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Taller de supervisores dinámicos / Juan JoséJuiz.
Detalles de publicación: San Juan, P.R. : Publicaciones Puertorriqueñas , 1992.Edición: 1a edDescripción: xviii, 133 p. 28 cmTipo de contenido:- 0929441397
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro | Biblioteca de Mayagüez Sala de Referencia mb | HF5549 .T7 J85 1992 (Navegar estantería(Abre debajo)) | Disponible | 50000002151404 |
Total de reservas: 0
Bibliography: p.133.
gccoct2006
Notas de autor provistas por Syndetics
Critics attribute the beginning of modern Spanish drama to Jacinto Benavente, recipient of the Nobel Prize in Literature in 1922. His work marked his break with the melodrama and affectation of the previous style, represented by Jose Echegaray, another Nobel Prize winner. Benavente considered Lope de Vega, Calderon, Shakespeare, Ibsen, and Perez Galdos his masters.Compared to their works, however, Benavente's seems bland and static. He was noted for elegant dialogues, and indeed he used conversation to relate action that takes place offstage. He excelled in the use of social satire, ironic presentations of human weaknesses, and psychological penetration of characters. The Bonds of Interest (1907), considered his best play, utilizes puppet figures.
(Bowker Author Biography)