Imagen de portada de Amazon
Imagen de Amazon.com
Imagen de cubierta Syndetics
Portada de Syndetics
Imagen de OpenLibrary

Oralidad y escritura tecnologías de la palabra Walter J. Ong ; tr. Angélica Scherp.

Por: Colaborador(es): Idioma: Español Lenguaje original: Inglés Series Sección de obras de lengua y estudios literariosDetalles de publicación: Santafé de Bogotá, Colombia Fondo de Cultura Económica 1999.Descripción: 190 p. 21 cmISBN:
  • 9583800171
Títulos uniformes: Tema(s): Clasificación CDD:
  • 302.2 O5884o E 21
Información de serie: Haga clic para abrir en una nueva ventana
Valoración
    Valoración media: 0.0 (0 votos)
Existencias
Imagen de cubierta Tipo de ítem Biblioteca actual Biblioteca de origen Colección Ubicación en estantería Signatura topográfica Materiales especificados Info Vol URL Copia número Estado Notas Fecha de vencimiento Código de barras Reserva de ítems Prioridad de la cola de reserva de ejemplar Reservas para cursos
Libro Biblioteca Encarnación Valdés Colección General bev 302.2 O5884o E (Navegar estantería(Abre debajo)) Disponible 80000002256686
Total de reservas: 0

Includes bibliography : p. 175-187.

Reseñas proporcionadas por Syndetics

Publishers Weekly Review

Equal parts endearing and impetuous, Ian Falconer's acclaimed star, Olivia, appears in an unabridged board book version of the Caldecott Honor title. In our Best Books citation, PW wrote, "With a masterful use of black line, a minimum of details, a judicious use of the color red and a few choice words, Falconer invents an unforgettable porcine heroine." (c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Review

PreS-Gr 3-From the articles of clothing strewn across the front endpapers of this droll account of Olivia's escapades, readers may surmise that this porcine heroine is no ordinary youngster. Olivia is constantly on the move, dreaming big dreams and meeting every challenge head-on. She doesn't just get dressed, she tries on every outfit in the closet. She doesn't just dance, she envisions herself as a prima ballerina bowing before an adoring audience. When her mother teaches her to build sand castles, Olivia creates a towering structure that closely resembles the Chrysler Building in New York City. When she views a Jackson Pollack painting in the museum, she immediately concludes that she can do better and proceeds to try her hand at painting a wall at home. Her efforts earn her time out and a bath. The text is brief, funny, and sometimes ironic in relation to the highly amusing illustrations. The only touches of color in the pictures, executed in charcoal and gouache, are the bright reds of the clothing or objects used by Olivia. There are often many renderings of the young pig on each large white background, effectively demonstrating her boundless energy. Even at day's end, she is still going strong, negotiating the number of books to be read at bedtime. For a lively storyhour featuring feisty females, pair this with Kevin Henkes's stories about Lilly.-Marianne Saccardi, Norwalk Community College, CT (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Booklist Review

Ages 3^-5. Olivia, a delightful little pig, is Everychild. She's good at lots of things, especially wearing people out--including herself. When she gets dressed, she tries on everything; at night she's ready to go to sleep, but only after four stories. She's a kissing cousin to Kevin Henkes' Lilly. Unlike the Lilly books, there's no real plot here, and that's too bad. But the spacious design of the book; the appeal of the strong, clever art; and the humor that permeates every page make this a standout anyway. Falconer, a painter and New Yorker cover artist, renders Olivia's world in charcoal with dollops of red brightening the pages. Playing dress-up, Olivia stands in front of a mirror wearing red heels, red lipstick, and a red bow tying up her ears. (Little brother, Ian, the copycat, stands behind her, lipstick smearing his mouth and shirt.) When Olivia gets dressed, it's a two-page spread of her in a red ballerina dress, a red bikini, red earmuffs and mittens, a red ball gown--17 outfits in all. The oversize pictures can be seen clearly in story hours, but pouring over them more than once may be the most fun of all: kids will see themselves in Olivia. --Ilene Cooper

Notas de autor provistas por Syndetics

Ian Falconer was born in Ridgefield, Connecticut on August 25, 1959 and died on March 7, 2023 at 63 years old. He studied art history at New York University and painting at Parsons School of Design and Otis Art Institute. He is a writer and artist who has illustrated many covers of The New Yorker magazine. He has also designed sets and costumes for the New York City Ballet, the San Francisco Opera, and the Royal Opera House, Covent Garden.

Olivia, his first children's picture book, received many awards including the Caldecott Honor in 2001. He has published several more picture books about Olivia including Olivia Saves the Circus, Olivia Forms a Band, Olivia Helps with Christmas, and Olivia Goes to Venice. He also illustrated Squirrel Seeks Chipmunk: A Modest Bestiary by author David Sedaris.

(Bowker Author Biography)

Compartir
logopucpr-y-vive

Contáctanos

¡Queremos saber de ti!

Tel. 787.841.2000 Ext. 1801

bibliotecavaldes@pucpr.edu

⁣Búscanos en las redes

© 2026 Desarrollado por Ignite Online • All Rights Reserved • Powered by Koha.