Descripciones mejoradas de Syndetics:

Puerto Rican writers from the island and mainland have long used a variety of comic genres and forms to affirm an autonomous national identity and resist cultural hegemony and assimilation. The use of self-reflexive humor has allowed these writers to produce "eccentric texts" that reflect not only on their own textuality but also on their role as an intervention in the literary discourse on national identity. Reyes analyzes the works of Nemesio Canales, Luis Rafael Sánchez, Ana Lydia Vega, and Pedro Pietri to argue that their works resituate the parameters of national identity by blurring the lines between the subject and object of humor, the inside and outside of the text, and the here and there of the diasporic Puerto Rican nation. Framing his discussion in the context of Latin American, Latino, and Caribbean traditions, Reyes argues that humor and the eccentric text reimagine Puerto Rican national identity from the perspective of incongruity.nbsp;He demonstrates how, through self-reflexive humor, these writers expose the many incongruities in Puerto Rican national identity yet also explore the relationship between author and reader.nbsp;While demonstrating the genre's own instabilities, Reyes argues, humor in Puerto Rican literature negotiates incongruity and allows for a national identity to emerge from multiple centers of articulation.nbsp;nbsp;

Reseñas proporcionadas por Syndetics

CHOICE Review

This well-researched book concentrates on four major authors: Nemesio Canales, Luis Rafael Sanchez, Ana Lydia Vega, and Pedro Pietri. A short, focused introduction sets the ideological and literary parameters critical for understanding the Puerto Rican concept of humor. Canales (1878-1923), a lawyer and legislator, stands out as the earliest writer to make use of humor in a political commentary. Sanchez (b. 1936) is perhaps Puerto Rico's best-known novelist and playwright; Reyes explores his use of "poetics of the vulgar" in two novels. Reyes discusses Vega (b. 1946) as a feminist writer of short stories that exemplify use of irony and humor "to demystify the discourses of social inequity and gender oppression." And in discussing Pietri (1944-2004), a well-known founder of Nuyorican urban poetry, Reyes explores the poet's use of the absurd as a comic device with a sociopolitical intent. An important contribution is Reyes's analysis of regional humorous practices that are distinctive elements of Caribbean popular cultures, including literature. This book is a welcome addition to postcolonial and immigrant studies, and a must for those pursuing Puerto Rican studies. ^BSumming Up: Essential. Upper-division undergraduates through faculty. R. Ocasio Agnes Scott College

Notas de autor provistas por Syndetics

Israel Reyes is associate professor of Spanish and Portuguese at Dartmouth College and author of several articles on Puerto Rican and Latino literature.