04102cam a2200361 i 4500 259534 259534 19135797 OSt 20200605163404.0 160614s2017 enka ob 001 0 eng 2016027533 9781474273688 (hardcover) 9781474273695 (epdf) 9781474273718 (ePub) DLC eng DLC rda DLC pcc TT507 .C657 2017 746.9/2 23 Colors in fashion / edited by Jonathan Faiers and Mary Westerman Bulgarella. [electronic resource] London ; New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017. xvii, 227 pages : illustrations (chiefly color) ; 24 cm. text txt rdacontent computer rdamedia online resource rdacarrier Includes bibliographical references and index. Introduction -- SECTION ONE COLOR AND SOLIDARITY -- 1. Color as Theme in the Ebony Fashion Fair -- 2. Purity and parity: the white dress of the suffrage movement in early twentieth-century britain -- 3. Birds of the Same “color” flock together: color as expression of identity and solidarity in aso-ebi cloth of the yoruba -- 4. contradictory colors: tricolor in vichy france’s fashion culture -- SECTION TWO COLOR AND POWER -- 5. Dress and color at the thai court -- 6. “gold and silver by night.” queen alexandra: a life in color -- 7. Lord boston’s court uniform: a story of color, politics, and the psychology of belonging -- 8. Yellow is the New Red, or Clothing the Recession and How the Shade of Shame Became Chic -- SECTION THREE COLOR AND INNOVATION -- 9. Color before technicolor: colorized fashion films of the silent era -- 10. Color as Concept: From international klein blue to viktor & rolf’s “bluescreen” -- 11. tainted love: oscar wilde’s toxic green carnation, queerness, and chromophobia -- 12. Starlit skies blue versus durindone blue -- SECTION FOUR COLOR AND DESIRE -- 13. Rough wolves in the sheepcote: the meanings of fashionable -- 14. “le noir étant la dominante de notre vêture …”: the many meanings of the color black in postwar paris -- 15. British scarlet broadcloth, the perfect red in eastern africa, c.1820–1885 -- 16. Lives lived: An archaeology of faded indigo -- Index. Color speaks a powerful cultural language, conveying political, sexual, and economic messages that, throughout history, have revealed how we relate to ourselves and our world. This ground-breaking compilation is the first to investigate how color in fashionable and ceremonial dress has played a significant social role, indicating acceptance and exclusion, convention and subversion.From the use of white in pioneering feminism to the penchant for black in post-war France, and from mystical scarlet broadcloth to the horrors of arsenic-laden green fashion, this publication demonstrates that color in dress is as mutable, nuanced, and varied as color itself. Divided into four thematic parts - solidarity, power, innovation, and desire - each section highlights the often violent, emotional histories of color in dress across geographical, temporal and cultural boundaries. Underlying today's relaxed attitude to color lies a chromatic complexity that speaks of wars, migrations and economics. While acknowledging the importance that technology has played in the development of new dyes, the chapters explore color as a catalyst for technical innovation that continues to inspire designers, artists, and performers. Bringing together cutting-edge contributions from leading scholars, it is essential reading for academics of fashion, textiles, design, cultural studies and art history. Fashion Philosophy. Colors Psychological aspects. Faiers, Jonathan, editor. Bulgarella, Mary Westerman, editor. https://ebookcentral.proquest.com/lib/pucpr-ebooks/detail.action?docID=4692893 Acceso en el Campus PUCPR lcc 7 0 0 ddc 0 0 10 10 45 2018-06-13 0 E-book 8000ebookpev10 2018-06-13 00:00:00 2018-06-13 7 0 0 lcc 0 0 12 12 45 2018-06-13 0 TT507 .C657 2017 50000003272829 2018-06-13 00:00:00 c. 1 2018-06-13 7 0 0 ddc 0 0 1 1 45 2022-11-07 0 746.92 60000010177167 2022-11-07 00:00:00 Ebooks 2022-11-07 7