02028cam a2200301Ia 4500003000400000005001700004008004100021016003100062017001700093020001500110020001800125035001700143035002100160040002800181050002400209100004400233245009300277260004400370300002400414336002600438337002800464338002700492490002900519520109500548650002101643700002201664830004001686OSt20190806101334.0000605r19991999sp            000 0 spa d7 abimoBNE200012629882SpMaBN  aB 43181-1999  a8476729693  a9788476729694  aocn432768795  a(OCoLC)432768795  aBNMerdcbspacBNMdPBR04aPQ7797 .H3bM3 199910aHernández, José,d1834-1886eauthor10aMartín Fierro /cJosé Hernández ; edición, notas y vocabulario, Alberto Laurent.  aBarcelona :bEdicomunicación,c[1999]  a286 pages ;c19 cm.  2rdacontentbtxtatext  2rdamediabnaunmediated  2rdacarrierbncavolume1 aColección Cultura;v69  a“The two poems which, together, are popularly known as the Martín Fierro form what is often regarded as the greatest single Spanish American work in creative literature. Appropriately, it draws from Spain the language and verse forms which have long been the vehicle of improvisation, the didactic folk wisdom of old Spanish proverbs, the Spanish interest in law whether formally codified in the fueros and the Siete Partidas or informally mocked by the pícaros in its practical application, and the Spanish emphasis upon individual worth and independence. Even more directly, the Martín Fierro is national in feeling, portraying the Argentine rural scene and the social aspirations, institutions and events of a great transition period of Argentine history. … Rooted in Spain, Argentine in content, universal in interest, the Martín Fierro is one of the world’s great books and should be more widely known abroad. … This edition is improved by the availability of original and translation on facing pages.” — Madaline W. Nichols in Inter-American Review of Bibliography 0aArgetine poetry.1 aLaurent, Alberto. 0aColección Cultura (Barcelona)v69