769/.924
Clasificación LoC:
  • NE702.G7 A57
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Imagen de cubierta Tipo de ítem Biblioteca actual Biblioteca de origen Colección Ubicación en estantería Signatura topográfica Materiales especificados Info Vol URL Copia número Estado Notas Fecha de vencimiento Código de barras Reserva de ítems Prioridad de la cola de reserva de ejemplar Reservas para cursos
Referencia Biblioteca Encarnación Valdés Sala de Referencia bev 769.927 G724t (Navegar estantería(Abre debajo)) Disponible 80000000199912
Total de reservas: 0

Includes the reproduction of 33 plates from the 1816 ed. of La Tauromaquia, and the 7 supplementary plates of the 1876 ed.

Notas de autor provistas por Syndetics

Francisco Jose de Goya y Lucientes was the great Spanish painter and graphic artist whose fame rests not only on his superb painterly abilities, but also on the darkness and drama of the subject matter he recorded. Rembrandt's powerful influence is easily observed. Born in Saragossa, he settled in Madrid in 1774. His early paintings are lively, cheerful, and almost rococo in feeling (e.g., his tapestry cartoons in the Prado). In 1789 Goya was appointed official court painter---a position once held by Diego Velazquez, whom he admired and emulated.

In 1794 Goya became deaf, and his mood changed profoundly. He began to draw and etch. The Caprichos (1796--98), aquatinted etchings which date from that period, present satirical, grotesque, and nightmarish scenes. His famous, unsparingly realistic, Family of King Charles IV (critics still wonder how he got away with it) was painted in 1800. When Spain was taken over by Napoleon in 1808, a terrible civil war ensued. Goya, torn between his Francophile liberalism and his Spanish patriotism, more than all else hated the cruelties of war. The 65 etchings that comprise Los Desastres de la Guerra are among the most moving antiwar documents in all art. Fourteen large mysterious murals, the so-called Black Paintings, were painted toward the end of Goya's life. He spent his last years in Bordeaux, in voluntary exile from the Spanish Bourbon regime.

(Bowker Author Biography)

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