TY - BOOK AU - Esquivel,Gabriel ED - Esquivel, Gabriel TI - Design technology and digital production: an architecture anthology. SN - 1000886603 AV - NA2728 D47 2023 PY - 2023/// CY - New York, NY PB - Routledge KW - Architectural design KW - Data processing KW - Technological innovations KW - Architecture KW - Computer-aided design KW - Electronic books N1 - Preface by Gabriel Esquivel xi -- Introduction by Marjan Collecti 1-- Chapter 1. Speculations -- 1.1. Interview with Hernán Díaz Alonso 7-- 1.2. New Orders: The Digital Revolution, or Breaking Bad Habits by Elena Manferdini and Jasmine Benyamin 11 -- 1.3. Use Your Illusion, and Other Advice by Dora Epstein Jones. 15 -- 1.4. Phase Precession and Quantum Foam by Stephen Caffey. 21 -- Chapter 2. Hybrid Assemblies -- 2.1. Making Friends by Joseph Choma. 25 -- 2.2. In-And Architecture of Gaps and Overlaps by Kory Bieg. 31 -- 2.3. Borboletta: Co-optable Modules for Other Forms of Life by Eric Goldemberg. 37 -- 2.4. No More Room: An Incomplete View by Kristy Baillet and Kelly Bair. 41 -- Chapter 3. Software and Social Interaction -- 3.1. Discrete: An Architecture in Large Numbers by Gilles Retsin. 45 -- 3.2. Programmed Ruination: Hyper_Artifacts by Daniela Atencio and Claudio Rossi. 51 -- 3.3. Mediated by Scarcity. Vidco game simulations at the intersection between systems and narrative by José Sánchez. 55 -- 3.4 Mercologies or Designing with Parts by Daniel Kochler. 59 -- Chapter 4. Agency and Artificial Intelligence -- 4.1. Liminal Platforms by Casey Rehm. 63 -- 4.2. Things, Facts, and the Ontology of Neural Architecture and Artificial Intelligence by Matias Del Campo. 69 -- 4.3. A Multifarious, Anisotropic, Material Agency: Speculations on Additive Manufactured Architecture by Robert Stuart-Smith. 75 -- 4.4 Architecture Through the Formal Lens of the Machine Learning Apparutus by Benjamin Ennemoser. 81 -- Chapter 5. Offset Mediums -- 5.1. This Must Be the Place by Courtney Coffman. 87 -- 5.2. Deep Vista by Viola Ago. 91 -- 5.3. Triptychs, Domes + Still Life(s) by Perry Kulper. 97 -- 5.4 Irradiated Histories, Irradiated Futures: Uncovering Subperceptual Exposures in the Borderland by Ersela Kripa and Stephen Mueller. 101 -- Chapter 6. Objects, Aesthetics, and Reality -- 6.1. Architecture and Our Aesthetic Future by Graham Harman. 107 -- 6.2. The Young Adolescent's Primer on Architectural Reality by Mark Foster Gage. 111 -- 6.3. Miniature Architecture for a Miniature World by Ferda Kolatan. 115 -- 6.4. Decadence Transition and Coexistence: From Baudelaire to Object-Oriented Ontology by Niccolo Casas. 119 -- 6.5. Background Concerns by Michael Young. 127 -- Chapter 7. Questioning Nature -- 7.1. Wilderness Ontology. Interview with Levi Bryant. 133 -- 7.2. Ecocentrism & New Ancientness by Barry Wark. 137 -- 7.3. Natural's Not In It by Nate Hume. 141 -- 7.4. Representations Of and In the American Purlieu by Clark Thenhaus. 147 -- Chapter 8. Open Hypothesis -- 8.1. Openness and Fragments by Gonzalo Vaillo. 153 -- 8.2. Synesthesia by Joris Putteneers. 161 -- 8.3. Anotherness: One Hypothesis and Four Keywords for a Poly-Plural Hospitality by Jordi Vivaldi. 165 -- 8.4. Architecture as Worldmaking by Denise Luna and Alex Santander. 171 -- Chapter 9. Multiple Practices -- 9.1. Ateljé Sotamaa. Interview with Kivi Sotamaa. 179 -- 9.2. Tom Wiscombe Architecture. Interview with Tom Wiscombe. 187 -- 9.3. P-A-T-T-E-R-N-S: Interview with Marcelo Spina and Georgina Huljich. 195 -- 9.4. Oyler-Wu Collaborative. Interview with Dwayne Oyler and Jenny Wu. 201 -- References 209 -- Contributors 215 -- Index 223 -- N2 - This book is a rigorous account of architecture's theoretical and technological concerns over the last decade. The anthology presents projects and essays produced at the end of the first digital turn and the start of the second digital turn. This anthology engages and deploys a variety of discourses, topics, criteria, pedagogies, and technologies, including some of today's most influential architects, practitioners, academics, and critics. It is an unflinchingly rigorous and unapologetic account of architecture's disciplinary concerns in the last decade. This is a story that has not been told; in recent years everything has been refracted through the prism of the post-digital generation. Design Technology and Digital Production illustrates the shift to an architectural world where we can learn with and from each other, develop a community of new technologies and embrace a design ecology that is inclusive, open, and visionary. This collection fosters a sense of shared experience and common purpose, along with a collective responsibility for the well-being of the discipline of architecture as a whole ER -