02984    a2200265   4500003000400000005001700004008004100021020001800062040002100080041000800101050002400109100002300133245017900156264003200335300004600367490005600413504002000469505102200489520000901511520065201520520045902172650002102631650003002652650003602682OSt20260929115054.0260306s2019    gw a|||gr|||| 001 0 eng d  a9783662597019  bengdprpculerda  aeng  aK 1450b.M248o 20191 aMalevanny, Nikita.1 aOnline music distribution - how much exclusivity is needed? :ba study of international, European, German and U.S. copyright systems and their objectives /cNikita Malevanny.  aGermany :bSpringer,c2019.  axxix, 423 pages :billustration ;c23 cm.0 aMunich Studies on Innovation and Competitionvv. 12  aIncludes index.00gIntroduction --tPart I - Online Music Distribution: Current Legal Situation --gRelevant Online Music Uses --gRelevant Rights and Their Applicability to Online Music Uses --gLimits to Exclusive Rights in the Internal Relationship Between Original and Derivative Rightholders --gLimits of the Possibility to Exclude --gCRM in the Field of OMD --gCurrent Regimes of Exclusivity in the OMD Field in Germany and in the U.S. --tPart II - Compatibility of Current Regimes of Exclusivity with Regulatory Objectives in the Field of OMD --gPromoting Creation of New Musical Subject-Matter --gRewarding Rightholders --gPromoting a Level Playing Field Among Rightholders --gPromoting Dissemination of Musical Subject-Matter --gFurther Objectives --gConclusion on Compatibility of Current Regimes of Exclusivity with Regulatory Objectives in the Field of OMD --tPart III - Policy Recommendations and Conclusion --gPolicy Recommendations on Regulating Exclusivity in the Field of OMD --gConclusion --tBibliography  a    8 aThis book analyzes regulatory models established in the field of online music distribution, and examines their consistency with the overarching objectives of copyright law. In order to do so, the book takes a deep dive into the provisions of international treaties, EU Directives as well as the German and US copyright systems and case law. It subsequently scrutinizes the identified regulatory models from the standpoint of the copyright's objectives with regard to incentives, rewards, a level playing field, and dissemination. Lastly, it endorses the improved market-based statutory license as a preferable instrument in the online music field.8 aThe book is intended for all readers with an interest in music copyright law. Part I will especially benefit copyright scholars and practitioners seeking in-depth insights into the current legal situation regarding streaming and downloading. In turn, Part II will above all appeal to scholars interested in “law and economics” and in the theoretical foundations of online music copyright. Policy recommendations can be found in Part III. --Back cover 0aCopyrightxMusic 0aCopyrightxMusiczGermany 0aCopyright, InternationalxMusic