TY - BOOK AU - De Long,David Gilson AU - Saarinen,Eero AU - Peatross,C.Ford TI - Eero Saarinen: buildings from the Balthazar Korab archive. T2 - Norton/Library of Congress visual sourcebooks in architecture, design & engineering SN - 9780393732238 AV - NA737.S28 A4 2008 U1 - 720.92 22 PY - 2007/// CY - New York ; London PB - W.W. Norton KW - Saarinen, Eero KW - Korab, Balthazar KW - Modern movement Architecture KW - Local N1 - Include Bibliography; Introduction / Rediscovering Eero Saarinen / David G. De Long -- Buildings: -- General Motors Technical Center / Warren, Michigan -- Saint Louis Gateway Arch / Saint Louis, Missouri -- Miller House / Ontario, Canada -- Irwin Union Bank & Trust Company / Columbus, Indiana -- MIT: Kresge Auditorium and Chapel / Cambridge, Massachusetts -- Milwaukee Art Museum / Milwaukee, Wisconsin -- University of Michigan: School of Music / Ann Arbor, Michigan -- Miller House / Columbus, Indiana -- Concordia Theological Seminary / Fort Wayne, Indiana -- University of Chicago: Law School / Chicago, Illinois -- United States Chancellery / London -- IBM: Manufacturing and Training Facility / Rochester, Minnesota -- IBM: Thomas J. Watson Research Center / Yorktown Heights, New York -- Yale University: David S. Ingalls Hockey Rink / New Haven, Connecticut -- TWA Terminal, John F. Kennedy Airport / New York, New York -- Deere & Company Headquarters / Moline, Illinois -- Yale University: Morse and Stiles Colleges / New Haven, Connecticut -- Dulles International Airport / Chantilly, Virginia -- North Christian Church / Columbus, Indiana -- Remembering Eero Saarinen / Balthazar Korab -- N2 - Eero Saarinen and Balthazar Korab constitute a unique team in the history of architecture: Saarinen, the mid-twentieth-century architect who challenged the architectural conventions of his time; and Korab, an architect in Saarinen's office whose perceptive photographs reveal the brilliance of Saarinen's work.This visual sourcebook illustrates nineteen Saarinen commissions in photographs drawn from Korab's archive, providing multiple views of the buildings themselves and some views of their construction and of architectural models that were critical to their design. Images of Saarinen's office and home provide personal ambience, and an introductory essay positions Saarinen's work within the broader context of his time.Seen in detail, such earlier works as the General Motors Technical Center (1948-56) or the Miller house (1953-57) show departures from orthodox modernism; Saarinen's assured handling of new materials and new building functions impart lasting value to his career, as seen in the Trans World Airlines Terminal (1956-62) and Dulles International Airport (1958-63), which have become iconic images ER -