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  <titleInfo>
    <title>Interaction of color</title>
  </titleInfo>
  <name type="personal">
    <namePart>Albers, Josef</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
    <role>
      <roleTerm type="text">author.</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">ctu</placeTerm>
    </place>
    <dateIssued encoding="marc">2013</dateIssued>
    <copyrightDate encoding="marc">2013</copyrightDate>
    <edition>50th anniversary edition ; 4th edition.</edition>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <form authority="gmd">txt</form>
    <extent>xi, 193 p. : ill. ; col. ; 24 cm.</extent>
  </physicalDescription>
  <tableOfContents>Color recollection : visual memory -- 
Color reading and contexture -- 
Why color paper : instead of pigment and paint -- 
A color has many faces : the relativity of color -- 
Lighter and/or darker : light intensity, lightness ; 
Gradation studies : new presentations ; 
Color intensity : brightness -- 
1 color appears as 2 : looking like the reversed grounds -- 
2 different colors look alike : subtraction of color -- 
Why color deception? : after-image, simultaneous contrast -- 
Color mixture in paper : illusion of transparence -- 
Factual mixtures : additive and subtractive -- 
Transparence and space-illusion ; 
Color boundaries and plastic action -- 
Optical mixture : after-image revised -- 
The Bezold Effect -- 
Color intervals and transformation -- 
The middle mixture again : intersecting colors -- 
Color juxtaposition : harmony : quantity -- 
Film color and volume color : 2 natural effects -- 
Free studies : a challenge to imagination ; 
Stripes : restricted juxtaposition ; 
Fall leaf studies : an American discovery -- 
The Masters : color instrumentation -- 
The Weber-Fechner Law : the measure in mixture -- 
From color temperature to humidity in color -- 
Vibrating boundaries : enforced contours -- 
Equal light intensity : vanishing boundaries -- 
Color theories : color systems -- 
On teaching color : some color terms ; 
Explanation of color terms ; 
Variants versus variety -- 
In lieu of a bibliography : my first collaborators --
Plates and commentary --</tableOfContents>
  <note type="statement of responsibility">Josef Albers.</note>
  <note>Original edition: 1963.</note>
  <subject authority="lcsh">
    <topic>Color</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Color</topic>
    <topic>Study and teaching</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Color Study and teaching</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Color in art</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Color vision</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Visions</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Symbolic color</topic>
  </subject>
  <classification authority="lcc">ND1489 A4 2013</classification>
  <classification authority="ddc" edition="23">701.85</classification>
  <identifier type="isbn">9780300179354</identifier>
  <identifier type="isbn">0300179359</identifier>
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    <recordCreationDate encoding="marc">121109</recordCreationDate>
    <recordChangeDate encoding="iso8601">20260506121423.0</recordChangeDate>
    <languageOfCataloging>
      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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