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    <subfield code="a">Cruz, C&#xE9;sar A.</subfield>
    <subfield code="q">(C&#xE9;sar Antonio),</subfield>
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    <subfield code="a">Puerto Rico's Henry Klumb :</subfield>
    <subfield code="b">a modern architect's sense of place. /</subfield>
    <subfield code="c">C&#xE9;sar A Cruz.</subfield>
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    <subfield code="a">Include index</subfield>
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    <subfield code="a">1 Looking into a Modern Architect's Sense of Place -- 
A sense of place &#x2014; a theoretical underpinning --
Defining place --
Places as sources of meaning, and other factors leading to a sense of place --
Searching for evidence of phenomenological thinking --
Investigative cycles and narrative writing --
2 From Germany to the Modern American Metropolises, 1905-1927 -- 
Henry Klumb's pamphlet series: an introduction --
Klumb's German period, 1905-1927: the setting that began to shape a young modern architect --
Klumb, the early modernists, and higher values --
Klumb and the (un)natural modern city, 1927-1929 --
3 With Wright in Arizona and Taliesin, 1929-1933 -- 
Camp Ocotillo --
Taliesin --
4 Vernacular Influences I: The Native American Projects, 1938-1941 -- 
Respecting tradition, nature, and context in Native American architecture --
The Tulsa, Gallup, and San Francisco exhibits --
Klumb in Sells, Arizona --
Lasting impressions of the American Southwest and Klumb's experiences there --
5 Vernacular Influences II: Reimagining Puerto Rico's Jibaro Hut, 1944-1948 -- 
Klumb's Puerto Rico, February 1944 --
Puerto Rico's post-war modernist project in context --
The jibaro but in Klumb's pamphlets --
The jibaro but reimagined through the Teacher's Farms --
A return to the more traditional jibaro but through the Low Cost Rural Houses --
6 The Grid and the Landscape: The Haeussler Residence, 1945 -- 
Klumb's orthogonal and triangular grids in Puerto Rico's terrain --
The Haeussler Residence --
The Evans Residence --
The Ewing, Fullana, Tugwell, and Foreman homes --
The grid and the landscape within a series of oppositions --
7 Open Air Rooms: The Emilio Rodriguez and Duchow Residences, 1951 and 1958 -- 
Klumb's initial open air rooms in Puerto Rico &#x2014; the patio --
The varied moods of nature at Klumb's terraces, verandas, cross-ventilated spaces, and breezeways --
8 Additional House Types: Houses in Dense Urban Spaces and Modern Stilt Houses -- 
Balancing nature with the burgeoning modern city --
The Kogan house --
The Marrero and Velez houses --
Klumb's modern stilt houses --
The jibaro but reimagined once more --
A career in its twilight, 1967-1984 --
9 A Coda to a Sense of Place: The Klumb House, 1947-1984 --
Impressions of the Klumb House --
An early personal transition for Klumb in Puerto Rico --
Viewing the Klumb House through the architect's naturalistic worldview --
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    <subfield code="a">Figures --
2.1 Photograph of the Cologne Cathedral --
2.2 Photograph of New York Harbor --
3.1 Site plan, Camp Ocotilla --
3.2 Photograph of Camp Ocotillo --
3.3 Aerial perspective, Taliesin --
4.1 Model Rooms nos. 1 and 2 --
4.2 Floor plan and perspective, the Papago Tribal Community House --
4.3 Interior perspective, the Papago Tribal Community House --
5.1 Map of Puerto Rico --
5.2 Maps of the San Juan metropolitan area, 1947 and 1969  --
5.3 Photograph of a "jibaro shack" by Edwin Rosskam --
5.4 Klumb's collage, "Puerto Rico" --
5.5 Aerial perspective and plan, the Teacher's Farms in concrete  --
5.6 Details, the Teacher's Farms in native materials --
5.7 Plan, the-Low Cost Rural Houses (phase 1) --
5.8 Elevation and plan, the Low Cost Rural Houses (phase 2) --
5.9 Axonometric and plan, the Low Cost Rural Houses (phase 3) -- 
6.1 Satellite images of the Bosch and Ewing houses --
6.2 Site plan, the Haeussler Residence --
6.3 Floor plans, the Evans Residence --
6.4 Site plan and floor plan, the Fullana Residence --
6.5 Elevation and floor plan, the Tugwell Cottage --
6.6 Perspective, the Foreman Mountain Retreat --
7.1 Perspective and floor plan, the Emilio Rodriguez House  --
7.2 Perspective, the Bosch House --
7.3 Perspectives, the Duchow Residence --
7.4 Floor plans, the Duchow Residence --
8.1 Site plan and perspective, the Marrero House --
8.2 Section and floor plan, the Velez House --
8.3 Site plan, the Benitez Mountain Cottage --
8.4 Section and floor plan, the Benitez Mountain Cottage --
9.1 Photograph of the Klumb House exterior --
9.2 Photograph of the Klumb House living room  --
9.3 Floor plan, the Klumb House --
9.4 Photographs of a sitting area and hammock at the Klumb House --
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    <subfield code="a">"This book follows Henry Klumb's life in architecture from Cologne, Germany to Puerto Rico. Arriving on the island, Klumb was a one-time German immigrant, a moderately successful designer, and previously a senior draftsman with Frank Lloyd Wright. Over the next forty years Klumb would emerge as Puerto Rico's most prolific, locally well-known and celebrated modern architect. In addition to becoming a leading figure in Latin American modern architecture, Klumb also became one of Frank Lloyd Wright's most accomplished prot&#xE9;g&#xE9;s, and an architect with a highly attuned social and environmental consciousness. Cruz explores his life, works, and legacy through the lens of a sense of place, defined as the beliefs that people adopt, actions undertaken and feelings developed towards specific locations and spaces. He argues that the architect's sense of place was a defining quality of his life and work, most evident in the houses he designed and built in Puerto Rico. Puerto Rico's Henry Klumb offers a historical narrative, culminating in a series of architectural analyses focusing on four key design strategies employed in Klumb's work: vernacular architecture, the grid and the landscape, dense urban spaces and open-air rooms. This book is aimed at researchers, academics and postgraduate students interested in Latin American architecture, modernism and architectural history"--</subfield>
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