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  <titleInfo>
    <nonSort>The </nonSort>
    <title>Law as Architecture</title>
    <subTitle>building legal documents</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Ramsfield, Jill J.</namePart>
    <role>
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    <dateIssued encoding="marc">2000</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
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    <form authority="gmd">txt</form>
    <extent>534 p. ill. ; 26 cm.</extent>
  </physicalDescription>
  <tableOfContents>Table of contents:
Preface xiv --             
Introduction xvii --             
Chapter 1: Knowing the elements of design 1 --              
Chapter 2: Observing form and function 67 --          
Chapter 3: Discovering the theme 129 --        
Chapter 4: Researching the possibilities 187 --          
Chapter 5: Designing the space 279 --         
Chapter 6: Designing the interior 377 --          
Chapter 7: Finishing 467 --           
Appendix A: Summary of writing process techniques 485 --              
Appendix B: Managing your time 491 --            
Photo credits 511 --             
Bibliography 529 --        
Index 535 --             
Comments: 
A word on researching practically 196 --               
A word using forms 215 --             
A word on classical legal thought 248 --              
A further word on using classical syllogisms and fallacies for reading and designing 267 --           
Chapter 5: Designing the space 279 --             
Remembering rhetoric 287 --          
Purpose 287 --             
Audience 289 --            
Scope 290 --            
Stance 291 --         
Choosing neoclassicism: Analogy within deduction 299 --              
Some other neoclassical designs 314 --          
Induction to form the rule 314 --            
Deduction using examples 316 --             
Deduction using elements 318 --             
Neoclassical fallacy: Straw man 322 --                
Moving to modernism 330 --              
Some modern designs 330 --             
Legal realism: Policy and purpose 332 --           
Legal process: Threshold questions first 341 --                     
Law and society: Guides 346 --                
Law and economics: Efficiency 347 --              
Creating innovative architecture 359 --          
Comments: 
A word on design repertoire 294 --              
A word on postmodernism 370 --            
Chapter 6: Designing the interior 377 --           
Some elements of interior design 386 --          
Balance 386 --          
Shape 392 --             
Texture 392 --            
Color 397 --            
Rhythm 405 --                
Lighting 408 --          
Working with traditional interiors 415 --             
Moving to modern interiors 422 --          
The modern American legal register 423 --           
Context-independent texts 426 --         
Fronting 427 --          
Headings with verbs guide the reader 428 --       
Strong topic sentences 429 --           
One general idea per paragraph 432 --              
Simpler syntax matches substance 434 --         
Variety in sentence length and structure 436 --           
More paraphrasing, fewer quotes 438 --      
Use of concrete, rather than abstract, terms 441 --        
Preference for active voice verbs over descriptive, abstract or passive 441 --         
Close proximity of subjects and verbs 442 --          
Consistent use of terms of art 443 --          
Deliberate and frequent use of cohesive devices to guide the reader 443 --         
Deliberate use of rhetorical devices 449 --        
Using citations for credibility conciseness 440 --            
Graphics to clarify points 452 --           
Absence of excessive nominalizations 452 --          
Few prepositional phrases 454 --              
Minimal use of footnotes 455 --            
Comments: 
A word on the legal register 383 --          
A word on genre 411 --                
A word on style 446 --             
A word on being concise 450 --      
A word clarity 420 --              
Chapter 7: Finishing 467 --             
Checking the overall effect 470 --          
Noting conventions 474 --              
Breaking the mold 478 --              
Finishing the details 480 --            
Reflecting on your repertoire 481 --            
Appendix A: Summary or writing process techniques 485 --             
Appendix B: Managing your time 491 --               
Putting time in professional perspective 493 --             
Factoring in several audiences 494 --             
Working backwards 495 --             
Creating a system 496 --             
Checklist for creating your own system 501 --                
Doing first things first 507 --                  
Expect the unexpected 508 --            
Photo credits 511 --            
Bibliography 529 --              
Index 535 --                
</tableOfContents>
  <note>Index</note>
  <note>Bibliography</note>
  <subject authority="lcsh">
    <topic>Legal composition</topic>
  </subject>
  <classification authority="lcc">K250 R36 2000</classification>
  <classification authority="ddc" edition="340.5"/>
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  <identifier type="isbn">0314223800</identifier>
  <identifier type="lccn">00708971</identifier>
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    <recordCreationDate encoding="marc">150526</recordCreationDate>
    <recordChangeDate encoding="iso8601">20260304135424.0</recordChangeDate>
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