01916nam a22003497a 4500003000600000005001700006008004100023010001700064020002900081020002300110020002600133040003400159042000800193050002400201082001900225100002000244245008400264250002500348264003500373300003800408336002600446337002800472338002700500500002000527520073900547650005101286650005001337650001401387650005201401650005301453650006001506pucpr20230807141111.0140925s2013    nyuae    i    001 0 eng    a  2012048824  a9780415534819 (hardback)  a9780415534826 (pb)  z9780203786031 (ebook)  apucprbengcpucprerdadpucpr  apcc00aNA6696.U6bD39 201300a725/.609732231 aDay, Joed1967-10aCorrections and collections :barchitectures for art and crime /cJoe Day.htxt  aFirst published 2013 1aNew York :bRoutledge ,c2013.  avii, 320 pagesbill.c22 cmfbook  2rdacontentbtxtatext  2rdamediabnaunmediaded  2rdacarrierbncavolume  aIncludes index.  aMinimal 
1. Reduce: Exhibiting Discipline: The Aesthetics of Deprivation and Duration 
2. Repeat: Compounded Interest? Serial, Multiple, and Redundant Institutions 

Post-Minimal 
3. Rotate: The Panopticon and Guggenheim: Axioms of Visual Regimentation 
4. Proliferate: Avatars of a Polarized Future: Thomas Krens and Don Novey 

Millennial 
5. Neutralize: METs, MoMAs, and MCCs: The New Metropolitan Peacemakers 
6. Privatize: Pay-to-Play: Personal Museums and For-Profit Prisons 

Post-Millennial 
7. Collide: PRI/MUS: Prisons-turned-Museums and the Museum-as-Crime-Scene 
8. Disperse: Holding Patterns: Transnational Art and Extra-territorial Detention 

9.  Afterlives : Conclusion

Notes Image 

Credits 

Acknowledgments

 Index 0aArt museum architecturezUnited States.2Local 7aSOCIAL SCIENCE / Criminology.2bisacsh2Local 0aPenology. 7aARCHITECTURE / Security Design.2bisacsh2Local 0aArchitecture and society.zUnited States.2Local 0aPrisonsxDesign and constructionzUnited States.2Local