Mobbing como sobrevivir al acoso psicologico en el trabajo Iñaki Piñuel y Zabala.
Series Colección Proyecto ; 67Detalles de publicación: España Sal Terrae c2001.Edición: 1a edDescripción: 311 p. 21 cmISBN:- 8429314105
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro | Biblioteca de Mayagüez Colección General mb | HF5549.5 .E43 P56 2001 (Navegar estantería(Abre debajo)) | Disponible | 50000003177994 | ||||||||||||||
| Libro | Biblioteca Mons. Iñaki Mallona (Arecibo) Colección General ab | 158.7 P693m (Navegar estantería(Abre debajo)) | Disponible | 60000010038724 |
Descripciones mejoradas de Syndetics:
Published on the hundredth anniversary of Van Goghe(tm)s death, this is the first full-length biography of this undying man in twenty years and surely the most comprehensive account to date. Mr. Callow treats more searchingly than any previous work the development of Van Goghe(tm)s genius and his emergence as an artist after early struggles to find a vocation, first in the world of art dealing and later as an evangelical missionary among Belgian miners. Using the skills and psychological insights of an accomplished novelist, and drawing upon new Van Gogh materials which have surfaced in the last two decades, Mr. Callow sets a turbulent life story firmly in historical context, including Vincente(tm)s desperate attempts to accept his repressive religious upbringing, and his unhappy experiences in love. The story is filled with paradoxes and crushing failures, ending in suicide that was to lead to enormous posthumous success. Through Mr. Callowe(tm)s book we can see Van Goghe(tm)s life and work in terms of tumult, of a legend breaking out of the triumph and confusion of 19th-century culture while representing it uniquely. It is perhaps the story of a saint, certainly a hero of art.
Includes bibliographical references (p. 309-311).
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