TY - BOOK AU - Bonadio,Enrico AU - Zhu,Chen Wei TI - Music borrowing and copyright law: a genre-by-genre analysis SN - 9781509949380 AV - K 1450 .M87 2023 PY - 2023/// CY - Oxford, UK, New York, NY PB - Hart Publishing KW - Copyright KW - Music KW - Great Britain KW - Allusions in music KW - Quotation in music KW - fast N1 - Includes bibliographical references and index; Part I; Music genres, borrowing and copyright. Defining music genres : critical issues with music taxonomies; Franco Fabbri --; A brief history and typology of musical borrowing and reworking; J Peter Burkholder --; Litigating musical universals and particulars : copyright law's ontological struggle with music borrowing; Chen Wei Zhu --; We can work it out : methods in forensic musicology; Joe Bennett --; Forensic musicology in action : a personal perspective; Guy Protheroe --; Borrowing from traditional culture : ownership and commodification of traditional music from a cultural custodianship perspective; Anthony CK Kakooza --; Part II; Analysing music genres and their relationship with copyright; Section A: General; Pop and the musical unconscious; Jose Bellido --; 'Do the right thing' or 'fight the power' : hip-hop music, sampling and copyright law; Joyce Lee and Marc Mimler --; Understanding the creative processes, musical borrowing and copyright protection of the electronic dance music industry; Nicola Lucchi --; How jazz persists at the periphery of copyright; Katherine M Leo --; Confronting an extractive raciliased genre system : black lives matter, royalty recovery and musical reparations; Olufunmilayo B Arewa and Matt Stahl --; 'Not like pyrates' : borrowing, copyright and creativity in the eighteenth century; Ann van Allen-Russell --; Section B: Americas; Remix, reuse and reggae : creativity and copyright in Jamaican music; Enrico Bonadio and Bryan Khan --; Rhythm and melody sans humanité : copyright and the development of calypso music; Bryan Khan --; Pholourie bina chutney : copyright and cultural identity in Indo-Caribbean music; Bryan Khan --; River Plate tango : appropriation, borrowing and innovation; Maximiliano Marzetti --; Section C: Europe; Ownership as sharing : the practices of Irish folk music; Luke McDonagh --; Hungarian musical heritage goes viral -- Hungarian folk music from a copyright perspective; Péter Mezei and Gergely Békés --; Flamenco music, borrowing practices and the limits of copyright; Antoni Rubí-Puig --; Canzone napoletana, chanson francaise and southern Italian folk music : who took from whom?; Giovanni Maria Riccio --; Greek traditional music : creativity, copyright and the commons; Stavroula Karapapa --; Section D: Africa and Middle East; Israeli music genres : appropriation and borrowing as a tool for national and cultural emergence and structuring; Omri Rachum-Twaig --; Feel the Benga beat : music borrowing and copyright law in Kenya; Marisella N Ouma --; The many facets of borrowing and creativity in South African music; Tobias Schonwetter and Bram Van Wiele --; Section E: Asia and Oceania; History, functionality and dignity : traditional Chinese music borrowing and copyright protection in China; Tianxiang He and Jing Li --; Music borrowing in the history of Japanese music; Ryu Kojima --; Creation and the dreamtime : Indigenous music in Australia; Michael Blakeney --; E tu, stand up : copyright and Maori music; Jonathan Barrett N2 - "This ground-breaking book examines the multifaceted dynamics between copyright law and music borrowing within a rich diversity of music genres from across the world. It evaluates how copyright laws under different generic conventions may influence, or are influenced by, time-honoured creative borrowing practices. Leading experts from around the world scrutinise a carefully selected range of musical genres, including pop, hip-hop, jazz, blues, electronic and dance music, as well as a diversity of region-specific genres, such as Jamaican music, River Plate Tango, Irish folk music, Hungarian folk music, Flamenco, Australian indigenous music, Maori music and many others." -- ER -