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    <subfield code="a">Pistols in St. Paul's: </subfield>
    <subfield code="b">science, music, and architecture in the twentieth century. /</subfield>
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    <subfield code="a">296 p. :</subfield>
    <subfield code="b">ill. ; col. ; plans ;</subfield>
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    <subfield code="a">Includes bibliography and index.</subfield>
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    <subfield code="a">Introduction Page 1 --
Prologue 11 --
1 1901 29 --
2 Science as applied to building 50 --
3 Catalysts and controversies 81 --
4 Designing for musical tone 116 --
5 Leagues apart 144 --
6 That little old echo 174 --
7 Prelude to reconstruction 194 --
Conclusion 222 --
Acknowledgements 234 --
Abbreviations 237 --
List of plates 238 --
List of figures 240 --
Notes 245 --
Select bibliography 277 --
Index 287 --
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    <subfield code="a">Figures:
0.1	St Paul's Cathedral (London: Raphael Tuck and Sons) 12 --
0.2 St Paul's Cathedral in the midst of bomb damage, c. 1945 (Photochrom Ltd., Kent) 14 --
0.3 Festival or Britain: aerial view of South Bank site, with Royal Festival Hall in lower left, 1951 (photographer unknown) 17 --
Tuning concert at Royal Festival Hall, February 195t (photograph from Professor Peter Parkin's Collection) 18 --
0.5 Mobile Acoustical Laboratory on site at the South Bank during construction of Royal Festival Hall (photograph from Professor Peter Parkin's Collection) 19 --
0.6 St Paul's Cathedral at the opening of the Festival of Britain, May 1951 (printed in the Illustrated London News, 12 May 1951) 22 --
0.7 Pistol shots fired in St Paul's Cathedral during a demonstration of experimental sound amplifying apparatus, 19 December 1951 (&#xA9; Illustrated London News Ltd / Mary Evans) 24 --
I.I Westminster Cathedral just as construction was completed, c. 1903 (Valentine's Carbotone) 27 --
I.2 Unadorned brick interior of Westminster Cathedral, 1903 (printed in RIBA Journal) 30 --
I.3 Westminster Cathedral interior, 1903 (a) (printed in RIBA Journal) 31 --
I.4 Westminster Cathedral interior, 1903 (b) (printed in RIBA Joumal) 32 --
I.5 Westminster Cathedral interior, 1903 (c) (printed in RIBA Joumal) 32 --
I.6 Westminster Cathedral plan, 2007 (courtesy of Westminster Cathedral and Surveyor to the Fabric) 33 --
I.7 Westminster Cathedral long section, 2007 (courtesy of Westminster Cathedral and Surveyor to the Fabric) 33 --
I.8 Richard Terry (1864-1938), Organist at Westminster Cathedral (&#xA9; Illustrated London News Ltd / Mary Evans) 36 --
I.9 Grand opening of the Royal Albert Hall, March 1871 (as printed in The Graphic) 41 --
I. 10 Portrait of Sedley Taylor (1834-1920) (painted by Margaret Bernardine Hall, 1898) 46 --
2.1 Wallace Clement Sabine (1878 1919) (public domain) 53 --
2.2 Sanders Theatre, c. 1876 (as published in Scribners Monthly) 54 --
2.3 Interior of the Fogg Lecture Theatre, C. 1908 (courtesy of Special Collections, Fine Arts Library, Harvard University) 55 --
2.4 Seating plan of the Fogg Lecture Theatre (HUB 1401.2, Harvard University Archives) 55 --
Photograph of Hope Bagenal (1888-1979), taken c. 1914 (courtesy of Bagenal Family) 71 --
2.6 Ruined Church of S. Pierre in Merville, c. 1916, in a widely circulated war photograph taken by John Warwick Brook (National Library of Scotland Acc. 3155, Licence CC BY 4.0: Creative Commons) 74 --
2.7 Plan of Riverbank Laboratory, 1919 (printed in American Architect) 77 --
2.8 Section through Riverbank Laboratory, 1919 (printed in American Architect) 78 --
3.1 London County Hall, c. 1921 82 --
3.2 London County Council, council chamber, viewed from the east gallery, 1922 (&#xA9; London Metropolitan Archives, City of London) 84 --
3.3 Press coverage in the Times of the acoustics at London County Hall 85 --
3.4 Plan of Herbert Baker's Legislative Building, New Delhi (printed in Architectural Review) 90 --
3.5 Board room at design stage, Metropolitan Water Board (printed in Academy Architecture and Architectural Review) 92 --
3.6 Henry Owen Weller, c. 1924 (Building Research Establishment) 95 --
3.7 Adapted laboratory at Perivale munitions factory showing bricked up window, smooth cement render floor, and sound generating equipment (UK National Archives, Kew) 107 --
3.8 Tucker hot wire microphone 111 --
4.1 Letter of Ralph Vaughan Williams to Hope Bagenal, April 1923 (courtesy of ISVR Archives Southampton and Ralph Vaughan Williams Foundation) 120 --
4.2 Interior of Queen's Hall, designed to replicate the body of a violin, 1928 (&#xA9; BBC Archive) 122 --
4.3 Interior of Kilbourn Hall (printed in Watson, Acoustics of Buildings, 1923) 128
4.4 Advertisement for Broadwood Pianos 129 --
4.5 Letter of Alim Built to Norbert Salter, 11 March 1929 (courtesy or ISVR Archives, Southampton) 137 --
4.6 Opening of Queen's Hall, 1803 printed in the Illustrated London News) 142 --
4.7 Plan of Queen's Hall, 1893 (printed in the lustrated London News) 143 --
5.1 League of Nations Assembly Building under construction (United Nations Archive at Geneva, CC BY-NG-ND 3.0) 146 --
5.2 Murals on perforated linen backed with acoustic felt, Henry Jarvis Memorial Hall, RIBA building (Historic England Archive) 158 --
5.3  Elevation, part-plan, and section of the new RIBA building indicating strategic planning to shield from noise (printed in RIBA Journal)159 --
5.4 Maycoustic Stone surfaces in the Henry Florence Memorial Hall, RIBA building (RIBA Collections) 160 --
5.5 League of Nations, Salle de Conseil, wall finishings and mural in progress (United Nations Archive at Geneva, CC BY-NC-ND 3.0) 161 --
5.6 League of Nations, Assembly Hall (facing front) at the time of acoustic tests, before the murals were completed. Concave walls are plastered and painted (United Nations Archive at Geneva,CC BY-NG-ND 3.0) --
5.7 League of Nations, Assembly Hall (facing rear) with murals to the concave corners of rear walls (United Nations Archive at Geneva, CC BY-NG-ND 3.0) 163 --
5.8 League of Nations, Assembly Hall, mural Frat pax in virtute tua by Maurice Denis, mounted on concave corner with visible air gap above (United Nations Archive at Geneva, CC BY-NG-ND 3.0) 165 --
5.9 Plan and section of the acoustics laboratory at the National Physical Laboratory, 1934 (printed in RIBA Journal) 170 --
5.10 Reverberation chamber at the acoustics laboratory at the National Physical Laboratory, 1934 (printed in RIBA Journal)171 --
5.11 Plan of the Mobile Acoustical Laboratory, 1952 (printed in Science) 172 --
5.12 Mobile Acoustical Laboratory in the Netherlands (printed in Journal of Sound and Vibration) 173 --
6.1 St Paul's Cathedral, interior (David Barrie, CC BY 2.0, original image rendered black and white) 175 --
6.2 Technician at Abbey Road Studios, November 193r (British Path&#xE9;
Ltd, Still #53) 180 --
6.3 Sir Edward Elgar conducting in Studio 1, Abbey Road, November 193&#x433; (British Path&#xE9; Ltd, Still #165) 181 --
6.4 'Queen's Hall Roof, the smaller auditorium at Queen's Hall that was frequently used by HIM for recording before Abbey Road (Historic England Archive) 182 --
6.5 The main entrance to Queen's Hall on Langham Place (&#xA9; BBC Archive) 183 --
6.6 Glasgow Empire Exhibition concert hall, 1938 (printed in Architectural Review)
188 --
6.7 Glasgow Empire Exhibition concert hall repurposed as a theatre
at Butlin's Holiday Camp, Skegness (interior) (author's collection) 190 --
7.1 Queen's Hall, May 1941 (Larkin Brothers) 195 --
7.2 Score of Beethoven's Ninth Symphony (public domain) 198 --
7.3 Royal Albert Hall, c. 1880 (London Stereoscopic and Photographic Company, J. Paul Getty Museum) 198 --
7.4 National Gallery concert with backing curtain lowered for a performance of a Bach cantata, c. 1940/4I (printed in booklet for National Gallery Concerts Trustees) 199 --
7.5 National Gallery concert with backing curtain raised for performance of Bach's Second Brandenburg Concerto, c. 1940/47 (printed in booklet for National Gallery Concerts Trustees) 199 --
7.6 Initial sketch design for canopy installation with fluting at the Royal Albert Hall, 1941 (printed in RIBA Journal) 203 --
7.7 Alternative sketch design for canopy installation with asbestos sheeting at the Royal Albert Hall, 1941 (printed in RIBA Journal) 204 --
7.8 Platform layout indicating screens, canopy, and floor reflector at the Royal Albert Hall, 1941 (printed in RIBA Journal) 207 --
7.9 Lowered velarium with screens in position at the Royal Albert Hall just before re tuning for Beethoven's Ninth Symphony, 1941 (printed in RIBA Journal) 208 --
7.10 Advertisement for the Proms' first season at the Royal Albert Hall, including Beethoven's Symphony No. 9, August 1941 (printed in the Times) 209 --
7.11 Canopy in position at the Proms in the Royal Albert Hall with Sir Henry Wood conducting, 1941 (printed in RIBA Journal) 210 --
7.12 Wartime acoustic canopy in continued use for the Proms at the Royal Albert Hall (author's collection) 211 --
7.13 Acoustic diagrams of the Royal Albert Hall drawn by Hope Bagenal, c. 1929 (author's collection) 212 --
7.14 Exterior of Royal Exchange, London (London Stereoscopic and Photographic Company, J. Paul Getty Museum) 213 --
7.15 Plan of Royal Exchange, London (Pictorial Handbook of London, 1854) 213 --
7.16 St Paul's Cathedral, damage to north transept (printed in RIBA Journal) 214 --
7.17 St Paul's Cathedral, W. Godfrey Allen coordinating fire watch &#xA9; Imperial War Museum (HU 36132) 215 --
C.I Royal Festival Hall, auditorium under construction (photograph from Professor Peter Parkin's collection) 223 --
C.2 Royal Festival Hall, exterior, 1951 (Jarrold &amp; Sons) 227 --
C.3 Opening concert at Royal Festival Hall (as printed in the Times and the Illustrated London News) --
C.4 Pistol fire in Royal Festival Hall (photograph from Professor Peter Parkin's collection) 229 --
C.5 Sketch of insulating material and musical instruments (a) (drawn by John Cordwell, printed in RIBA Journal) 232 --
C.6 Sketch of insulating material and musical instruments (b) (drawn by John Cordwell, printed in RIBA Journal) 232 --</subfield>
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