Rendell, Jane creator text 2008 monographic eng spa

txt

xv, 240 p. ill. ; 24 cm. Contents: List of Figures -- Acknowledgements -- 1 Introduction: A place Between -- 13 Section 1: Between Here and There -- 15 Introduction: Space, Place and Site -- 23 Chapter 1: Site, Non-Site, off-Site -- 41 Chapter 2: The Expanded Field -- 57 Chapter 3: Space and Practiced Place -- 73 Section 2: Between Now and Then -- 75 Introduction: Allegory, Montage and Dialectical Image -- 85 Chapter 1: Ruin as Allegory -- 103 Chapter 2: Insetion as Montage -- 121 Chapter 3: The ‘What-has-been’ and the Now -- 145 Section 3: Between One and Another -- 147 Introduction: Listening, Prepositions and Nomadism -- 153 Chapter1: Collaboration -- 163 Chapter2: Social Sculpture -- 181 Chapter 3: Walking -- 191 Conclusion: Criticism as Critical Spatial Practice -- 195 Ednotes -- 215 Bibliography -- 231 Index -- List of Figures: Cover -- 1 ‘A Place Between’, architectural reflections in the pool of Jud Fine, ‘Spine’ (1993) Maguire Gardens, Los Angeles Public Library. Photograph: Jane Rendell (1999) -- Section 1: Chapter 1 -- 2 Robert Smithson, ‘Spiral Jetty’ (1970) Salt Lake, Utah. Photograph: Cornford & cross (2002) 22 -- 3 Walter De Maria, ‘The New York Earth Room’ (1997). Long term installation at Dia Center for the Arts, 141 Wooster Street, New York City. Photograph: Jhon Gliett 28 -- 4 Joseph Beuys, ‘7000 Oasks’ (1982-) New York City. Photograph: Cornford &Cross (2000) 29 -- 5-6 Adam Chodzko, ‘Better Scenery’ (2000) Arizona and London. Photograph: Adam Chodkzo (2000) 32 -- 7 Andrea Zittel, ‘A-Z Cellular Compartment Units’ (2001) Birmingham. Photograph: Courtesy of Sadie Coles 34 -- 8 Enric Miralles and Carmen Pinos, ‘Iqualada Cemetery’ (1988-94) Barcelona. Photograph: Jane Rendell (1999) 38 -- Section 1: Chapter 2 10 Bournville. Photograph: Jane Rendell (1999) 42 -- 11 Cornford & Cross, ‘Utopia (wishful Thimking)’ (1999) 45 -- 12 Katrin Bohm, ‘Canopies’ (1999) Bournville. Photograph: Gavin Wade (1999) 46 -- 13 Nathan Coley, ‘A Manifesto for Bournville’ (1999) Bournville. Photograph: Gavin Wade (1999) 48 -- 14 Darren Lago, ‘Chocolate Garden’ (1999) Bournville. Photograph: Gavin Wade (1999) 51 -- 15 Casagrande & Rintala, ‘1000 Banderas Blancas’ (2000) Finland. Photograph: Niklaus Stauss, Zurich (2002) 53 -- Section 1: Chapter 3 17 Michael Landy, ‘Breakdown’ (2001) London. Photograph: Artangel (2001) 58 -- 18 Jeremy Deller, ‘The Battle of Orgreave’ )2001) Sheffield. Photograph: Cornford & Cross (2001) 63 -- 19 Foreign Office Architects, ‘Yokohama International Port Terminal’ (1995) Japan. Photograph: Satoru Mishima (1995) 70 -- Section 2: Chapter 1 20 Rut Blees Luxembourg, ‘Caliban Toers I and II’ (1997) Photograph: Jane Rendell (1999) 90 -- 21 Demolition of Farnell Point, Hackney, London. Photograph: Jane Rendell (1999) 90 -- 22-3 Lacation + Vasal, ‘Palais de Tokyo’ (2001) Paris. Photograph: Jane Rendell and David Cross (2005) 92 -- 24-5 Jane Propert, ‘Conductor’ (2000) The Wapping Project, London. Photograph: John Spinks (2000) 97 -- 26 Anya Gallaccio, ‘Intensities and Surfaces’ (1996) The Boiler Room, Wapping Pumping Stantion, London. Anya Gallacio. Courtesy of the artist and Lehman Maupin Gallery, New York City 99 -- 27 Diller + Scofidio, ‘blur’ (2002) Swiss Expo.02, Lake Neuchatel, Switzerland. Photograph: Beat Widmer (2002) 100 -- Section 2: Chapter 2 -- 28 Cornford & Cross, ‘New Holland’ (1997), Sainsbury Centre for Visual Arts, Norwich. Photograph: Cornford & Cross (1997) 106 -- 29 Sarah Wigglesworth Architects, ‘Straw Bale House’ (2001-) London. Photograph: Paul Smoothy 109 -- 30 Janet Hodgson, ‘The Pits’ (2005) Canterbury. Photograph: Paul Smoothy 110 -- 31 FAT, ‘Picnic’ (1995) London. Photograph: Josh Pullman (1995) 114 -- 32 FAT ‘Roadworks’ (1997) London. Photograph: FAT (1997) 115 -- 33 Bernard Tschumi, ‘Parc de la Villete’ (1983- 98) Paris. Photograph: Jane Rendell (1999) 118 -- 34 Bernard Tschumi, Columbia University (2000) New York. Photograph: Jane Rendell (1999) 119 -- Section 2: Chapter 3 -- 35 Sophie Calle, ‘Appointment with Sigmund Freud’ (1999) Actes Sud 2005 122 -- 36-9 Mario Petrucci, ‘Search and Create’ Poetry Places (1999) Photograph: Jane Rendell (1999) 126 -- 40 Stephen Greenburg, DEGW, Bob Baxter at Large, Gerry Judah, artist sculptor, ‘The Holocaust Exhibition’ (2000) Photograph: Nick Hufton (2000) 128 -- 41 Rachel Whiteread, ‘Water Tower’ (1998) New York. Photograph: Jane Rendell (1999) 130 -- 42 Rachel Whiteread, Holocaust Memorial’, (1995) Judenplarz, Vienna. Photograph: Felicitas Konecny (2001) 131 -- 43-5 Daniel Libeskind, ‘The Jewish Museum’ (1992-9) Berlin. Photograph: Jane Rendell (1999) 134 -- 46 Janet Laurence and Fionna Foley, ‘Edge of the Trees’ (1994) Sydney. Photograph: Greg Buchberger 137 -- 47 Paul Carter, ‘Nearamnew’ (1999-2001) Federation Square, elbourne. Photograph: Paul Carter (2005) 140 -- 48 Sue Hubbard, ‘Eurydice’ (1999) Waterloo, London. Photograph: Edward Woodman (1999) 142 -- Section 3: Chapter 1 -- 49 muf architecture/art, The Pleasure Garden of the Utilities’ (1998) Stoke-on-Trent (Casting the bench in the Armitage Shanks Factory), Photograph: Cathy Hawley (1998) 158 -- 50 muf architecture/art, ‘The Pleasure Garden of the Utilities’ (1998) Stoke-on-Trent (in situ after completion). Photograph: Cathy Hawley (1998) 159 -- Section 3: Chapter 2 -- 51 Shelley Sacks, ‘Exchange Values: Images of Invisible Lives’ (1996-9) (Exchange Values sheet of skin linked to grower vitas Emanuelle) 164 -- 52 Pamela Wells, ‘Tea for 2000’ (detail), (1993) 166 -- 53 Mierle Laderman Ukeles, ‘Handshake Ritual’ (1978-9) New York City Photograph: Courtesy Ronald Fieldman Fine Artes, New York City 168 -- 54 Suzanne Lacy and Leslie Labowitz, with Bia Lowe AND women from the Los Angeles Woman’s Building, ‘In Mourning and in Rage’ (1997) Los Angeles. Photograph: Maria Karras 169 -- 55 Shigeru Ban, ‘Paper Log House’ (1994) Kobe. Photograph: Takanobu Sakuma (1994) 172 -- 56-7 public works, ‘Park Products’ (2004) The Serpentine Gallery, London. Photograph: public works (2004) 176 -- 58 public works, ‘Park Products’ (2004) The Serpentine Gallery London. Photograph: David Bebber (2004) 177 -- Section 3: Chapter 3 -- 59 PLATFORM, ‘Walking the fleet’ (2001) London. Photograph: Jane Rendell (2001) 180 -- 60-1 Marysia Lewandowska, ‘Detour’ (1999) London. Photograph: Jane Rendell (1999) 186 -- 62-3 UN-Studio (Ben van Berkel with Aad Krom, Jen- Alkem, Mathias Blass, Renco Bruggink, Marc Dijkman, Casper le Fevre, Rob Hootsmans, Tycho Soffree, Giovanny Tedesco, Harm Wassink). ‘Mobius House’ (1993-98)’ t Gooi, The Netherlands, UN Studio Photograph: Christian Richters (1998) 189 -- specialized Jane Rendell. Includes Index Include Bibliography Art and architecture N72.A75 R46 2008 9781845112226 pucpr 070810 20260820112633.0 eng