03622nam a2200313Ia 4500003000600000005001700006008004100023020001800064020001500082040003400097050002400131082001500155100001900170245011000189250001600299264004900315300005900364336002600423337002800449338002700477500001800504504002500522505077200547520182101319600007403140650005503214700002303269700001603292pucpr20220607144804.0060910s1991 txua b 00110 eng d a9780292730434 a0292730438 apucprbengcpucprdpucprerda aNA737.H295bG4 1991 220a720.9210aGermany, Lisa.10aHarwell Hamilton Harris.cby Lisa Germany; foreword by Kenneth Frampton; introduction by Bruno Zevi.htxt a1st edition aAustin :bUniversity of Texas Press ,c1991. axx, 252 p.bill. ;col. ;plans. ;photo. ;c29 cm.fbook 2rdacontentatextbtxt 2rdamediaaunmediadedbn 2rdacarrieravolumebnc aInclude index aInclude Bibliography aForeword by Kenneth Frampton -- Introduction by Bruno Zevi -- Forsaking the Formula, 1903-1921 -- Form in Clay and Color, 1922-1925 -- Of Organisms, Machines, and the Illusion of Architecture, 1926-1931 -- Rubbing Aladdin's Lamp, 1932-1934 -- Jean Murray Bangs and a Career Takes Shape, 1934-1937 -- Houses with Good Manners, 1938-1942 -- New York: Glamour and Dissension, 1943-1944 -- Back West: A Regrouping in Patterns, 1944-1948 -- The Schism Intensified: Regionalism Becomes an Issue, 1948-1949 -- Decline of the West, 1950 -- "We're Not Canning Tomatoes": The University of Texas at Austin, 1951-1955 -- The Ten-Fingered Grasp of Reality in the Split Cultures of Fort Worth and Dallas, 1955-1962 -- The River Flows On: North Carolina, 1962-1975 -- Retirement -- aAs a young sculptor, Harwell Hamilton Harris longed for a means of expression to liberate his emotions, an artistic voice in which to communicate his feelings and connect them to the lives and sensibilities of others. This longing was answered when he visited Frank Lloyd Wright's Hollyhock House in Los Angeles and realized the power of architecture for the first time. He saw that Wright's creation functioned both as a home and as shapes that moved into and out of nature, creating sculpture on a monumental scale. This revelation inspired Harris to become an architect and to create homes that would speak to people as Wright's creation had spoken to him."--BOOK JACKET. "Harwell Hamilton Harris is a biography of this important American architect. Lisa Germany traces the development of Harris' life (1903-1990) and career, assessing his place in American Modernism, in the development of regionalist architecture, and in the interpretation of a modern California lifestyle that would have admirers throughout the world."--BOOK JACKET. "This discussion opens a window into the complexities of Modernism in America during the 1930s, 1940s, and 1950s. Harris, his regionalism, and his emphasis on the democratic single family home, are seen against the backdrop of dispute and dissension among modern architects in this country. Germany explores Harris' career in its entirety, from the dawning of an artistic spirit through the heady days of world recognition and celebrity to leaner years when, first in Texas and later in North Carolina, he taught and practiced, forgotten by the fashionable magazines but still revered by those who had seen and felt his architecture. Throughout his life, Harris remained true to his vision of architecture, a vision still relevant today, as this biography amply demonstrates.10aHarris, Harwell Hamilton, 1903-xCriticism and interpretation.2Local 0aRegionalism in architecturezUnited States.2Local10aFrampton, Kenneth.10aZevi, Bruno