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The recording industry Geoffrey P. Hull.
Series The Allyn & Bacon series in mass communicationDetalles de publicación: Boston Allyn and Bacon c1998.Descripción: xiv, 304 p. 23 cmISBN:- 0205196896
- 338.4/778149/0973 21
- ML3790 .H84 1998
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro | Biblioteca Encarnación Valdés Colección General bev | 338.4778149 H9134r (Navegar estantería(Abre debajo)) | Disponible | 80000002108366 |
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Descripciones mejoradas de Syndetics:
Studies the industry's modern state, which is dominated by six major multinational companies, examining it from an economic perspective rather than a cultural or social perspective. Discusses the structure of the industry overall and of its primary income streams; the production and marketing functi
Includes directory of Web sites (p. 255-263), bibliographical references (p. 285-298), and index.
Tabla de contenidos provista por Syndetics
- Introduction
- I Scope And Impact Of The Recording Industry In America
- 1 Overview: America's Favorite Music
- Rapid Growth of a Major Media Player
- Diverse Musical Tastes
- Who Buys Recordings?
- Ways of Understanding the Recording Industry
- 2 Recordings: The Main Stream
- Basic Functions
- Oligopoly
- The Big Six
- The Structure of Record Companies
- Profitability in the Recording Industry
- The Indies
- Diversity in Spite of Itself
- Summary
- 3 Music Publishing: The Second Stream
- The Music Business Three Income Stream Model
- Revisited
- Music Publishing: Then and Now
- Overall Structure
- Music Publishing Functions
- Copyright Acquisition
- Exploiting Copyrights
- Songwriting
- 4 Live Entertainment: The Third Stream
- The Major Players
- Personal Managers
- Talent Agents
- Promoters
- The Venue
- The Labels in the Concert Business
- Sponsored Tours
- The Unions
- The Management Team
- Summary
- 5 Relation to Other Media
- Recordings in Radio
- Music and Recordings in Television
- Recordings and Film
- Recordings and the Print Media
- Summary
- II Recording Industry Core Functions
- 6 Production and the A & R Function
- Finding and Recording New Talent
- Artists' Recording Contracts
- Record Production
- Acquisitions through Licensing
- Studios and Audio Engineering Recording
- Summary
- 7 The Marketing Function
- The Four P's of Marketing
- Product
- Price
- Promotion
- Place
- Entering the Information Age
- Summary
- 8 Retailing Software on Hard Copies
- Overview
- Record Retail: 1890 to 1950
- Rack Jobbers
- The Chain Gang
- Internationalization of Record Retailing
- Indies: the Mom-n-Pop store
- Retail Management Considerations
- Used CDs
- Record Clubs
- Future of Record Retailing
- III Legal Environment Of The Recording Industry
- 9 Copyright Basics in the Recording Industry
- Duration of Copyrights
- Formalities: Notice and Registration
- The Fair Use Limitation and Parody
- Joint Authorship Joint Works
- Works Made for Hire
- Termination Rights
- Termination Problems
- The Manufacturing Clause and Parallel Imports
- Poor Man's Copyright
- Summary
- 10 Copyright in Sound Recordings and Songs
- Sound Recordings
- Musical Compositions
- SamplingThou Shall Not Steal
- Infringement and Remedies
- You Stole My Song!
- Every Song
- Writer's Nightmare
- New Directions for Copyright
- 11 Piracy and Other Legal Problems
- Piracy of Phonorecords
- Payola
- Anti-Trust Problems
- Perspective
- Internet
- Appendix
- Glossary of Terms
- Index