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  <titleInfo>
    <title>Best practices</title>
  </titleInfo>
  <name type="personal">
    <namePart>Besler, Erin</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
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  <name type="personal">
    <namePart>Besler, Ian</namePart>
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  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">cau</placeTerm>
    </place>
    <dateIssued encoding="marc">2021</dateIssued>
    <edition>First edition</edition>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <form authority="gmd">txt</form>
    <extent>222 p. : ill.; photo. ; col. ; 25 cm.</extent>
  </physicalDescription>
  <abstract>In visually cataloging the endearing and enigmatic ways in which the built environment takes shape, 'Best Practices' proposes a new way of thinking about neighbourhoods, housing developments, streetscapes, and storefronts, not so much as places defined by building codes, dimensions, or geographic features, but as assemblages of ad hoc interventions and incidental ephemera. Drawing on the history of architecture, media theory, cultural anthropology, and urban studies, 'Best Practices' pairs photographic documentation with extensive captions and citations to define a territory within the margins between the sanctioned and unsanctioned, the regulated and unregulated, the tasteful and tacky, the novel and the nonsense. While not necessarily in opposition of those mechanisms, Best Practices asserts that interest, knowledge, and meaning are more often generated on the lines that divide such categories. This book advocates for a more thorough consideration of the unauthorised remodels, slap-dash handiwork, haphazard paint jobs, half-hearted do-it-yourself projects, cracked facades, contradictions, compromises, and coincidences.</abstract>
  <tableOfContents>Foreword --
Looking Around - Sylvia Lavin --
Introduction See and Say --
Austerities --
Coincidences --
Compromises -- Conflicts --
Coverings --
Edges --
Edits --
Fittings --
Ostentations --
Comments Section --
The Edgy Bit - Jonathan Jae-an Crisman --
Builder Conversations - Fiona Connor --
Trace Contaminants -Wendy Gilmartin --
Acknowledgments --</tableOfContents>
  <note type="statement of responsibility">Erin Besler and Ian Besler.</note>
  <subject authority="lcsh">
    <topic>Architecture</topic>
    <topic>Philosophy</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Architecture and society</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Architecture and society</topic>
    <geographic>California</geographic>
    <geographic>Los Angeles</geographic>
  </subject>
  <subject authority="lcsh">
    <geographic>California, EU</geographic>
    <geographic>Los Angeles</geographic>
  </subject>
  <classification authority="lcc">NA2500 B47 2021</classification>
  <classification authority="ddc" edition="23">720.1</classification>
  <identifier type="isbn">9781951541118</identifier>
  <identifier type="isbn">1951541111</identifier>
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    <recordCreationDate encoding="marc">210115</recordCreationDate>
    <recordChangeDate encoding="iso8601">20220519182433.0</recordChangeDate>
    <languageOfCataloging>
      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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