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  <titleInfo>
    <title>De Stijl and Dutch modernism</title>
  </titleInfo>
  <name type="personal">
    <namePart>White, Michael</namePart>
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  <genre authority="marc">bibliography</genre>
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    <dateIssued encoding="marc">2003</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <language>
    <languageTerm authority="iso639-2b" type="code">spa</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <form authority="gmd">txt</form>
    <extent>xv, 176 p. ill. (some col.) ; 25 cm.</extent>
  </physicalDescription>
  <tableOfContents>Contents:
List of illustrations page viii --
Acknowledgements xi --
Preface xii --
List of abbreviations xvi --
Introduction :  who’s afraid of red, yellow and blue? --
1 Abstraction and utopia 12 --
2 The monumental image of the city 44 --
3 Advertising as fine art 77 --
4 Structures of interior design 103 --
5 Exhibiting style 136 --
Select bibliography 165 --
Index 171 --
</tableOfContents>
  <tableOfContents>List of Illustrations:
1 Theo van Doesburg, Stained-Glass Composition IV, 1917. Courtesy of
Instituut Collectie Nederland facing page 80 --
2 Barr van der Leck, Composition 1916 no. 4, 1916. Courtesy of Kröller-Müller
Museum. © DACS 2003 81 --
3 Theo van Doesburg and Cor van Eesteren, Colour Design for a Shopping Parade and Café-Restaurant, 1924. Courtesy of Netherlands Architecture Institute 81 --
4 Vilmos Huszár, packet for Miss Blanche Virginia Cigarettes, 1927. Courtesy of Merrill C. Berman Collection. © DACS 2003 112 --
5 Gerrit Rietveld, Axonometric Projection Schröder House, undated. Courtesy of
Centraal Museum Utrecht. © DACS 2003 113 --
6 Gerrit Rietveld, Schröder House, 1924. Courtesy of Centraal Museum Utrecht.
© DACS 2003. Photograph of first floor by Frank den Oudsten 113 --
Figures : 
1 Model of 'Rietveld Joint', 1958. Courtesy of Centraal Museum Utrecht.
© DACS 2003 page 3 --
2 Bart van der Leck, The Mining Business, 1914-16. Courtesy of Kröller Müller
Museum. © DACS 2003 14 --
3 Richard Roland Holst, Industry, 1903. Beurs van Berlage, Amsterdam.
Photograph by Jan Derwig 18 --
4 Installation photograph, Hollandsche Kunstenaarskring, 1917. Courtesy of Rijksbureau voor Kunsthistorische Documentatie 21 --
5 Piet Mondrian, Evolution, I9II. Courtesy of Haags Gemeentemuseum c/o Beeldrecht Hoofddorp 21 --
6 Piet Mondrian, Self Portrait, 1918. Courtesy of Haags Gemeentemuseum c/o Beeldrecht Hoofddorp 27 --
7 J. J. P. Oud, De Vonk, Noordwijkerhout, 1917-19. Photograph from De Stijl 31 --
8 Jan Wils, De Dubbele Sleutel, Woerden, 1918. Photograph from De Stijl 36 --
9 Cover of De Stijl, 1917 38 --
10 Vilmos Huszár, Mechanical Dancing Figure, 1917-20. Photograph from Merz, 1923. © DACS 2003 39 --
11 Piet Mondrian, Wingless "Paltrok' Mill in the Schinkelbuurt, c. 1898. Courtesy of Haags Gemeentemuseum c/o Beeldrecht Hoofddorp 48 --
12 Michel de Klerk and Pieter Kramer, De Dageraad, Amsterdam, 1923. Photograph by Regine Prelle 52 --
13 J.J. P. Oud, Spangen block VIII, Rotterdam, 1920. Photograph by Michael White page 54 --
14 J. J. P. Oud, Kiefhock, Rotterdam, 192g. Photograph by Michael White 58 --
15 Theo van Doesburg, Cité de Circulation, 192g. Courtesy of Netherlands Architecture Institute 62 --
16 Th. K. van Lohuizen, Urban Spheres of Influence, 1925. Courtesy of Netherlands Architecture Institute 67 --
17 Vilmos Huszár, advert for Bruynzeel, 1917. © DACS 2003 78 --
18 Bart van der Leck, Batavier Line, 1915-16. Courtesy of Kröller Müller Museum. © DACS 2003 82 --
19 Bart van der Leck, Delfsche Slaolie, 1919. Courtesy of Merrill C. Berman Collection. © DACS 2003 84 --
20 Theo van Doesburg, Prima Goudsche Kaas, 1919. Courtesy of Merrill C. Berman Collection 86 --
21 Richard Roland Holst, cover of Programma van de feesten bij de invoering van de achturendag 1919. Courtesy of Rijksmuseum, Amsterdam 87 --
22 Cover of De Stijl, 1921. © DACS 2003 89 --
23 Theo van Doesburg, poster for Kleine Dadasoirée, 1923. Courtesy of Centraal  Museum Utrecht 90 --
24 Theo van Doesburg and Kurt Schwitters, The Story of the Scarecrow, 1925.© DACS 2003 93 --
25 Theo van Doesburg, advert for Fagus, 1925. Courtesy of Centraal Museum Utrecht 94 --
26 Kurt Schwitters, Neue Gestaltung in der Typographie, 1925. © DACS 2003 95 --
27 Theo van Doesburg, cover design for Werdegang der neue Malerei, 1925-26 Courtesy of Centraal Museum Utrecht 96 --
28 Kurt Schwitters, Miss Blanche, 1923. Collection Werner Schmalenbach.© DACS 2003 97 --
29 Vilmos Huszár, advert for Miss Blanche Virginia Cigarettes, illustration from iro, 1927. O DACS 2003 99 --
30 Jan Sluijters, The family, 1925. Courtesy of Stedelijk Museum Amsterdam 105 --
31 Johanna Van Gogh - Bonger sitting room, 1905. Courtesy of Van Gogh Museum 106 --
32 Gerrit Rietveld, Interior for Truus Schröder, 1921. Courtesy of Centraal Museum Utrecht. © DACS 2003 107 --
33 Vilmos Huszár and Jan Wils, Space Colour Composition, Berssenbrugge Studio, 1921. Courtesy of Rijksbureau voor Kunsthistorische Documentatie. © DACS 2003 110 --
34 Vilmos Huszár and Jan Wils, Space Colour Composition, Berssenbrugge Studio, 1921. Courtesy of Rijksbureau voor Kunsthistorische Documentatie. © DACS 2003 110 --
35 Mondrian's studio 26 rue du Depart, 1926. Photograph by Paul Delbo. Courtesy of Haags Gemeentemuseum c/o Beeldrecht Hoofddorp 120 --
36 Frans Postma, reconstruction of Mondrian's studio 26 rue du Depart, 1995. © Frans Postma, Delft, Holland, 10 October 2002 122 --
37 Theo van Doesburg, photograph of exhibition Les architectes du groupe De Stijl, 1923. Courtesy of Rijksbureau voor Kunsthistorische Documentatie 123 --
38 Hannes Meyer, Co-op interior, 1926. Courtesy of Deutsches Architekturmuseum 126 --
39 Gerrit Rietveld, Schroder House, Uttrecht, 1924. Photograph by Michael White page 128 --
40 Vilmos Huszár and Willem Roelofs, Vitrine for New York World’s Fair, 1939 DACS 2003 137 --
41 Rijksmuseum, Amsterdam, 1885. Photograph by Regine Prelle 141 --
42 Theo van Doesburg, diagram for Der Wille zum Stil, 1922 146 --
43 Vilmos Huszár, trade stand for Bruynzeel, 1818. Courtesy of Rijksbureau voor Kunsthistorische Documentarie DACS 2003 152 --
44 Piet Zwart, Jaarbeurs trade stand, 1921. Courtesy of Haags Gemeentemuseum c/o Beeldrecht Hoofddorp 154 --
45 Gerrit Rietveld, Gold and Silversmiths’ Company, Amsterdam, 1921. Courtesy of Centraal Museum Utrecht. DACS 2003 157 --
46 Gerrit Rietveld, Gold and Silversmiths’ Company, Amsterdam, 1921. Courtesy of Centraal Museum Utrecht DACS 2003 157 --
47 Charles Karsten, photograph of Mondrian, 1933. Courtesy of Netherlands Architecture Institute 160 --


</tableOfContents>
  <note type="statement of responsibility">Michael White.</note>
  <note>Include index.</note>
  <note>Include bibliography.</note>
  <subject authority="lcsh">
    <topic>De Stijl (Art movement)</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Modern movement Architecture</topic>
    <geographic>Netherlands</geographic>
  </subject>
  <subject authority="lcsh">
    <topic>Art, Modern</topic>
    <geographic>Netherlands</geographic>
  </subject>
  <classification authority="lcc">N6948.5.D42 W48 2003</classification>
  <classification authority="ddc" edition="21">709.492</classification>
  <identifier type="isbn">9780719061622</identifier>
  <identifier type="lccn">2005412031</identifier>
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    <recordCreationDate encoding="marc">031110</recordCreationDate>
    <recordChangeDate encoding="iso8601">20260812131413.0</recordChangeDate>
    <languageOfCataloging>
      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
    </languageOfCataloging>
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