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    <subfield code="a">Space, time and architecture</subfield>
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    <subfield code="a">Bibliographical footnotes.</subfield>
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    <subfield code="a">Introduction: Architecture of the 1960's: Hopes and Fears --
Part I. --
History A Part Of Life --
Introduction --
The Historian's Relation to His Age --
The Demand for Continuity --
Contemporary History --
The Identity of Methods --
Transitory and Constituent Facts -- 
Architecture as an Organism --
Procedure --
Part II. --
Our Architectural Inheritance --
The New Space Conception: Perspective --
Perspective and Urbanism --
Prerequisites for the Growth of Cities --
The Star-Shaped City --
Perspective and the Constituent Elements of the City --
The Wall, the Square, and the Street --
Bramante and the Open Stairway --
Michelangelo and the Modeling of Outer Space --
What Is the Real Significance of the Area Capitolina? --
Leonardo da Vinci and the Dawn of Regional Planning --
Sixtus V (1585-1590) and the Planning of Baroque Rome --
The Medieval and the Renaissance City --
Sixtus V and His Pontificate --
The Master Plan --
The Social Aspect --
The Late Baroque --
The Undulating Wall and the Flexible Ground Plan --
Francesco Borromini, 1599-1667 --
Guarino Guarini, 1624-1683 --
South Germany: Vierzehnheiligen --
The Organization of Outer Space --
The Residential Group and Nature --
Single Squares --
Series of Interrelated Squares --
Part III. --
The Evolution Of New Potentialities --
Industrialization as a Fundamental Event --
Iron --
Early Iron Construction in England --
The Sunderland Bridge --
Early Iron Construction on the Continent --
From the Iron Column to the Steel Frame --
The Cast-Iron Column --
Toward the Steel Frame --
James Bogardus --
The St. Louis River Front --
Early Skeleton Buildings --
Elevators --
The Schism Between Architecture and Technology --
Discussions --
Ecole Polytechnique: the Connection between Science and Life --
The Demand for a New Architecture --
The Interrelations of Architecture and Engineering --
Henri Labrouste, Architect Constructor, 1801-1875 --
New Building Problems-New Solutions --
Market Halls --
Department Stores --
The Great Exhibitions --
The Great Exhibition, London, 1851 --
The Universal Exhibition, Paris, 1855 --
Paris Exhibition of 1867 --
Paris Exhibition of 1878 --
Paris Exhibition of 1889 --
Chicago, 1893 --
Gustave Eiffel and His Tower --
Part IV. --
The Demand For Morality In Architecture --
The Nineties: Precursors of Contemporary Architecture --
Brussels the Center of Contemporary Art, 1880-1890 --
Victor Horta's Contribution --
Berlage's Stock Exchange and the Demand for Morality --
Otto Wagner and the Viennese School --
Ferroconcrete and its Influence upon Architecture --
A. G. Perret --
Tony Garnier --
Part V.  --
American Development --
Europe Observes American Production --
The Structure of American Industry --
The Balloon Frame and Industrialization --
The Balloon Frame and the Building-up of the West --
The Invention of the Balloon Frame --
George Washington Snow, 1797-1870 --
The Balloon Frame and the Windsor Chair --
Plane Surfaces in American Architecture --
The Flexible and Informal Ground Plan --
The Chicago School --
The Apartment House --
Toward Pure Forms --
The Leiter Building, 1889 --
The Reliance Building, 1894 --
Sullivan: The Carson, Pirie, Scott Store, 1889-1906 --
The Influence of the Chicago World's Fair, 1893 --
Frank Lloyd Wright --
Wright and the American Development --
The Cruciform and the Elongated Plan --
Plane Surfaces and Structure --
The Urge toward the Organic --
Office Buildings --
Influence of Frank Lloyd Wright --
Frank Lloyd Wright's Late Period --
Part VI. --
Space&#x2014;time in art, architecture, and construction --
The new space conception: space&#x2014;time --
Do we need artists? --
The research into space: cubism --
The artistic means --
The research into movement: futurism painting today --
Construction and aesthetics: slab and plane --
The bridges of Robert Maillart --
Afterword --
Walter Gropius and the German development --
Germany in the nineteenth century --
Walter Gropius --
Germany after the first world war and the Bauhaus --
The Bauhaus buildings at Dessau, 1926 --
Architectural Aims --
WALTER GROPIUS IN AMERICA --
The Significance of the Post-1930 Emigration --
Walter Gropius and the American Scene --
Architectural Activity --
Gropius as Educator --
Later Development --
American Embassy in Athens, 1956-1961 --
LE CORBUSIER AND THE MEANS OF ARCHITECTONIC EXPRESSION --
The Villa Savoie, 1928-1930 --
The League of Nations Competition, 1927: Contemporary Architecture Comes to the Front --
Large Constructions and Architectural Aims --
Social Imagination --
The Unit&#xE9; d'Habitation, 1947-1952 --
Chandigarh --
Later Work --
The Carpenter Center for Visual Arts, Harvard University, 1963 --
Le Corbusier and His Clients --
The Priory of Ste. Marie de la Tourette, 1960 --
The Legacy of Le Corbusier --
MIES VAN DER ROHE AND THE INTEGRITY OF FORM --
The Elements of Mies van der Rohe's Architecture --
Country Houses, 1923 --
The Weissenhof Housing Settlement, Stuttgart, 1927 --
The Illinois Institute of Technology, 1939 --
High-rise Apartments --
Office Buildings --
On the Integrity of Form --
ALVAR AALTO: IRRATIONALITY AND STANDARDIZATION --
Union between Life and Architecture --
The Complementarity of the Differentiated and the Primitive --
Finnish Architecture before 1930 --
Aalto's First Buildings --
Paimio: The Sanatorium, 1929-1933 --
The Undulating Wall --
Sunila: Factory and Landscape, 1937-1939 --
Mairea, 1938-1939 --
Organic Town Planning --
Civic and Cultural Centers --   
Furniture in Standard Units -- 
Aalto as Architect --
The Human Side --
JORN UTZON AND THE THIRD GENERATION --
Relations to the Past --
Jorn Utzon --
The Horizontal Plane as a Constituent Element --
The Right of Expression: The Vaults of the Sydney Opera House --
Empathy with the Situation: The Zurich Theater, 1964 --
Sympathy with the Anonymous Client --
Imagination and Implementation --
THE INTERNATIONAL CONGRESSES FOR MODERN ARCHITECTURE (CIAM) AND THE FORMATION OF CONTEMPORARY ARCHITECTURE --
Part VII. --
CITY PLANNING IN THE NINETEENTH CENTURY  --
Early Nineteenth Century --
The Rue de Rivoli of Napoleon I --
THE DOMINANCE OF GREENERY: THE LONDON SQUARES --
THE GARDEN SQUARES OF BLOOMSBURY --
LARGE-SCALE HOUSING DEVELOPMENT: REGENT'S PARK --
THE STREET BECOMES DOMINANT: THE TRANSFORMATION OF PARIS, 1853-1868 --
Paris in the First Half of the Nineteenth Century --
The "Trois R&#xE9;seaux" of Eug&#xE9;ne Haussmann --
Squares, Boulevards, Gardens, and Plants --
The City as a Technical Problem   Haussmann's Use of Modern Methods of Finance --
The Basic Unit of the Street --
The Scale of the Street --
Haussmann's Foresight: His Influence --
Part VIII. --
CITY PLANNING AS A HUMAN PROBLEM --
The Late Nineteenth Century --
Ebenezer Howard and the Garden City --
Patrick Geddes and Arturo Soria y Mata -- 
Tony Garnier's Cit4 Industrielle, 1901-1904 --   
AMSTERDAM AND THE REBIRTH OF TOWN PLANNING --
H. P. Berlage's Plans for Amsterdam South --
The General Extension Plan of Amsterdam, 1934 --
Interrelations of Housing and Activities of Private Life --
Part IX. --
SPACE-TIME IN CITY PLANNING --
Contemporary Attitude toward Town Planning --
DESTRUCTION OR TRANSFORMATIONS THE NEW SCALE IN CITY PLANNING --
The American Parkway in the Thirties --
High-rise Buildings in Open Space --
Freedom for the Pedestrian --
The Civic Center: Rockefeller Center, 1931-1939 --
CHANGING NOTIONS OF THE CITY --
City and State --
The City: No Longer an Enclosed Organism --
Continuity and Change --
The Individual and Collective Spheres --
Signs of Change and of Constancy --
Part X. --
IN CONCLUSION --
On the Limits of the Organic in Architecture --
Politics and Architecture --
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