03114nam a22004457a 4500003000600000005001700006008004100023020002900064020002600093040003400119050002500153082001500178100002900193245017100222246004800393264003700441300004200478336002600520336003300546337002800579338002700607440002800634500004100662505090600703520053501609546004202144600004502186600005102231648002002282650003002302650005502332650002202387650002402409651004402433651002402477655001902501700004402520700003502564700006902599pucpr20240125113448.0191214s2019 gw ao 000 0 mul d a9783869223124qpaperback a386922312Xqpaperback apucprbengcpucprdpucprerda00aNA1199.I56bK69 201904223a724/.61 aKostyuk, Maria,eauthor.10aBoris Iofan :barchitect behind the Palace of the Soviets. /cMaria Kostyuk, with contributions by Alessandro de Magistris, Federica Patti, and Elena Zheludkova.htxt3 aArchitect behind the Palace of the Soviets. 1aBerlin :bDOM Publishers,c2019. a319 p. :bill. photo. ;c23 cm.fbook 2rdacontentatextbtxt 2rdacontentastill imagebsti 2rdamediaaunmediatedbn 2rdacarrieravolumebnc aBasicsn85pBoris Iofan aText in parallel English and Russian aBoris Iofan Architect behind the Palace of the Soviets -- 1 Boris Iofan. The Principal factors in the Formation of Iofan’s style 006 -- 2 Boris Iofan in Rome: Professional training, contacts, desings, and realized buildings, between 1914 and 1924 012 -- 3 The sources of Boris Iofan’s ‘creative credo’ The role played by Iofan’s Italian experience and Russian avant-garde. Early designs and buildings 022 -- 4 The palace of the Soviets. The design competition and Boris Iofan’s designs for the Palace of the Soviets 032 -- 5 Boris Iofan and the arrangements regarding the Palace of the Soviets. 058 -- 6 The USSR Pavilion for the 1937 Paris International Exposition, in the context of Boris Iofan’s creativity activity in the 1930s and 1940s 068 -- 7 The postwar period in the work of Boris Iofan 080 -- 8 Boris Iofan in the 1960s and 1970s: The Final Works of the Master 092 -- 8 aBoris Iofan is best known as the architect behind the Palace of the Soviets. Yet his style was not limited to the Socialist Classicism that flourished under Stalin. Rather, Iofan's architectural language evolved throughout his lifetime, from his eclecticist beginnings in Rome, to the grandeur of the wedding-cake style in the 1930s, to his incorporation of concrete panels under Khrushchev. This book presents a collection of essays that chart the development of the architect's variegated career that spanned nearly six decades. aText in parallel English and Russian.10aIofan, Boris Mikhaĭlovich,d1891-1976.17aIofan, Boris Mikhaĭlovich,d1891-1976.2fast 7a1900-19992fast 0aArchitectszSoviet Union. 0aArchitecturezSoviet UnionxHistoryy20th century. 7aArchitects.2fast 7aArchitecture.2fast 1aPalace of the Soviets (Moscow, Russia). 7aSoviet Union.2fast 7aHistory.2fast1 aDe Magistris, Alessandro,econtributor.1 aPatti, Federica,econtributor.1 aZheludkova, E. I︠U︡.q(Elena I︠U︡rʹevna),econtributor.