Palladio virtuel / Peter Eisenman with Matt Roman. txt
Editor: New Haven : Yale University Press, 2015Descripción: 291 pages : illustrations (some color), plans ; 26 cmTipo de contenido:- text
- still image
- unmediated
- volume
- 9780300213881
- 0300213883
- 23 720.92
- NA1123.P2 E57 2015
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro Col. General CARIBET | CARIBET Biblioteca Arquitectura Colección General CARIBET | General NA1123.P2 E57 2015 (Navegar estantería(Abre debajo)) | 1 | Disponible | 91000000066381 |
Descripciones mejoradas de Syndetics:
A long-awaited reassessment of Andrea Palladio's canonical villas that challenges widely accepted interpretations of the Renaissance architect's work
Many historians of architecture have viewed the villas of Andrea Palladio (1508-1580) as physical manifestations of the classical architectural principles described in his treatise The Four Books of Architecture ( I Quattro Libri dell'Architettura ). Written toward the end of his life, The Four Books illustrate Palladio's built work, redrawn the way he wanted it to be. In this groundbreaking new study , American architect and educator Peter Eisenman analyzes twenty of Palladio's villas, offering a radical interpretation of the Renaissance master's work.
Working from an architect's perspective, Eisenman, with Matt Roman, shows the evolution of Palladio's villas from those that exhibit classical symmetrical volumetric bodies to others that exhibit no bodies at all, just fragments in a landscape. This conclusion stands in stark contrast to studies that emphasize principles of ideal symmetry and proportion in Palladio's work. Featuring more than 300 new analytic drawings and models, this handsome book is an important addition to the corpus of Palladian studies and a testament to Palladio's lasting place in contemporary architectural thought.
Featuring more than 300 new analytic drawings and models, this study explores the evolution of Palladio's villas from those that exhibit classical symmetrical volumetric bodies to others that exhibit no bodies at all, just fragments in a landscape.
Includes index.
PART I: THE CLASSICAL VILLAS --
THE IMPENDING CRISIS OF SYNTHESIS --
1. Villa Rotonda 35 --
2. Palazzo della Torre 49 --
3. Palazzo Thiene 61 --
4. Villa Sarego 71 --
5. Palazzo Chiericati 81 --
6. Villa Valmarana 93 --
7. Villa Cornaro 103 --
PART II: THE BARCHESSA PROJECTS --
EXTENSIONS INTO THE LANDSCAPE --
8. Villa Foscari 117 --
9. Villa Emo 131 --
10. Villa Poiana 145 --
11. Villa Zeno 157 --
12. Villa Angarano 171 --
13. Villa Pisani 183 --
14. Villa Trissino 197 --
PART III: THE VIRTUAL VILLA --
THE DISSIPATION OF THE VILLA TYPE --
15. Villa Thiene 213 --
16. Villa Godi 225 --
17. Villa Badoer 239 --
18. Villa Barbaro 253 --
19. Villa Repeta 267 --
20. Villa Sarego 279 --
Many historians of architecture have viewed the villas of Andrea Palladio (1508-1580) as physical manifestations of the classical architectural principles described in his treatise 'The Four Books of Architecture' ('I Quattro Libri dell'Architettura'). Written toward the end of his life, 'The Four Books' illustrate Palladio's built work, redrawn the way he wanted it to be. In this study, American architect and educator Peter Eisenman analyzes twenty of Palladio's villas, offering a radical interpretation of the Renaissance master's work.