<?xml version="1.0" encoding="UTF-8"?>
<record
    xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
    xsi:schemaLocation="http://www.loc.gov/MARC21/slim http://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd"
    xmlns="http://www.loc.gov/MARC21/slim">

  <leader>05107cam a2200409 i 4500</leader>
  <controlfield tag="001">on1346350809</controlfield>
  <controlfield tag="003">OCoLC</controlfield>
  <controlfield tag="005">20260925102326.0</controlfield>
  <controlfield tag="008">260306t20232023enkag    b    001 0 eng d</controlfield>
  <datafield tag="010" ind1=" " ind2=" ">
    <subfield code="a">  2023940304</subfield>
  </datafield>
  <datafield tag="020" ind1=" " ind2=" ">
    <subfield code="a">9781509949380</subfield>
    <subfield code="q">(hardcover)</subfield>
  </datafield>
  <datafield tag="035" ind1=" " ind2=" ">
    <subfield code="a">(OCoLC)1346350809</subfield>
  </datafield>
  <datafield tag="040" ind1=" " ind2=" ">
    <subfield code="a">PUCPR</subfield>
  </datafield>
  <datafield tag="049" ind1=" " ind2=" ">
    <subfield code="a">cicg</subfield>
  </datafield>
  <datafield tag="050" ind1="0" ind2="0">
    <subfield code="a">K 1450</subfield>
    <subfield code="b">.M87 2023</subfield>
  </datafield>
  <datafield tag="245" ind1="1" ind2="0">
    <subfield code="a">Music borrowing and copyright law :</subfield>
    <subfield code="b">a genre-by-genre analysis /</subfield>
    <subfield code="c">edited by Enrico Bonadio and Chen Wei Zhu.</subfield>
  </datafield>
  <datafield tag="264" ind1=" " ind2="1">
    <subfield code="a">Oxford, UK ;</subfield>
    <subfield code="a">New York, NY :</subfield>
    <subfield code="b">Hart Publishing,</subfield>
    <subfield code="c">2023.</subfield>
  </datafield>
  <datafield tag="300" ind1=" " ind2=" ">
    <subfield code="a">xviii, 464 pages :</subfield>
    <subfield code="b">illustrations, music ;</subfield>
    <subfield code="c">25 cm</subfield>
  </datafield>
  <datafield tag="336" ind1=" " ind2=" ">
    <subfield code="a">text</subfield>
    <subfield code="2">rdacontent</subfield>
  </datafield>
  <datafield tag="336" ind1=" " ind2=" ">
    <subfield code="a">still image</subfield>
    <subfield code="b">sti</subfield>
    <subfield code="2">rdacontent</subfield>
  </datafield>
  <datafield tag="336" ind1=" " ind2=" ">
    <subfield code="a">notated music</subfield>
    <subfield code="b">ntm</subfield>
    <subfield code="2">rdacontent</subfield>
  </datafield>
  <datafield tag="337" ind1=" " ind2=" ">
    <subfield code="a">unmediated</subfield>
    <subfield code="2">rdamedia</subfield>
  </datafield>
  <datafield tag="338" ind1=" " ind2=" ">
    <subfield code="a">volume</subfield>
    <subfield code="2">rdacarrier</subfield>
  </datafield>
  <datafield tag="504" ind1=" " ind2=" ">
    <subfield code="a">Includes bibliographical references and index.</subfield>
  </datafield>
  <datafield tag="505" ind1="0" ind2="0">
    <subfield code="g">Part I:</subfield>
    <subfield code="t">Music genres, borrowing and copyright. Defining music genres : critical issues with music taxonomies /</subfield>
    <subfield code="r">Franco Fabbri --</subfield>
    <subfield code="t">A brief history and typology of musical borrowing and reworking /</subfield>
    <subfield code="r">J Peter Burkholder --</subfield>
    <subfield code="t">Litigating musical universals and particulars : copyright law's ontological struggle with music borrowing /</subfield>
    <subfield code="r">Chen Wei Zhu --</subfield>
    <subfield code="t">We can work it out : methods in forensic musicology /</subfield>
    <subfield code="r">Joe Bennett --</subfield>
    <subfield code="t">Forensic musicology in action : a personal perspective /</subfield>
    <subfield code="r">Guy Protheroe --</subfield>
    <subfield code="t">Borrowing from traditional culture : ownership and commodification of traditional music from a cultural custodianship perspective /</subfield>
    <subfield code="r">Anthony CK Kakooza --</subfield>
    <subfield code="g">Part II:</subfield>
    <subfield code="t">Analysing music genres and their relationship with copyright.</subfield>
    <subfield code="g">Section A: General.</subfield>
    <subfield code="t">Pop and the musical unconscious /</subfield>
    <subfield code="r">Jose Bellido --</subfield>
    <subfield code="t">'Do the right thing' or 'fight the power' : hip-hop music, sampling and copyright law /</subfield>
    <subfield code="r">Joyce Lee and Marc Mimler --</subfield>
    <subfield code="t">Understanding the creative processes, musical borrowing and copyright protection of the electronic dance music industry /</subfield>
    <subfield code="r">Nicola Lucchi --</subfield>
    <subfield code="t">How jazz persists at the periphery of copyright /</subfield>
    <subfield code="r">Katherine M Leo --</subfield>
    <subfield code="t">Confronting an extractive raciliased genre system : black lives matter, royalty recovery and musical reparations /</subfield>
    <subfield code="r">Olufunmilayo B Arewa and Matt Stahl --</subfield>
    <subfield code="t">'Not like pyrates' : borrowing, copyright and creativity in the eighteenth century /</subfield>
    <subfield code="r">Ann van Allen-Russell --</subfield>
    <subfield code="g">Section B: Americas.</subfield>
    <subfield code="t">Remix, reuse and reggae : creativity and copyright in Jamaican music /</subfield>
    <subfield code="r">Enrico Bonadio and Bryan Khan --</subfield>
    <subfield code="t">Rhythm and melody sans humanit&#xE9; : copyright and the development of calypso music /</subfield>
    <subfield code="r">Bryan Khan --</subfield>
    <subfield code="t">Pholourie bina chutney : copyright and cultural identity in Indo-Caribbean music /</subfield>
    <subfield code="r">Bryan Khan --</subfield>
    <subfield code="t">River Plate tango : appropriation, borrowing and innovation /</subfield>
    <subfield code="r">Maximiliano Marzetti --</subfield>
    <subfield code="g">Section C: Europe.</subfield>
    <subfield code="t">Ownership as sharing : the practices of Irish folk music /</subfield>
    <subfield code="r">Luke McDonagh --</subfield>
    <subfield code="t">Hungarian musical heritage goes viral -- Hungarian folk music from a copyright perspective /</subfield>
    <subfield code="r">P&#xE9;ter Mezei and Gergely B&#xE9;k&#xE9;s --</subfield>
    <subfield code="t">Flamenco music, borrowing practices and the limits of copyright /</subfield>
    <subfield code="r">Antoni Rub&#xED;-Puig --</subfield>
    <subfield code="t">Canzone napoletana, chanson francaise and southern Italian folk music : who took from whom? /</subfield>
    <subfield code="r">Giovanni Maria Riccio --</subfield>
    <subfield code="t">Greek traditional music : creativity, copyright and the commons /</subfield>
    <subfield code="r">Stavroula Karapapa --</subfield>
    <subfield code="g">Section D: Africa and Middle East.</subfield>
    <subfield code="t">Israeli music genres : appropriation and borrowing as a tool for national and cultural emergence and structuring /</subfield>
    <subfield code="r">Omri Rachum-Twaig --</subfield>
    <subfield code="t">Feel the Benga beat : music borrowing and copyright law in Kenya /</subfield>
    <subfield code="r">Marisella N Ouma --</subfield>
    <subfield code="t">The many facets of borrowing and creativity in South African music /</subfield>
    <subfield code="r">Tobias Schonwetter and Bram Van Wiele --</subfield>
    <subfield code="g">Section E: Asia and Oceania.</subfield>
    <subfield code="t">History, functionality and dignity : traditional Chinese music borrowing and copyright protection in China /</subfield>
    <subfield code="r">Tianxiang He and Jing Li --</subfield>
    <subfield code="t">Music borrowing in the history of Japanese music /</subfield>
    <subfield code="r">Ryu Kojima --</subfield>
    <subfield code="t">Creation and the dreamtime : Indigenous music in Australia /</subfield>
    <subfield code="r">Michael Blakeney --</subfield>
    <subfield code="t">E tu, stand up : copyright and Maori music /</subfield>
    <subfield code="r">Jonathan Barrett</subfield>
  </datafield>
  <datafield tag="520" ind1=" " ind2=" ">
    <subfield code="a">"This ground-breaking book examines the multifaceted dynamics between copyright law and music borrowing within a rich diversity of music genres from across the world. It evaluates how copyright laws under different generic conventions may influence, or are influenced by, time-honoured creative borrowing practices. Leading experts from around the world scrutinise a carefully selected range of musical genres, including pop, hip-hop, jazz, blues, electronic and dance music, as well as a diversity of region-specific genres, such as Jamaican music, River Plate Tango, Irish folk music, Hungarian folk music, Flamenco, Australian indigenous music, Maori music and many others." --</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="0">
    <subfield code="a">Copyright</subfield>
    <subfield code="x">Music</subfield>
    <subfield code="z">Great Britain.</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="0">
    <subfield code="a">Allusions in music.</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="0">
    <subfield code="a">Quotation in music.</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="7">
    <subfield code="a">Copyright</subfield>
    <subfield code="x">Music.</subfield>
    <subfield code="2">fast</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="7">
    <subfield code="a">Quotation in music.</subfield>
    <subfield code="2">fast</subfield>
  </datafield>
  <datafield tag="651" ind1=" " ind2="7">
    <subfield code="a">Great Britain.</subfield>
    <subfield code="2">fast</subfield>
  </datafield>
  <datafield tag="700" ind1="1" ind2=" ">
    <subfield code="a">Bonadio, Enrico,</subfield>
    <subfield code="e">editor.</subfield>
  </datafield>
  <datafield tag="700" ind1="1" ind2=" ">
    <subfield code="a">Zhu, Chen Wei,</subfield>
    <subfield code="e">editor.</subfield>
  </datafield>
  <datafield tag="942" ind1=" " ind2=" ">
    <subfield code="2">lcc</subfield>
    <subfield code="c">6</subfield>
  </datafield>
  <datafield tag="999" ind1=" " ind2=" ">
    <subfield code="c">305857</subfield>
    <subfield code="d">305857</subfield>
  </datafield>
  <datafield tag="952" ind1=" " ind2=" ">
    <subfield code="0">0</subfield>
    <subfield code="1">0</subfield>
    <subfield code="2">ddc</subfield>
    <subfield code="4">0</subfield>
    <subfield code="7">0</subfield>
    <subfield code="a">7</subfield>
    <subfield code="b">7</subfield>
    <subfield code="c">12</subfield>
    <subfield code="d">2026-04-06</subfield>
    <subfield code="e">Caribbean Library Consulting Corp.</subfield>
    <subfield code="g">229.99</subfield>
    <subfield code="i">159536</subfield>
    <subfield code="l">0</subfield>
    <subfield code="o">K 1450 .M87 2023</subfield>
    <subfield code="p">70000000906733</subfield>
    <subfield code="r">2026-09-25 10:25:08</subfield>
    <subfield code="w">2026-09-25</subfield>
    <subfield code="y">6</subfield>
  </datafield>
</record>
