an anthology of changing ideas text bibliography mau 2002 First pusblished monographic eng spa

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xxvii, 1258 p. 26 cm. "Since it was first published in 1992, this book has become one of the leading anthologies of art theoretical texts in the English-speaking world. This expanded edition includes the fruit of recent research, involving a considerable amount of newly translated material from the entire period, together with additional texts from the last decades of the twentieth century" -- Summary of Contents: I The Legacy of Symbolism -- A Classicism and Originality 15 -- B Expression and the Primitive 59 -- II The Idea of the Modern World -- A Modernity 132 -- B Cubism 184 -- III Rationalization and Transformation -- A Neo Classicism and the Call to Order 226 -- B Dissent and Disorder 250 -- C Abstraction and Form 276 -- D Utility and Construction 333 -- IV Freedom, Responsibility and Power -- A The Modern as Ideal 362 -- B Realism as Figuration 402 -- C Realism as Critique 442 -- D Modernism as Critique 506 -- V The Individual and the Social -- A The American Avant Garde 562 -- B Individualism in Europe 595 -- C Art and Society 640 -- VI The Moment of Modernism -- A Art and Modern Life 693 -- B Modernist Art 762 -- VII Institutions and Objections -- A Objecthood and Reductivism 818 -- B Attitudes to Form 868 -- C Political Aspects 913 -- D Critical Revisions 944 -- VIII Ideas of the Postmodern -- A The Critique of Originality 1018 -- B Figures of Difference 1057 -- C The Condition of History 1117 -- Contents : Preface and Acknowledgements xxv -- A note on the Presentation and Editing of Texts xxvi -- General Introduction 1 -- Introduction 11 -- IA Classicism and Originality 15 -- 1 Paul Signac from Eugene Delacroix to Neo Impressionism 1899 15 -- 2 Paul Gauguin Letter to Fontainas 1899 18 -- 3 Sigmund Freud from ‘On Dreams’ 1901 21 -- 4 Otto Weininger from Sex and Character 1903 28 -- 5 Max Liebermann Imagination in Painting 1904 30 -- 6 Paul Cézanne Letters to Emile Bernard 1904 – 1906 33 -- 7 Rainer Maria Rilke From Letters on Cézanne 1907 36 -- 8 Maurice Denis (intro. Roger Fry) Cézanne 1907 39 -- 9 Maurice Denis From Gaugin and Van Gogh to Neo Classicism 1909 46 -- 10 Julius Meier Graefe The Mediums of Art, Past and Present 1904 51 -- 11 Giorgio de Chirico Mystery and Creation 1913 58 -- IB Expression and the Primitive 59 -- 1 August Endell The Beauty of Form and Decorative Art 1897-8 59 -- 2 Albert Pinkham Ryder Paragraphs from the Studio of a Recluse 1905 62 -- 3 André Derain Letters to Vlaminck c. 1905 – 1909 63 -- 4 Ernst Ludwig Kirchner Programme of the Brucke 1906 65 -- 5 Wilhelm Worringer from Abstraction and Empathy 1908 66 -- 6 Henri Matisse Notes of a Painter 1908 69 -- 7 Roger Fry An Essay in Aesthetics 1909 75 -- 8 Wassily Kandinsky from Concerning the Spiritual in Art 1911 82 -- 9 Wassily Kandinsky The Cologne Lecture 1914 89 -- 10 Franz Marc The Savages of Germany and Two Pictures 1912 93 -- 11 August Macke Masks 1912 95 -- 12 Emil Nolde On Primitive Art 1912 96 -- 13 Oscar Kokoschka On the Nature of Visions 1912 97 -- 14 Alexander Shevchenko Neo – Primitivism 1913 99 -- 15 Benedetto Croce What is Art? 1913 102 -- 16 Clive Bell The Aesthetic Hypothesis 1914 107 -- 17 Carl Einstein Negro Sculpture 1915 110 -- 18 Hermann Bahr from Expressionism 1916 116 -- 19 Hans Prinzhorn from Artistry of the Mentally III 1922 121 -- II The Idea of the Modern World -- Introduction 127 -- IIA Modernity 132 -- 1 Georg Simmel The Metropolis and Mental Life 1902-3 132 -- 2 Max Weber Asceticism and the Spirit of Capitalism’ 1904-5 136 -- 3 Vladimir Ilyich Lenin Party Organization and Party Literature 1905 138 -- 4 Henri Bergson from Creative Evolution 1907 141 -- 5 Alexander Block Nature and Culture 1908 144 -- 6 Filippo Tommaso Marinetti The Foundation and Manifesto of Futurism 1909 146 -- 7 Umberto Boccioni et al. Futurist Painting : Technical Manifesto 1910 150 -- 8 Robert Delaunay On the Construction of Reality in Pure Painting 1914 152 -- 9 Georgy Valentinovich Plekhanov from Art and Social Life 1912 154 -- 10 Franz Marc Foreword 1914 158 -- 11 Fernand Léger Contemporary Achievements in Painting 1914 159 -- 12 Percy Wyndham Lewis Our Vortex 1914 162 -- 13 Henri Gaudier Brzeska Gaudier Brzeska Vortex 1914, and Vortex Gaudier Brzeska 1915 163 -- 14 Ludwig Meidner Instructions for Painting Pictures of the Metropolis 1914 167 -- 15 Karl Kraus from In These Great Times 1914 171 -- 16 Kasimir Malevich From Cubism and Futurism to Suprematism : The New Realism in Painting 1915 -16 173 -- IIB Cubism 184 -- 1 Jean Metzinger Note on Painting 1910 184 -- 2 Guillaume Apollinaire The Cubists 1911 185 -- 3 Guilaume Apollinaire On the Subject in Modern Painting 1912 186 -- 4 Guillaume Apollinaire The New Painting : Art Notes 1912 187 -- 5 Guillaume Apollinaire from The Cubist Painters 1912 188 -- 6 Jacques Riviere Present Tendencies in Painting 1912 190 -- 7 Albert Gleizes and Jean Metzinger from Cubism 1912 194 -- 8 Fernand Léger The Origins of Painting and its Representational Value 1913 201 -- 9 Olga Rozanova The Bases of the New Creation 1913 205 -- 10 Daniel Henry Kahnweiler from The Rise of Cubism 1916-20 208 -- 11 Georges Braque Thoughts on Painting 1917 214 -- 12 Pablo Picasso Picasso Speaks’ 1923 215 -- III Rationalization and Transformation -- Introduction 221 -- IIIA Neo Classicism and the Call to Order 226 -- 1 Amédée Ozenfant Notes on Cubism 1916 226 -- 2 Guillaume Apollinaire The New Spirit and the Poets’ 1918 228 -- 3 Oswald Spengler from The Decline of the West 1918 230 -- 4 Carlo Carra Our Antiquity 1916-18 232 -- 5 Léonce Rosenberg Tradition and Cubism 1919 236 -- 6 Giorgio de Chirico The Return to the Craft 1919 236 -- 7 Charles Edouard Jeanneret (Le Courbusier) and Amédée Ozenfant Purism 1920 239 -- 8 Albert Gleizes The Dada Case 1920 242 -- 9 André Derain On Raphael 1920 245 -- 10 Percy Wyndham Lewis The Children of the New Epoch 1921 245 -- 11 Juan Gris Reply to a Questionnaire 1921 246 -- 12 Gustav Friedrich Hartlaub Reply to a Questionnaire 1922 247 -- IIIB Dissent and Disorder -- 1 Hugo Ball Dada Fragments 1916-17 250 -- 2 Marcel Duchamp The Richard Mutt Case 1917 252 -- 3 Tristan Tzara Dada Manifesto 1918 1918 252 -- 4 Richard Huelsenbeck and Raoul Hausmann 257 -- 5 Richard Huelsenbeck and Raoul Hausmann What is Dadaism and what does it want in Germany ? 1919 259 -- 6 Richard Huelsenbeck from En Avant Dada 1920 260 -- 7 Alexander Blok The Decline of Humanism 1918 263 -- 8 Novembergruppe Draft Manifesto 1918 and Guidelines 1919 165 -- 9 Novembergruppe Opposition Open Letter to the Novembergrouppe 1921 267 -- 10 Walter Gropius Reply to Arbeitsrat fur Kunst Questionnaire 1919 269 -- 11 Max Beckmann Creative Credo 1918-20 270 -- 12 Max Pechstein Creative Credo 1920 271 -- 13 George Grosz My New Pictures 1921 272 -- 14 Francis Picabia Thank you, Francis! 1923 274 -- IIIC Abstraction and Form 276 -- 1 Hans Arp Introduction to a Catalogue 1915 276 -- 2 Man Ray Statement 1916 277 -- 3 Viktor Shklovsky from Art as Technique 1917 277 -- 4 De Stijl Manifesto 1 1918 281 -- 5 Theo van Doesburg from Principles of Neo Plastic Art 1915 – 25 281 -- 6 Piet Mondrian Dialogue on the New Plastic 1919 284 -- 7 Piet Mondrian Neo Plasticism : The General Principle of Plastic Equivalence 1920-1 289 -- 8 Kasimir Malevich Non Objective Art and Suprematism 1919 292 -- 9 Kasimir Malevich The Question of Imitative Art 1920 293 -- 10 Naum Gabo and Anton Pevsner The Realistic Manifesto 1920 298 -- 11 UNOVIS Programme of a United Audience in Painting of the Vitebsk State Free Workshops 1920 300 -- 12 Wassily Kandinsky Plan for the Physico psychological Department of the Russian Academy of Artistic Sciences 1921 302 -- 13 Johannes Itten Analyses of the Old Masters 1921 304 -- 14 Oskar Schlemmer Diary Extracts 1922 – 3 306 -- 15 Walter Gropius The Theory and Organization of the Bauhaus 1923 309 -- 16 Theo van Doesburg, El Lissistsky, Hans Richter Declaration of the International Fraction of Constructivists of the First International Congress of Progressive Artists 1922 – 3 314 -- 17 Wladyslaw Strzeminski What is legitimately called the New Art 1924 316 -- 18 El Lissitsky A. and Pangeometry 1925 317 -- 19 Hannah Hoch The painter c. 1920 321 -- 20 José Ortega y Gasset from The Dehumanization of Art 1925 323 -- IIID Utility and Construction 333 -- 1 KOMFUT Programme Declaration 1919 333 -- 2 Vladimir Tatlin The Initiative Individual in the Collective 1919 334 -- 3 Lyubov Popova Catalogue statement 1919 335 -- 4 Nikolai Punin The Monument to the Third International 1920 336 -- 5 Alexander Rodchenko Slogans and Organizational Programme 1920 – 1 339 -- 6 Alexander Rodchenko and Varvara Stepanova Programme of the First Working Group of Constructivits 1922 341 -- 7 Alexei Gan from Constructivism 1922 343 -- 8 El Lissitsky and Ilya Ehrenburg Statement by the editors of Veshch 1922 344 -- 9 LEF editorial Whom is LEF alerting? 1923 345 -- 10 Osip Brik The So Called Formal Method 1923 347 -- 11 Osip Brik From Picture to Calico Print 1924 348 -- 12 Vladimir Tatlin Report of the Section for Material Culture’s Research Work 1924 352 -- IV Freedom, Responsibility and Power -- Introduction 357 -- IVA The Modern as Ideal 362 -- 1 Paul Klee from On Modern Art 1924 362 -- 2 Amédée Ozefant from foundations of Modern Art 1928 369 -- 3 Hans Hofmann On the Aims of Art 1931 371 -- 4 Abstraction Création Editorial Statements 1932 and 1933 374 -- 5 Wladyslaw Strzeminski Statements 1932 and 1933 374 -- 6 Carl Gustav Jung On the concept of the archetype 1934 and 1938 378 -- 7 Alfred H. Barr Jr form Cubism and Abstract Art 1936 381 -- 8 Henri Matisse Statements to Tériade 1936 383 -- 9 Naum Gabo The Constructive Idea in Art 1937 384 -- 10 Piet Mondrian Plastic Art and Pure Plastic Art 1937 387 -- 11 Barbara Hepworth Sculpture 1937 393 -- 12 American Abstract Artists Editorial Statement 1938 396 -- 13 Ibram Lassaw On Inventing Our Own Art 1938 397 -- 14 Ben Nicholson Notes on Abstract Art 1941 398 -- IVB Realism as Figuration 402 -- 1 Vladimir Ilyich Lenin On Proletarian Culture 1920 402 -- 2 AKhRR Declaration 1922 403 -- 3 AKhRR The Inmmediate Tasks of AKhRR 1924 404 -- 4 David A. Siqueiros et al. A Declaration of Social, Political and Aesthetic Principles 1922 406 -- 5 Red Group Manifesto 1924 407 -- 6 Otto Dix The Object is Primary 1927 408 -- 7 ARBKD (Asso) Manifesto and Statutes 1928 408 -- 8 George Grosz from My Life 1928 411 -- 9 Alfred Rosenberg from The Myth of the Twentieth Century 1930 412 -- 10 Georg Lukács Tendency or Partisanship? 1932 413 -- 11 Central Committee of the All Union Communist Party Decree on the Reconstruction of Literary and Artistic Organizations 1932 417 -- 12 John Reed Club of New York Draft Manifesto 1932 418 -- 13 Diego Rivera The Revolutionary Spirit in Modern Art 1932 421 -- 14 Mario Sironi Manifesto of Mural Painting 1933 424 -- 15 Andrei Zhdanov Speech to the Congress of Soviet Writers 1934 426 -- 16 David A. Siqueiros Towards a Transformation of the Plastic Arts 1934 429 -- 17 Stuart Davis and Clarence Weinstock Abstract Painting in America, Contradictions in Abstractions and A medium of 2 Dimensions 1935 431 -- 18 Grant Wood from Revolt Against the City 1935 435 -- 19 Francis Klingender Content and Form in Art 1935 437 -- 20 Adolf Hitler Speech Inaugurating the Great Exhibition of German Art 1937 439 -- IVC Realism as Critique 442 -- 1 Leon Trotsky from Literature and Revolution 1922 – 3 442 -- 2 André Breton from the First Manifesto of Surrealism 1924 447 -- 3 Louis Aragon from Paris Peasant 1924 453 -- 4 Louis Aragon et al. Declaration of the Bureau de Recherche Surréalistes 1925 456 -- 5 André Breton Surrealism and Painting 1928 457 -- 6 André Breton from the Second Manifesto of Surrealism 1929 463 -- 7 George Grosz and Wieland Herzfelde Art is in Danger 1925 467 -- 8 Osip Brik Photography versus Painting 1926 470 -- 9 Sergei Tretyakov We Are Searching and We Raise the Alarm 1927 473 -- 10 Siegfried Kracauer from The Mass Ornament 1927 477 -- 11 October (Association of Artistic Labour) Declaration 1928 480 -- 12 Georges Bataille from Critical Dictionary 1929 – 30 482 -- 13 Georges Bataille The Lugubrious Game 1929 484 -- 14 Salvador Dali The Stinking Ass 1930 -- 15 Gustav Klucis Photomontage as a New Problem in Agit Art 1931 489 -- 16 Max Ernst What is Surrealism? 1934 491 -- 17 Walter Benjamin The Author as Producer 1934 493 -- 18 Bertolt Brecht Popularity and Realism 1938 499 -- 19 Fernand Léger The New Realism Goes On 1937 502 -- IVD Modernism as Critique 506 -- 1 Kasimir Malevich Letter to Meyerhold 1932 506 -- 2 Pablo Picasso Conversation with Picasso 1935 507 -- 3 Herbert Read What is Revolutionary Art? 1935 510 -- 4 Meyer Schapiro The Social Bases of Art 1936 514 -- 5 Jan Mukarovsky from Aesthetic Function 1934/6 518 -- 6 Walter Benjamin ‘’The Work of Art in the Age of Mechanical Reproduction 1936 520 -- 7 Theodor Adorno Letter to Benjamin 1936 527 -- 8 Ernst Bloch Discussing Expressionism 1938 530 -- 9 André Breton, Diego Rivera and Leon Trotsky ‘’Towards a Free Revolutionary Art 1938 532 -- 10 R.G. Collingwood Good Art and Bad Art 1938 536 -- 11 Clement Greenberg Avant Garde and Kitsch 1939 539 -- 12 Harold Rosenberg The Fall of Paris 1940 549 -- V The Individual and the Social -- Introduction 557 -- VA The American Avant Garde 562 -- 1 Clement Greenberg Towards a Newer Laocoon 1940 562 -- 2 Adolph Gottlieb and Mark Rothko with Barnett Newman Statement 1943 568 -- 3 Jackson Pollock Answers to a Questionnaire 1944 569 -- 4 Jackson Pollock Two Statements 1947 and 1947 /8 570 -- 5 Mark Rothko The Romantics were Prompted 1947 571 -- 6 Mark Rothko Statement 1947 573 -- 7 Adolph Gottlieb Statement 1947 573 -- 8 Barnett Newman The Ideographic Picture 1947 574 -- 9 Barnett Newman The First Man was an Artist 1947 577 -- 10 Clement Greenberg The Decline of Cubism 1948 580 -- 11 Barnett Newman The Sublime is Now 1948 582 -- 12 Willem de Kooning A Desperate View 1949 583 -- 13 Jackson Pollock Interview with William Wright 1950 586 -- 14 David Smith Aesthetics, the Artist and the Audience 1952 588 -- 15 Clyfford Still Statement 1952 -- 16 Harold Rosenberg from The American Action Painters 1952 589 -- 17 Clyfford Still Letter to Gordon Smith 1959 592 -- VB Individualism in Europe -- 1 Wols Aphorisms c. 1945-51 595 -- 2 Jean Paul Sartre from Existentialism and Humanism 1946 600 -- 3 Jean Dubuffet Notes for the Well Lettered 1946 603 -- 4 Jean Dubuffet Crude Art Preferred to Cultural Art 1949 605 -- 5 Antonin Artaud from Van Gogh: The Man Suicided by Society 1947 608 -- 6 Jean Paul Sartre The Search for the Absolute 1948 611 -- 7 Samuel Beckett and Georges Duthuit from Three Dialogues 1949 616 -- 8 Jacques Lacan The Mirror Phase as Formative of the Function of the I 1949 620 -- 9 Jean Michel Atlan Abstraction and Adventure in Contemporary Art 1950 624 -- 10 Francis Ponge Reflections on the Statuettes, Figures and Paintings of Alberto Giacometti 1951 625 -- 11 Albert Camus Creation and Revolution 1951 626 -- 12 Michael Tapié from An Other Art 1952 -- 13 Georg Baselitz Pandemonium Manifestos 1961 -2 631 -- 14 Francis Bacon Interview with David Sylvester 1962-3 635 -- VC Art and Society 640 -- 1 Maurice de Vlaminck Open Opinions on Painting 1942 640 -- 2 Francis Klingender from Marxism and Modern Art 1943 641 -- 3 Robert Motherwell The Modern Painter’s World 1944 643 -- 4 Renato Guttuso Crisis of Renewal 1944 646 -- 5 Pablo Picasso Why I Joined the Communist Party 1944 648 -- 6 Pablo Picasso Statement to Simone Téry 1945 648 -- 7 Fida Kahlo on Moses 1945 649 -- 8 Lucio Fontana The White Manifesto 1946 652 -- 9 Vladimir Kemenov from Aspects of Two Cultures 1947 656 -- 10 Robert Motherwell and Harold Rosenberg The Question of What Will Emerge Is Left Open 1947/8 659 -- 11 Constant Our Own Desires Build the Revolution 1949 659 -- 12 Asger Jorn Forms Conceived as Language 1949 661 -- 13 André Fougeron The Painter on his Battlement 1948 661 -- 14 Hans Sedlmayr and Theodor Adorno from the Darmstadt Colloquy 1950 663 -- 15 George Dondero from The Congressional Record 1949 665 -- 16 Arthur M. Schlesinger Jr from The Politics of Freedom 1950 668 -- 17 Alfred H. Barr Jr Is Modern Art Communistic? 1952 670 -- 18 Ben Shahn The Artist and the Politician 1953 674 -- 19 Henry Moore The Sculptor in Modern Society 1952 677 -- 20 David A. Siqueiros Open Letter to the Painters, Sculptors and Engravers of the Soviet Union 1955 680 -- 21 Georg Lukács The Ideology of Modernism 1956 683 -- VI The Moment of Modernism -- Introduction 689 -- VIA Art and Modern Life 693 -- 1 Roland Barthes from Myth Today 1956 698 -- 2 Jiro Yoshirara Gutai Manifesto 1956 701 -- 3 Guy Debord Writings from the Situationist International 1957-61 707 -- 4 Asger Jorn Detourned Painting 1959 710 -- 5 Frantz Fanon On National Culture 1959 715 -- 6 Lawrence Alloway The Arts and the Mass Media 1958 717 -- 7 Allan Kaprow from Assemblages, Environments and Happenings 1959-65 717 -- 8 Piero Manzoni Free Dimension 1960 722 -- 9 Pierre Restany The New Realists 1960 724 -- 10 GRAV (Groupe de Recherche d’Art Visuel) Transforming the Current Situation of Plastic Art 1961/2 725 -- 11 George Maciunas Neo Dada in Music, Theater, Poetry, Art 1962 727 -- 12 Raymond Williams The Analysis of Culture 1961 729 -- 13 John Cage On Robert Rauschenberg, Artist and his Work 1961 734 -- 14 Jasper Johns Interview with David Sylvester 1965 737 -- 15 Richard Hamilton For the Finest Art, Try Pop 1961 742 -- 16 Claes Oldenburg from Documents from the Store 1961 743 -- 17 Andy Warhol Interview with Gene Swenson 1963 747 -- 18 Roy Linchtenstein Lecture to the College Art Association 1964 749 -- 19 George Kubler from The Shape of Time 1962 751 -- 20 Marshall McLuhan from Understanding Media 1964 754 -- 21 Gerhard Richter Notes 1964-1965 757 -- 22 Tony Smith from an interview with Samuel Wagstaff Jr 1966 760 -- 23 Jasper Johns Obituary of Marcel Duchamp 1968 760 -- VIB Modernist Art 762 -- 1 Alain Robbe Grillet Commitment 1957 762 -- 2 David Smith Tradition and Identity 1959 766 -- 3 Maurice Merleau Ponty from Eye and Mind 1961 767 -- 4 Roger Hilton Remarks about Painting 1961 771 -- 5 Clement Greenberg Modernist Painting 1961 773 -- 6 Theodor Adorno from Commitment 1962 779 -- 7 Barnett Newman Interview with Dorothy Gees Seckler 1962 783 -- 8 Clement Greenberg from After Abstract Expressionism 1962 785 -- 9 Michael Fried from Three American Painters 1965 787 -- 10 Michael Fried from Shape as Form : Frank Stella’s New Paintings 1966 793 -- 11 Jules Olitski Painting in Color 1967 795 -- 12 Stanley Cavell A Matter of Meaning It 1967 796 -- 13 William Tucker and Tim Scott Reflections on Sculpture 1967 801 -- 14 Richard Wollheim The Work of Art as Object 1970 803 -- VII Institutions and Objections -- Introduction 813 -- VIIA Objecthood and Reductivism 818 -- 1 Yves Klein from The Evolution of Art towards the Immaterial 1959 818 -- 2 Carl Andre Preface to Stripe Painting 1959 820 -- 3 Frank Stella Pratt Institute Lecture 1959-60 820 -- 4 Ad Reinhardt Art as Art 1962 821 -- 5 Donald Judd Specific Objects 1965 824 -- 6 Robert Morris Notes on Sculpture 1-3 1996-7 828 -- 7 Michael Fried Art and Objecthood 1967 835 -- 8 Sol Le Witt Paragraphs on Conceptual Art 1967 846 -- 9 Sol Le Witt Sentences on Conceptual Art 1969 849 -- 10 Robert Barry Interview with Arthur R. Rose 1969 851 -- 11 Joseph Kosuth Art After Philosophy 1969 852 -- 12 Daniel Buren, Olivier Mosset, Michael Parmentier and Niele Toroni Statement 1967 861 -- 13 Daniel Daniel Buren Beware 1969-70 861 -- 14 Art & Language Editorial to Art Language 1976 -- VIID Critical Revisions 944 -- 1 Jacques Derrida from Of Grammatology 1967 944 -- 2 Michel Foucault What is an Author ? 1969 949 -- 3 Louis Althusser from Ideology and Ideological State Apparatuses 1970 953 -- 4 Thomas Kuhn from Postscript 1969 1970 960 -- 5 Roland Barthes From Work to Text 1971 965 -- 6 Robert Smithson Cultural Confinement 1972 970 -- 7 Leo Steinberg from Other Criteria 1968-72 971 -- 8 Rosalind Krauss A View of Modernism 1972 976 -- 9 Jean Baudrillard Ethic of Labour, Aesthetic of Play 1973 979 -- 10 Laura Mulvey from Visual Pleasure and Narrative Cinema 1973/5 982 -- 11 Michel Foucault A Lecture 1976 989 -- 12 Rosalind Krauss Notes on the Index, Part I 1976/7 994 -- 13 Fredic Jameson from Reflections on the Brecht Lukács Debate 1977 999 -- 14 Raymond Williams Dominant, Residual and Emergent 1977 1001 -- 15 Edward Said From Orientalism 1978 1005 -- VIII Ideas of the Postmodern -- Introduction 1013 -- VIIIA The Critique of Originality 1018 -- 1 Jean Baudrillard The Hyper realism of Simulation 1976 1018 -- 2 Pierre Bourdieu Being Different 1977 1020 -- 3 Craig Owens from The Allegorical Impulse 1980 1025 -- 4 Rosalind Krauss from The Originality of the Avant Garde 1981 1032 -- 5 Hal Foster from Subversive Signs 1982 1037 -- 6 Sherrie Levine Statement 1982 1038 -- 7 Art & Language Letter to a Canadian Curator 1982 1039 -- 8 Barbara Kruger Taking Pictures 1982 1041 -- 9 Peter Halley Nature and Culture 1983 1042 -- 10 Fredic Jameson The Desconstruction of Expression 1984 1046 -- 11 Haim Steinbach, Jeff Koons, Sherrie Levine, Philip Taaffe, Peter Halley, Ashley Bickerton From Criticism to Complicity 1986 1051 -- 12 Julia Kristeva Interview with Catherine Francblin 1986 1054 -- VIIIB Figures of Difference 1057 -- 1 Edward Said from Opponents, Audiences, Constituencies, and Community 1981 1057 -- 2 Mary Kelly Re Viewing Modernist Criticism 1981 1059 -- 3 Ana Mendieta Arts and Politics 1982 1064 -- 4 Krzysztof Wodiczko Public Projection 1983 1065 -- 5 Victor Burgin from The Absence of Presence 1984 1068 -- 6 Jacqueline Rose "Sexuality in the Field of Vision' 1984/5 1072 -- 7 Niklas Lahmann The Work of Art and the Self-Reproduction of Art" 1984-6 1076 -- 8 W. J. T. Mitchell "Image and Word" and 'Mute Poesy and Blind Painting" 1986 1081 -- 9 Raymond Williams "When was Modernism? 1987/9 1085 -- 10 Louise Bourgeois Statements from an Interview with Donald Kuspit 1988 1090 -- 11 Richard Rorty 'Private Irony and Liberal Hope' 1989 1092 -- 12 Gayatri Chakravorti Spivak "Who Claims Alterity? 1989 1096 -- 13 Richard Serra from The Yale Lecture 1990 1096 -- 14 Mike Kelley Dirty Toys: Mike Kelley Interviewed' 1991/2 1099 -- 15 Martin Kippenberger from B: interview with Jutta Koether 1991/4 1102 -- 16 Peter Wollen Into the Future: Tourism, Language and Art' 1990/3 1105 -- 17 Homi K. Bhabha On 'hybridity' and 'moving beyond' 1994 1110 -- VIIIC The Condition of History 1117 -- 1 Daniel Bell from 'Modernism and Capitalism' 1978 1117 -- 2 Jean François Lyotard Introduction to The Postmodern Condition 1979 1122 -- 3 Jürgen Habermas Modernity - An Incomplete Project' 1980 1123 -- 4 Jean François Lyotard 'What is Postmodernism?' 1982 1131 -- 5 Julia Kristeva 'Powers of Horror' 1980 1137 -- 6 Donald Judd from not about master-pieces but why there are so few of them' 1984 1139 -- 7 Joseph Beuys, Jannis Kounellis, Anselm Kiefer, Enzo Cucchi from "The Cultural --Historical Tragedy of the European Continent' 1986 1143 -- 8 Gerhard Richter from Interview with Benjamin Buchloh' 1988 1147 -- 9 Gerhard Richter Notes 1990 1157 -- 10 Jeff Wall from a discussion 1990 1158 -- 11 Diedrich Diederichsen 'Which Side are You on, Cultural Worker?' 1990 1162 -- 12 Albert Oehlen in conversation with Wilfred Dickhoff and Martin Prinzhorn 1991 1163 -- 13 Olu Oguibe In the Heart of Darkness 1993 1170 -- 14 Ilya Kabakov On installations 1994 and 2000 1175 -- 15 Doris Salcedo Interview with Charles Merewether 1999 1180 -- 16 Franco Moretti MoMA2000: The Capitulation 2000 1183 -- Bibliography 1188 -- Copyright acknowledgements 1212 -- Index 1228 -- edited by Charles Harrison and Paul Wood. Incude index. Includes bibliographical references (p. [1188]-1211) and index. Art, Modern 20th century Philosophy N6490 A7167 2002 709/.04 9780631227083 2002018490 pucpr 042012 20260701100541.0 eng