Music borrowing and copyright law : a genre-by-genre analysis /
edited by Enrico Bonadio and Chen Wei Zhu.
- xviii, 464 pages : illustrations, music ; 25 cm
Includes bibliographical references and index.
Music genres, borrowing and copyright. Defining music genres : critical issues with music taxonomies / A brief history and typology of musical borrowing and reworking / Litigating musical universals and particulars : copyright law's ontological struggle with music borrowing / We can work it out : methods in forensic musicology / Forensic musicology in action : a personal perspective / Borrowing from traditional culture : ownership and commodification of traditional music from a cultural custodianship perspective / Analysing music genres and their relationship with copyright. Pop and the musical unconscious / 'Do the right thing' or 'fight the power' : hip-hop music, sampling and copyright law / Understanding the creative processes, musical borrowing and copyright protection of the electronic dance music industry / How jazz persists at the periphery of copyright / Confronting an extractive raciliased genre system : black lives matter, royalty recovery and musical reparations / 'Not like pyrates' : borrowing, copyright and creativity in the eighteenth century / Remix, reuse and reggae : creativity and copyright in Jamaican music / Rhythm and melody sans humanité : copyright and the development of calypso music / Pholourie bina chutney : copyright and cultural identity in Indo-Caribbean music / River Plate tango : appropriation, borrowing and innovation / Ownership as sharing : the practices of Irish folk music / Hungarian musical heritage goes viral -- Hungarian folk music from a copyright perspective / Flamenco music, borrowing practices and the limits of copyright / Canzone napoletana, chanson francaise and southern Italian folk music : who took from whom? / Greek traditional music : creativity, copyright and the commons / Israeli music genres : appropriation and borrowing as a tool for national and cultural emergence and structuring / Feel the Benga beat : music borrowing and copyright law in Kenya / The many facets of borrowing and creativity in South African music / History, functionality and dignity : traditional Chinese music borrowing and copyright protection in China / Music borrowing in the history of Japanese music / Creation and the dreamtime : Indigenous music in Australia / E tu, stand up : copyright and Maori music / Franco Fabbri -- J Peter Burkholder -- Chen Wei Zhu -- Joe Bennett -- Guy Protheroe -- Anthony CK Kakooza -- Jose Bellido -- Joyce Lee and Marc Mimler -- Nicola Lucchi -- Katherine M Leo -- Olufunmilayo B Arewa and Matt Stahl -- Ann van Allen-Russell -- Enrico Bonadio and Bryan Khan -- Bryan Khan -- Bryan Khan -- Maximiliano Marzetti -- Luke McDonagh -- Péter Mezei and Gergely Békés -- Antoni Rubí-Puig -- Giovanni Maria Riccio -- Stavroula Karapapa -- Omri Rachum-Twaig -- Marisella N Ouma -- Tobias Schonwetter and Bram Van Wiele -- Tianxiang He and Jing Li -- Ryu Kojima -- Michael Blakeney -- Jonathan Barrett Part I: Part II: Section A: General. Section B: Americas. Section C: Europe. Section D: Africa and Middle East. Section E: Asia and Oceania.
"This ground-breaking book examines the multifaceted dynamics between copyright law and music borrowing within a rich diversity of music genres from across the world. It evaluates how copyright laws under different generic conventions may influence, or are influenced by, time-honoured creative borrowing practices. Leading experts from around the world scrutinise a carefully selected range of musical genres, including pop, hip-hop, jazz, blues, electronic and dance music, as well as a diversity of region-specific genres, such as Jamaican music, River Plate Tango, Irish folk music, Hungarian folk music, Flamenco, Australian indigenous music, Maori music and many others." --
9781509949380
2023940304
Copyright--Music--Great Britain. Allusions in music. Quotation in music. Copyright--Music. Quotation in music.